Re: //Copyright monopoly and creative sounds
- --- In firstname.lastname@example.org, Kraig Grady <kraiggrady@a...> wrote:
> Once again patents would apply in this caseI know i haven't answered this point. From what I can find on the
Internet, Patents in the USA seem to be different from Patents in the
UK and they seem to vary a lot from country to country. In short
Kraig, I don't know enough about patents to answer you.
> In the end it is all a personal veiwpoint.It's certainly that Kraig and it may become academic anyway as
systems like http://freenet.sourceforge.net effectively make
copyright impossible to police, never mind enforce.
Anyway I think I've shot off at a tangent in my first few posts and I
don't want to annoy the regulars so this will be my last word on the
matter, I think :)
- Olivier wrote to wire:
OB> Forgot to mention Bach's quoting of Vivaldi in some of his concertos...
Or wholesale transcription, in the case of the Concerto for 4 Klavier
(based on a 4-violin concerto of Vivaldi's).
There's a piece by Stockhausen I'd be appalled if I had to actually cite
by name ;-). Mind you, Beethoven had fun with anthems in Wellington's
Victory 1.5 century earlier ... I'm sure there are other uses of
patriotic themes (oh wait, Ives, duh).
The most startling intrusion I can think of -- it works just a sample,
in fact most like a "cut-in" record -- is the quotation from a Beethoven
sonata (I think it's from the prelude to the 4th movement of the
Hammerklavier, but unfortunately Ch-Cr is still in storage so I can't
check) in George Crumb's Makrokosmos v.2, which floats in like the Ghost
There's a metric ton of quotation in George Rochberg's post-60s work as
Jim Flannery newgrange@...
"There are three things required for happiness: good health,
selfishness, and stupidity, and without stupidity the others
are useless." -- Gustave Flaubert
np: F/i, _Why Not Now? ... Alan!_
nr: Claude Lévi-Strauss, _Tristes Tropiques_