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Pajara

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  • paulerlich
    I wrote, ... sort ... Why don t we call it Pajara , since that was the name of the group that performed music in it at Microthons I and II. I will upload a
    Message 1 of 42 , Jan 29, 2002
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      I wrote,

      > --- In tuning@y..., "genewardsmith" <genewardsmith@j...> wrote:
      > > --- In tuning@y..., "paulerlich" <paul@s...> wrote:
      > >
      > > > 225:224 vanishes in paultone.
      > >
      > > It's gone back to being paultone?
      >
      > OK, twintone
      > (but what do we call double-diatonic, as in 26-tET,
      > where 50:49 and 81:80 are tempered out, but 64:63 isn't? That's
      sort
      > of a "twinny" system too . . .)

      Why don't we call it "Pajara", since that was the name of the group
      that performed music in it at Microthons I and II. I will upload a
      table of Pajara key signatures momentarily.
    • Gene Ward Smith
      ... Correct. Pajara is the 12&22 system,
      Message 42 of 42 , Nov 3, 2006
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        --- In tuning@yahoogroups.com, "George D. Secor" <gdsecor@...> wrote:

        > This is very confusing. As I understand it:
        >
        > 1) In pajara, 50:49 and 64:63 are tempered out, but 81:80 isn't.

        Correct. Pajara is the 12&22 system, <<2 -4 -4 -11 - 12 2||.

        > 2) In 26-ET, 50:49 and 81:80 are indeed tempered out, and 64:63
        > isn't; however pajara isn't possible in 26-ET.

        This is injera; the 12&26 system <<2 8 8 8 7 -4||.
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