Rune Lindblad, INA-GRM
- Mark wrote:
> "Death Of The Moon" for 1950s it's astoundingly modernRune Lindblad ? Sounds quite interesting (especially now that I know
some of Marks preferences), but tells me absolutely nothing. Could you
give me some info on that ?
Concerning what was said about the new Wire featuring many things you
bought last month - I experience that all the time, not only with the
Wire but also with my favourite Austrian Radioshow (apart from my own,
of course), "Im Sumpf". I buy a record, love it, next week I hear it
on the radio. Must have something to do with Sheldrake�s concept of
morphogenetic fields or syncronicity or something.
By the way: Has anybody out there dug deeper into the INA-GRM
catalogue ? Just read the full list in FE,and was wondering if anybody
had any recommendations for me.
so it was me Dee Dee was saying hello to. Hello there. I wondered if it
>Mark wrote:It's musique concrete made of both natural sound and oscillators in the 50s.
>> "Death Of The Moon" for 1950s it's astoundingly modern
>Rune Lindblad ? Sounds quite interesting (especially now that I know
>some of Marks preferences), but tells me absolutely nothing. Could you
>give me some info on that ?
Rune Lindblad was not a musician and was concerned with "sound", his work
involves dialogue, radios, enivronmental sounds, drones and much more. It's
surprisingly melodic in an etheral way as well. It has an emotional depth
to it similar to Tod Dockstadder. The composer / constructor was unheard of
until this release last year. I came across it in the Wire essential
musique concrete article and got it from CDNow and Forced Exposure have it,
cheaper. If interested in moving, shifting, evolving sound environments I
would recommend it. It was made 53-60 and predates much later work and
makes Tetsu Inoue's Psycho Acoustic sound somewhat bland in comparison
>on the radio. Must have something to do with Sheldrake�s concept ofOooooooo. I am interested in people who have genuinely looked at the
>morphogenetic fields or syncronicity or something.
landscape like Sheldrake, I am unaware of anyone who has taken this data
into the musical field. I'm not really sure what I mean but it would be
>By the way: Has anybody out there dug deeper into the INA-GRMI am starting to in a big way. I have also sourced all but a couple of the
>catalogue ? Just read the full list in FE,and was wondering if anybody
>had any recommendations for me.
CDs in the Wire musique concrete article. I'm trying to hunt down the
Pierre Schaeffer / Pierre Henry box sets though. Any ideas anyone?