3522Re: [steiner] The Being of the Internet.
- Oct 4, 2005Is the Goethe poem I have posted below the one referred to in this lecture? I believe it is the one referred to in "The Bible and Wisdom" December 5, 1908. http://wn.rsarchive.org/Lectures/BibWis_index.htmlKind Regards,Anne N.
reads ...>"Materialism and the Task of Anthroposophy" lecture 14...the Index
>Path to this transformation: unification of clear thinking withartisitic >perception in a science that will simultaneously become art. Goethe's teaching >of morphology; his "Hymn to Nature": Nietzsche's picture of the valley of
>death.--| Nature, a Fragment |---
Nature! We are surrounded and embraced by her -- powerless to leave
her and powerless to enter her more deeply. Unaksed and without
warning she sweeps us away in the round of her dance and dances on
until we fall exhausted from her arms.
She brings forth ever new forms: what is there, never was; what was,
never will return. All is new, and yet forever old.
We live within her, and are strangers to her. She speaks perpetually
with us, and does not betray her secret. We work on her constantly,
and yet have no power over her.
All her effort seems bent toward individuality, and she cares nothing
for individuals. She builds always, destroys always, and her workshop
is beyond our reach.
She lives in countless children, and the mother -- where is she?
She is the sole artist, creating extreme contrast out of the simplest
material, the greatest perfection seemingly without effort, the most
definite clarity always veiled with a touch of softness. Each of her
works has its own being, each of her phenomenon its separate idea,
and yet all create a single whole.
She plays out a drama: we know not whether she herself sees it,
and yet she plays it for us, we who stand in the corner.
There is everlasting life, growth, movement in her and yet she
does not stir from her place. She transforms herself constantly and
there is never a moment's pause in her. She has no name for respite,
and she has set her curse upon inactivity. She is firm. Her tread is
measured, her exceptions rare, her laws immutable.
She thought and she thinks still, not as man, but as nature. She keeps
to herself her own all-embracing thoughts which none may discover
All men are in her and she in all. With all she plays a friendly game,
and is glad as our winnings grow. With many she plays a hidden game
which is ended before they know it.
Even what is most unnatural is nature.
The one who does not see her everywhere sees her nowhere clearly.
She loves herself, she adores herself eternally with countless eyes
and hearts. She has scattered herself to enjoy herself. She brings forth
ever new enjoyers, insatiable in her need to share herself.
She delights in illusion. Whoever destroys this in himself and others
she punishes as the sternest tyrant. Whovever follows her trustingly
she takes to her heart like a child.
Her children are without number. From none does she withhold all
gifts, but upon her favourites she lavishes much and for them she
sacrifices much. She has lent her protection to greatness.
Her creatures are flung up out of nothingness with no hint of where
they come from or where they are going -- they are only to run;
she knows the course.
She has few mainsprings to drive her, but these never wind down;
they are always at work, always varied.
Her drama is ever new because she creates ever new spectators.
Life is her most beautiful invention and death her scheme for having
She wraps man in shadow and forever spurs him to find the light.
She makes him a creature dependent upon the earth, sluggish and heavy,
and then again and again she shakes him awake.
She gives us needs because she loves movement. A miracle, how little
she uses to achieve all this movement. Every need is a favour.
Soon satisfied, soon roused again. When she gives us another it is
a source of new pleasure. But soon she comes into balance.
At every moment she prepares for the longest race and at every moment
she is done with it.
She is vanity itself, but not our vanity. For us she has given herself
She lets every child practice his arts on her, every fool judge her;
she allows thousands to pass over her dully, without seeing her.
In all this she takes joy and from it she draws her profit.
We obey her laws even in resisting them; we work with her even in
working against her.
All she gives she makes a blessing, for she begins by making it a
need. She delays so that we long for her; she hurries so that we
never have our fill of her.
She has neither language nor speech, but she makes tongues and
hearts with which to feel and speak.
Her crown is love. Only throughh love do we come to her.
She opens chasms between all beings, and each seeks to devour
the other. She has set all apart to draw all together. With a few
draughts from the cup of love she makes good a life full of toil.
She is all. She rewards herself and punishes herself, delights
and torments herself. She is rough and gentle, charming and
terrifying, impotent and all-powerful. All is eternally present
in her. She knows nothing of past and future. The present is
eternity for her. She is kind. I praise her with all her works.
She is wise and still. We may force no explanation from her,
wrest no gift from her, if she does not give it freely.
She is full of tricks, but to a good end, and it is best
not to take note of her ruses.
She is whole and yet always unfinished.
As she does now she may do forever.
To each she appears in a unique form.
She hides amid a thousand names and terms,
and is always the same.
She has brought me here, she will lead me away.
I trust myself to her. She may do as she will with me.
She will not hate her work. It is not I who have spoken of her.
No, what is true and what is false, all this she has spoken.
Hers is the blame, hers the glory.
(Goethe, Nature, a Fragment)
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