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x0x Painter of happiness and pain Abidin Dino

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  • Turkish Radio Hour
    [See the following for more: http://www.academia.com.tr/detay/116-ad01.html http://www.ismek.org/article_images/abidin1.jpg
    Message 1 of 1 , Dec 27, 2004
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      x0x Painter of happiness and pain Abidin Dino

      You may come across the name of Abidin Dino in numerous art galleries
      and museums around the world, in a poem, the lyrics of a song, or a
      book. He is not only one of the pioneers of modern Turkish painting,
      but produced masterful works in such disparate fields as caricature,
      sculpture, ceramics, cinema, and literature.

      THE `D' GROUP
      Abidin Dino was born in Istanbul in 1913, and under the influence of
      his art loving family began drawing and painting at a young age. As a
      child he lived in Switzerland and France for several years, returning
      to Istanbul in 1925. He began his secondary education at Robert
      College, but left school to devote himself to painting, drawing and
      writing. His articles and cartoons were soon being published in
      newspapers and magazines, and in 1933 he and a group of other young
      innovative painters, including Cemal Tollu, Zeki Faik Izer, Zuhtu
      Muridoglu and Nurullah Berk, founded the D Group, which held several
      exhibitions of their work.

      In 1933 Dino was invited to Leningrad by Sergey Yutkevich, a
      Russian director who had made a film about Ankara, and with Ataturk's
      encouragement Dino accepted. In Leningrad Dino worked as a scenery
      designer and assistant director at several film studios, and directed
      a film called `Miners' in Moscow, Kiev and Odessa. Shortly after
      returning to Turkey, he went to Paris, where he worked from 1937 to
      1939, meeting such famous artists as Gertrude Stein, Tristan Tzara and

      After his return to Istanbul, he participated in the famous Harbour
      Exhibition, consisting of paintings of the city's dock workers and
      fishermen by such well-known painters of the time as Nuri Iyem, Selim
      Turan and Avni Arbas. The exhibition aroused widespread public
      interest, and that year Dino was asked to design the Turkish pavilion
      at the New York World Fair. Meanwhile his articles and cartoons were
      published in several of the foremost periodicals of the day, and
      together with his elder brother Arif Dino he studied a new approach to

      During World War II he did drawings inspired by the
      conflict, but his treatment of political subjects in wartime aroused
      official hackles, and in 1941 Istanbul Martial Law Command exiled him
      first to Mecitozu and then Adana. The years of exile until 1945 were
      artistically very productive for Dino. While his young wife Guzin Dino
      taught French at Adana High School, he worked for a local newspaper,
      producing articles and drawings that illustrated with poetic realism
      the hard lives and working conditions of agricultural labourers in the
      region. It was here that he wrote his plays `Bald' and `Heirs,' and
      began doing sculpture. In 1952 he settled in Paris.

      Within a short time the home of Guzin and Abidin Dino in Paris became
      the haunt of many famous artists and writers. The couple first moved
      into the studio on the top floor of Max Ernst's apartment on the quay
      of Saint Michel, and later to a small flat on the eighth floor of a
      block of flats on L'Eure.

      Their foreign and Turkish friends, the latter including
      Nazim Hikmet, Yasar Kemal, Ahmet Hamdi Tanpinar and Melih Cevdet,
      found the opportunity to meet one another at the Dino home. The Dinos
      were also always ready with a helping hand for young Turkish painters
      and students in Paris, introducing them to world famous masters, and
      assisting them to get established.

      For eight years from 1954, Abidin Dino participated in the Salon de
      Mai exhibitions in Paris, while Guzin Dino produced programmes for
      Radio France, taught Turkish at the Oriental Languages Department of
      the Sorbonne, and did French translations of Turkish literature.

      Although Abidin Dino lived abroad, he never severed relations with
      Turkey and his friends there, and took a close interest in everything
      that occurred, particularly in the political field. He was always
      delighted to cooperate with other artists and writers, writing
      prefaces and drawing illustrations for his friends' books with
      unbounded generosity.

      After more than a decade's absence he visited Turkey in 1969 to open
      an exhibition of his work.

      From then on he came more frequently, participating in both
      one-person and mixed
      exhibitions. In 1979 he was elected honorary president of the National
      Union of the Visual Arts (UNAP) in France. His film `Goal' (1966) was
      a spectacular tribute to his visual
      sensitivity. This film about the 1966 World Cup Final is a documentary
      that did not confine itself to football matches, but included
      fascinating footage of people in London and
      elsewhere in England.

      Abidin Dino was interested in everything that was alive, skilfully
      capturing images with his brush, pencil and camera. In a book of small
      drawings which he did for his wife Guzin published on the tenth
      anniversary of his death, we catch glimpses of the love and sense of
      solidarity which were his inspiration.

      Entitled `Guzin's Abidins' this book edited by his close friend Ferit
      Edgu consists of drawings and essays by Abidin Dino.

      Text: Cevat Capan
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