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The Eye of the Soldier

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    Armed with digital cameras, GIs in Iraq shoot battle footage and edit it into music videos packed with death and destruction. In the Eye of the Soldier Louise
    Message 1 of 1 , Apr 6, 2005
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      Armed with digital cameras, GIs in Iraq shoot battle footage and
      edit it into music videos packed with death and destruction.

      In the Eye of the Soldier
      Louise Roug
      Los Angeles Times
      www.latimes.com/news/nationworld/iraq/la-fg-
      videos14mar14,0,2298678.story?coll=la-home-headlines

      www.uruknet.info?p=10366


      BAQUBAH, March 13, 2005 — When Pfc. Chase McCollough went home on
      leave in November, he brought a movie made by fellow soldiers in
      Iraq. On his first night back at his parents' house in Texas, he
      showed the video to his fiancee, family and friends.

      This is what they saw: a handful of American soldiers filmed through
      the green haze of night vision goggles. Radio communication between
      two soldiers crackles in the background before it's drowned out by a
      heavy-metal soundtrack.

      "Don't need your forgiveness," the song by the band Dope begins as
      images unfurl: armed soldiers posing in front of Bradley tanks, two
      women covered in black abayas walking along a dusty road, a blue-
      domed mosque, a poster of radical cleric Muqtada Sadr. Then, to the
      fast, hard beat of the music — "Die, don't need your resistance.
      Die, don't need your prayers" — charred, decapitated and bloody
      corpses fill the screen.

      "It's like a trophy, something to keep," McCullough, 20, said back
      at his cramped living quarters at Camp Warhorse near Baqubah. "I was
      there. I did this."


      ***

      Film cameras arrived at the front during World War II, but soldiers
      didn't really document their own combat experience until the Vietnam
      War. (The technology didn't lend itself to amateur moviemaking until
      the arrival of the smaller Super 8 cameras.)

      Today, video cameras are lightweight and digital technology has cut
      out the need for processing. Having captured a firefight on video, a
      soldier can create a movie and distribute it via e-mail, uncensored
      by the military. With editing software such as Avid and access to
      Internet connections on military bases here, U.S. soldiers are
      creating fast-paced, MTV-style music videos using images from actual
      firefights and killings.

      Troops often carry personal cameras and video equipment in battle.
      On occasion, official military camera crews, known as "Combat
      Camera" units, follow the troops on raids and patrol. Although the
      military uses that footage for training and public affairs, among
      other things, it also finds its way to personal computers and
      commercial websites.

      The result: an abundance of photographs and video footage depicting
      mutilation, death and destruction that soldiers collect and trade
      like baseball cards.

      "I have a lot of pictures of dead Iraqis — everybody does," said
      Spc. Jack Benson, 22, also stationed near Baqubah. He has collected
      five videos by other soldiers and is working on his own.

      By adding music, soldiers create their own cinema verite of the
      conflict. Although many are humorous or patriotic, others are gory,
      like McCollough's favorite.

      "It gets the point across," he said. "This isn't some jolly freakin'
      peacekeeping mission."

      Commanders on the ground have discretion to establish regulations
      concerning photography on base, but common-sense rules apply, an
      Army spokesman said. Images that threaten operational security —
      such as pictures of military installations or equipment — are not
      allowed.

      Before being deployed to Iraq, some Marines were told they could not
      take pictures of detainees, dead or wounded Iraqis or American
      casualties. But photographs and videos of dead and maimed Iraqis
      proliferate.

      "It doesn't bother you so much taking pictures of the guy who was
      just shooting at you," McCullough said. He added that he hadn't seen
      any pictures of dead U.S. soldiers. "It's just a little too morbid,
      a little too close to home."

      On the bases where Benson and McCullough live, the Army regularly
      searches soldiers' quarters for drugs, alcohol and pornography as
      part of what it calls health and safety inspections. But searching
      personal laptops would infringe on soldiers' privacy, said Capt.
      Douglas Moore, a judge advocate general officer with the 3rd Brigade
      Combat Team at Warhorse. Besides, if this brand of filmmaking breaks
      rules, they're of a different kind.

      "It's in poor taste," Moore said, "kind of sick."



      ***


      McCullough was surprised that his favorite video was disturbing to
      his loved ones back in Texas.

      "You find out just how weird it is when you take it home," said
      McCullough, whose screensaver is far more benign, showing him on his
      wedding day.

      Brandi McCullough, then his fiancee and now his wife, said she
      walked in as he was showing the videos to friends who were "whooping
      and hollering."

      The 18-year-old was shocked by images of "body parts missing, bombs
      going off and people getting shot."

      "They're terrifying," she said by phone from Texas. "Chase never
      talked about anything over there, and I watch the news, but not all
      the time. I didn't realize there was that much" violence.

      She also wondered why anyone would record it.

      "I thought it was odd — a home video," she said. "People getting
      shot and someone sitting there with a camera."

      McCullough said his father, a naval reserve captain, had told
      him, " 'You know, this isn't normal.'

      "They were pretty shocked," he said. "They didn't realize this is
      what we see."

      Daniel Nelson, a professor of psychiatry at the University of
      Cincinnati School of Medicine, said he understands the disconnect.

      "I'm not surprised about this — it's a new consciousness that we're
      beginning to see," he said, comparing the videos to the Abu Ghraib
      prisoner abuse photographs. "What happens in this situation, the
      culture is endorsing something that would be prohibited in another
      context stateside."

      What seems disrespectful or a trivialization is also a way for
      soldiers to distance themselves from the trauma, he said, which
      says: "I don't want to see what I've done or experienced as real."

      The creation of videos resembles what Nelson has seen in his work
      with traumatized children and Vietnam veterans, he said.

      "How do we create the story about our lives?" he asked. "Part of the
      healing process is for them to create a narrative, to organize an
      emotional story that allows them to get a handle on it."

      Thomas Doherty, chairman of the film studies program at Brandeis
      University and author of "Projections of War: Hollywood, American
      Culture and World War II," called the videos an authentic diary of
      the war.

      "There's always the disconnect between the front-line soldier and
      the sheltered home front," he said. "It's a World War II ethos: You
      don't bring it home."

      After watching the video, Doherty said, "Of course you're struck by
      the gruesomeness of the carnage, but it's a wide range of images."

      He went on to praise "the contra-punctual editing — the beat of the
      tune and the flash of the images," calling it "a very slick piece of
      work."

      "The MTV generation goes to war," he said. "They should enter it at
      Sundance."

      In another video, made by members of the Florida National Guard,
      soldiers are shown kicking a wounded prisoner in the face and making
      the arm of a corpse appear to wave. The DVD, which is called "Ramadi
      Madness," includes sections with titles such as "Those Crafty Little
      Bastards" and "Another Day, Another Mission, Another Scumbag," came
      to light in early March after the American Civil Liberties Union
      obtained Army documents using the Freedom of Information Act.

      James Ross, senior legal advisor for Human Rights Watch, called
      it "disturbing that soldiers are making videos like that." But he
      added, "It doesn't mean that it's necessarily a violation of the
      Geneva Convention."

      The Geneva Convention instructs that remains of deceased shall be
      respected and not "exposed to public curiosity," Ross said. "It's
      not putting heads on spikes and things like that. To argue you can't
      photograph [a body] would be a bit of a stretch."

      Several websites sell footage from the war.

      "Militants fight in the streets of Baghdad, looting, lawlessness,"
      is how clips are advertised on efootage.com. Gotfootage.com, a Las
      Vegas-based company, offers $50 and $100 clips that include older
      footage of Saddam Hussein, Jessica Lynch, aerial bombardment
      and "sooooo many bombs." The site also advertises video showing an
      Iraqi fuel truck being destroyed by U.S. bombs during the invasion
      in March 2003.

      Another website advertises, "GrouchyMedia.com is the place to find
      those pump-you-up-to-kill-the-bad-guys videos everyone has been
      talking about."

      Spc. Scott Schroder, a gunner with Task Force 2-63, wouldn't show
      what he describes as the "evil, nasty kill-videos," to his family.

      "That's cool with the guys," he said. "I don't think my mom would
      care to see any of these videos."

      Another specialist, who wouldn't give his name, said the bloody
      videos disgusted him.

      "I wouldn't watch them, and the people I work with wouldn't watch
      them," said the specialist, stationed at a base near Mosul in
      northern Iraq. "I don't think it's proper."

      He compared the violent videos to those made by insurgents showing
      beheadings.

      "You bring yourself down to their level," he said. "Why would you do
      that?"


      ***

      A poster for the video game "Grand Theft Auto" is pinned to the door
      of McCullough's room at Camp Warhorse.

      Watching the home videos gives him a different perspective on
      combat, he said. Details are missed in the heat of battle, and the
      military "could use it as a tool, kind of like how they do it with
      high school football."

      His roommate, 30-year-old Sgt. Benjamin Bronkema from Lafyatte,
      Ind., said he was surprised no one had tried to sell the movies yet.

      "If I had a copy of it, and MTV called, I'd sell it," he said. The
      videos are no different than what's on screen at the cinema, showing
      glorified violence, he added.

      "It's no more graphic than 'Saving Private Ryan,' " he said. "To us,
      it's no different than watching a movie."

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