Re: //Copyright monopoly and creative sounds
- --- In email@example.com, "gibblegones" <gibblegones@y...>
>> You might argue that ideas should be protected but they are notThere was a weird situation somewhere recently where somebody was
> property in my opinion, because they cannot be taken away from you.
> for the same reason, copyright infringement is not theft.
> Do you see what I mean?
selling duplicate copies of artwork. couldn't wrap my head around how
they could get away with charging large prices for something that
wish i could remember the details better.
just seemed like, i couldn't work out exactly why the price should be
that unless it was for exclusivity. a painting for example reflects
the amount of hands on input the artist has, a duplicate reflects a
xerox or whatever other duplicator
np johnny burnette rnr trio I just found out
- Olivier wrote to wire:
OB> Forgot to mention Bach's quoting of Vivaldi in some of his concertos...
Or wholesale transcription, in the case of the Concerto for 4 Klavier
(based on a 4-violin concerto of Vivaldi's).
There's a piece by Stockhausen I'd be appalled if I had to actually cite
by name ;-). Mind you, Beethoven had fun with anthems in Wellington's
Victory 1.5 century earlier ... I'm sure there are other uses of
patriotic themes (oh wait, Ives, duh).
The most startling intrusion I can think of -- it works just a sample,
in fact most like a "cut-in" record -- is the quotation from a Beethoven
sonata (I think it's from the prelude to the 4th movement of the
Hammerklavier, but unfortunately Ch-Cr is still in storage so I can't
check) in George Crumb's Makrokosmos v.2, which floats in like the Ghost
There's a metric ton of quotation in George Rochberg's post-60s work as
Jim Flannery newgrange@...
"There are three things required for happiness: good health,
selfishness, and stupidity, and without stupidity the others
are useless." -- Gustave Flaubert
np: F/i, _Why Not Now? ... Alan!_
nr: Claude Lévi-Strauss, _Tristes Tropiques_