- Jul 4 2:13 AMI first listened to Philip Jeck on a Touch compliation, without any prior knowledge of his processes. I thought it sounded like he placed a contact-mic on the underside of a train, and mixed it with heavily processed loops/samples. Picked up a copy of Loopholes and realised he was simply using aged turntables and prepared vinyl.
The recent doubleCD on Intermedium is my favourite recording - the pieces evolve over longer durations; very mesmeric but always interesting.
Did anyone see his recent installation up at Burnley art gallery?
Sorry Jess - this doesn't remotely answer your question, but...
np. snd 'stdio'
>>To make up for the signal to noise, can I can get[Non-text portions of this message have been removed]
>>anyone's opinions of Philip Jeck...he seems to be universally admired, but
>>I'll be damned if I can get a feeling for what the records actually *sound*
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