On Aug 17, 2019, at 11:55 AM, Jim Alexander II probecontrol@... [probe_control] <probe_control@yahoogroups.com> wrote:

No answer yet. :(  It’d be nice if he sees it one day.. 

Senensky’s site is somewhere I can spend hours at a time on. I absolutely adore it. 

Jim Alexander 
Sent from my iPhone

On Aug 16, 2019, at 10:21 PM, 'LambuLambu@...' LambuLambu@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Wow! What a wealth of info in that link! It's like getting a drink from a fire hose (with the nozzle set on straight-stream, not fog, be it high- or low-velocity fog). I do hope that poster, Kit Sullivan, does contact Jim and sends a photo of the scanner replica; like "almost" everyone else, I had no idea such catalogues existed back then, or that one even sold a scanner replica. If Kit does, hopefully Jim will post a copy of the photo here as well as on the Facebook page (since I don't do Facebook).

end run,

Dino.

-----Original Message-----
From: gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com>
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Sent: Fri, Aug 16, 2019 2:54 pm
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

Hello John

Just read the link.

Would have been interesting to have seen Jim Garner thump Tony Franciosa.

I agree with Jim Alexander. If the scanner had been available on Lincoln Enterprises, we'd all have gone after it at that price.

Some things from what Senensky infers is not seeing any of the earlier episodes so no knowing if there was any house style needed.

  He does sound like a jobbing director though.

Geoff

*********** Geoff Willmetts   editor, SFCrowsnest.info and other suffixes ***********
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of John actingman6@... [probe_control] <probe_control@yahoogroups.com>
Sent: 16 August 2019 19:26
To: Probe Control <probe_control@yahoogroups.com>
Subject: [probe_control] Ralph Senensky On Ends Of The Earth

I don't know if this site had been mentioned before on this list.  I saw it referenced on the Facebook page.  Director Ralph Senensky talks about directing Ends of the Earth.

http://senensky.com/ends-of-the-earth/

And there is so much on that site about the other shows he has directed, I will be busy reading for years, I think.

On Aug 17, 2019, at 1:19 PM, gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com> wrote:

Hello Bryan

That's really early. Any idea what was in the 'About Search' item?? It could have been the series bible.

  Just because there was a sketch there doesn't mean either way is there was a scanner for sale.

  I have been thinking a bit though. We know who had the hero scanner but what if the other ones were the stunt models?? That would explain why it/they weren't in the catalogue for long.

Geoff

***************  Geoff Willmetts    editor, SFCrowsnest.info and other suffixes ****************
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world  
                 and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
*************************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com>
Sent: 17 August 2019 20:24
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

 

Here is a link to a image file from John’s collection of the Lincoln Enterprises 4th catalog page featuring Search: https://www.dropbox.com/s/z6t4xkf7xnpy9o6/Lincoln%20Enterprises%20Cat%204.jpg?dl=0

Here is a link to a image file from Johns collection of the Lincoln Enterprises 5th catalog page featuring Search:

https://www.dropbox.com/s/qmk4vfyyjbx22s3/Lincoln%20Enterprises%20Cat%205.jpg?dl=0

On Aug 17, 2019, at 11:55 AM, Jim Alexander II probecontrol@... [probe_control] <probe_control@yahoogroups.com> wrote:

No answer yet. :(  It’d be nice if he sees it one day.. 

Senensky’s site is somewhere I can spend hours at a time on. I absolutely adore it. 

Jim Alexander 
Sent from my iPhone

On Aug 16, 2019, at 10:21 PM, 'LambuLambu@...' LambuLambu@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Wow! What a wealth of info in that link! It's like getting a drink from a fire hose (with the nozzle set on straight-stream, not fog, be it high- or low-velocity fog). I do hope that poster, Kit Sullivan, does contact Jim and sends a photo of the scanner replica; like "almost" everyone else, I had no idea such catalogues existed back then, or that one even sold a scanner replica. If Kit does, hopefully Jim will post a copy of the photo here as well as on the Facebook page (since I don't do Facebook).

end run,

Dino.

-----Original Message-----
From: gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com>
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Sent: Fri, Aug 16, 2019 2:54 pm
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

Hello John

Just read the link.

Would have been interesting to have seen Jim Garner thump Tony Franciosa.

I agree with Jim Alexander. If the scanner had been available on Lincoln Enterprises, we'd all have gone after it at that price.

Some things from what Senensky infers is not seeing any of the earlier episodes so no knowing if there was any house style needed.

  He does sound like a jobbing director though.

Geoff

*********** Geoff Willmetts   editor, SFCrowsnest.info and other suffixes ***********
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of John actingman6@... [probe_control] <probe_control@yahoogroups.com>
Sent: 16 August 2019 19:26
To: Probe Control <probe_control@yahoogroups.com>
Subject: [probe_control] Ralph Senensky On Ends Of The Earth

I don't know if this site had been mentioned before on this list.  I saw it referenced on the Facebook page.  Director Ralph Senensky talks about directing Ends of the Earth.

http://senensky.com/ends-of-the-earth/

And there is so much on that site about the other shows he has directed, I will be busy reading for years, I think.

On Aug 17, 2019, at 2:36 PM, John actingman6@... [probe_control] <probe_control@yahoogroups.com> wrote:

Here is the text of "About Search"..  Long timers have seen it before...it has just been a very long time:

A 1972 Warner Brothers Press Release on Search


NEWS FROM
WARNER BROS. TELEVISION

About

"SEARCH"

As a primary guideline to authors working on scripts for his Search series 
which he created,
prolific executive producer Leslie Stevens says, "The ultimate impact of 
Search depends
upon a simple concept: The show is intended as entertainment."

TV being the widespread medium it is, entertainment shouldn't be all that 
difficult to come
by nightly - but often it is. Since Stevens admonition to the authors is 
closely supervised
by himself, entertainment is what's found in NBC-TV's 10 to 11 (PST) time 
slot on
Wednesday evenings beginning this fall.

The Leslie Stevens Productions Search series, made in conjunction with 
Warner Bros.
Television, is a contemporary look at today's world, tinged with a touch of 
little-known
electronic magic, plus a peek into the future based on existing techniques 
and what they
may expand into.

Search, as a series, grew from a two-hour film televised last fall, titled 
"World Premiere"
Probe," starring Hugh O' Brien as an electronic private-eye. He's in the 
employ of World
Securities, a firm which protects and insures banks, national treasures, 
art collections and
the like. As a Probe - the firm's designation for its "agent" or 
"operative" - O'Brien works
in Probe Division, specializing in the search and recovery of "that which 
is missing."

With the expansion of the original film into a series of one-hour episodes 
under the new
title, Search, operations of Probe adventures have been expanded to include 
another two
stars - Tony Franciosa and Doug McClure. This makes certain O'Brian's 
talents aren't
overexposed, and that personality and physical traits of the three stars 
can be matched up
to ever-varying storylines to pique continuing audience interest through 
variety.

After his initial admonition to authors, as noted above, that the Search 
series is "intended
as entertainment," Stevens continued: "It is designed as an exciting, 
enjoyable hour of
escape from the cares of the day. It is not a message show - but that 
doesn't mean that
the pendulum automatically swings to an empty vacuum. Real entertainment 
requires real
showmanship and demands genuine creativity to blend the exciting 
ingredients: wit,
invention, romance, glamor - that which pleases intelligent audiences."

Briefly, in Search, Probe Division is split into several units titled Probe 
Control, its activities
overseen by Burgess Meredith.

Physically, Probe Control resembles the cockpit of a giant airship - it is 
dark and glowing
with telemetry instruments. Banks of computers flicker like fire-flies, 
reels of tape whirl,
shot
and reverse, and a large TV screen looms high overall. In the dark void of 
the background,
other Probe units can be seen working on other cases. An elite corps of 
five computer
telemetry specialists work at Meredith's command; they sit before 
individual consoles and
panels, their faces glow-lit by blinking, staccato lights. It resembles 
Houston Control at
NASA.

When a Probe - be it O'Brian, Franciosa or McClure - is on a job, his every 
movement
constantly is monitored by Probe Control via modern miracles of 
miniaturized systems: one
is a TV scanner-camera the size of a postage stamp. Magnetized to loci-on, 
it is worn as
a tie-tack, cufflink, wrist-watch, hand-held - or whatever. It has 
all-frequencies micro-wave
capability. It picks up picture, sound, infra-red heat, ultra 
sonics-chemical radiation - the
full
spectrum. Too, he has a tiny receiving-set neuro implant behind his ear 
which can be
heard by him only. He can communicate silently with Probe Control by tooth 
radio
implants:
tightening the jaw once signals affirmative; twice, negative. A twitch 
calls "more
information," a continuing clampdown signals "emergency."

Individual searches by individual Probes in the "Search" episodes vary as 
widely as do the
individual stars chosen for the roles: in "The Gold Machine," Hugh O'Brian 
travels to San
Francisco to locate an Eurasian "source of missing funds," and a paroled 
convict along a
trail fast disappearing into limbo. His adventure is shared by glamorous, 
blonde Angel
Tompkins, liberated by vacation from her medical telemetry duties behind a 
Probe Control
console.

Again, in "One of Our Probes Is Missing," Tony Franciosa follows a 
dangerous and
obscure London trail searching for a missing fellow Probe and 
counterfeiters whose activities
threaten the entire European acceptance of American currency. Franciosa's 
companion
in adventure is the titian-haired beauty, Stefanie Powers, with more curves 
than an All-Star
pitcher.

In a third episode, "Short Circuit," starring Doug McClure, the Probe has 
less than 12-hours
to find and capture an original designer of Probe Division and many of its 
electronic
miracles. The temporarily-crazed man threatens completely to destroy World 
Security
Corporation and Probe Division with a new invention - and has demonstrated 
that he can.
McClure's feminine foil here is Mary Ann Mobley, former Miss America.

After a decade away from series TV, Hugh O'Brian was lured back via the 
"Search" project,
the first of more than 50 offered which he felt was fresh enough to hold 
his interest; he'd
earlier wearied of the medium after six long years as TV's Wyatt Earp.

Variety typifies O'Brian, the man. He diversifies constantly. His money 
is in stocks and
bonds, real estate, bowling alleys, a building equipment firm, a 
theatre-in-the-round, an oil
syndicate and his own TV production company. Born in Rochester, New York, 
his family
reared him subsequently in such diverse places as Chicago, Pennsylvania, 
Long Island,
Illinois, and Mississippi. He's played a diversity of roles ranging from 
Hamlet to Wyatt
Earp, in films, films for TV; TV documentaries and on-stage; a confirmed 
bachelor, he lives atop
a hill overlooking Beverly Hills with gossip columnists constantly 
wondering in print which
of his many dates is sharing the pad with him. He admits only to Brut and 
Panda,
respectively a white German Shepherd and a Spaniel of questionable lineage.

Even as the versatile Stevens created the Probe of "Search," O'Brian 
originated the role
of the electronic private-eye, Lockwood. As a Probe, he is a former 
astronaut, selected in
the first group to ride the Command Module on Gemini III.

At the peak of his film career 14 years ago, Tony Franciosa said, "I'll 
never make a TV
series."

Fortunately, Franciosa admits today, no one paid much mind to his 
declaration. TV's been
good to him. Space doesn't permit listing his overall TV activities in the 
14 years, but there
was "Valentine's Day," and "Name of the Game," both series of high 
success. Today,
Franciosa admits, "I do TV for the bread. I've a lotta family to support."

Franciosa's had his problems; many of them on public record. He's now 
working at his
fourth marriage; he's a former angry boy of the streets who on occasion 
drank too much;
police arrest records bear his name. He's a cliche: "a fiery Latin." 
Obviously Italian, he told
one writer he'd changed his name (from Papaleo) because, "I didn't want to 
be Italian. I
was under the impression all Italians were gangsters or gamblers or 
racketeers." An
idealic boyhood-full of traumas. One acquaintance likens Franciosa to: "A 
typical operatic Italian
tenor of volcanic temperament. He flows along like a torpid river, then 
suddenly turns into
a raging rapid. In a frenzy, he gesticulates, he screams imprecations; he 
quiets. Two
minutes later he's forgotten it ever happened." Ladies seem to sense this 
controlled
emotion seething below-surface; it attracts.

For "Search," Franciosa's character name is Nick Bianco. Of Bianco, 
creator Stevens
notes: "A razor-sharp character, he's a smooth, funny street 
specialist. He knows every
gang, bookie, pool hustler, mobster, consigliere, cop, commissioner, FBI, 
CIA, DFI
agent...he is an encyclopedia of the underworld...Extremely smooth with 
women...he is
able to dazzle the Lady Dean of a wealthy Girls' School or even a Jackie 
Kennedy..."

Doug McClure, third of the Probe trio starring in "Search" wasn't born with 
sand between
his toes, but it wasn't long before it appeared.

At the age of three, McClure's parents moved into a home near the Pacific 
Ocean Sands
at Pacific Palisades. By the time he was five years older, he was riding 
his own horse and
body-sufing; later, as a student at Santa Monica Jr. College and at 
U.C.L.A. large portions
of his spare time were spent riding horesback or surfing.

McClure gave up surfing several years ago: "TV's demands won't permit the 
time required,"
but he continues to own four horses. For years, he rode the rodeo circuit, 
competing in
specialties of calf-roping, team-roping and bareback riding. Those are 
ex-luxuries, too:
"When a friend of mine lost a finger roping, I lost a lotta interest," he 
says, also admitting
time has taken a certain toll.

Again, executive producer Stevens, wittingly or not, has employed personal 
characteristics
in casting the third Probe of "Search."

McClure is C. R. Grover, "Stand-by Probe, no unit, unassigned. He is the 
eternal back-up
man, ready for action but rarely called upon...since nothing ever happens, 
he has learned
to take it easy. In fact, he has become a Super Goof-off. He likes to 
hang out at the
beach, surf a little, fish maybe...practice guitar...rest up. The only 
thing that stirs him into activity
is a good-looking girl.

"As a Probe, he is incredible...he is tough, brilliant operator. The 
reason for his astounding
capability is that he wants to get it over with so he can return to his 
life work of goofing-off."

In a 20-year professional career, executive producer Leslie Stevens' 
energetic mind has
brought forth many a wondrous entertainment for people to behold.

Latest, and perhaps most dramatic of all, comes in his treatment of what he 
terms: "A
Moon-Walk Down Main Street." It is exemplified in the screenplays (largely 
form his hand)
of his "Search" series.

A native of Washington, D.C., Stevens at ten became a resident of London, 
where his
father was American attache. An early interest in drama may have been 
intensified by his
father's insistence that he earn his allowance by memorizing 
Shakespeare. Today,
provoked by a proper bet, Stevens yet can soliloquize fluently.

He studied and graduated from the Royal College of Westminister. Stevens 
dates his
breakthrough at 1939-40, when he worked as Orson Welles' assistant on "Five 
Kings" with
the Mercury theatre.

At 18, Stevens joined the U.S. Army Air Force, emerging at end of World War 
II, with
Captain's rank, and enrolled at the Yale University Graduate School of Fine 
Arts to study
drama.

Returning to off-Broadway productions as a playwright, he also moonlighted 
as a copy boy
at TIME, inc., in New York, for three years. Charles Boyer and Claudette 
Colbert were
starred in "Marriage Go Round," on Broadway in 1957. Its author: Leslie 
Stevens. He
wrote on "Playhouse 90," "Producer's Theatre," "Kraft Theatre," and major 
specials for
CBS, NBC and ABC.

With Arthur Penn at Warner Bros. In 1962, Stevens wrote several films, 
including "Left-
Handed Gun" for Paul Newman. He moved to Twentieth Century Fox and United 
Artists,
where he created "Outer Limits."

Universal Studios signed Stevens in 1970 as executive producer, where he 
functioned as
writer-producer-director on such shows as: "Name of the Game," "McCloud," 
"It Takes a
Thief," "Virginian," "World Premieres," and others..

In 1971, he formed a new company, of which he's President, Leslie Stevens 
Productions,
Inc. He also is the owner of a giant U.S. missile base near Sacramento, 
California, (former
launch pad of the huge Titan ICBM) which he purchased for conversion into a 
major
ecology center. The result, "Earthside Missile Base," he terms a 
true-to-life demonstration
of "swords into plowshares."

On Sat, Aug 17, 2019 at 5:16 PM Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Sorry Geoff, I have no idea what was in the “About Search” item, but I wish I did.

On Aug 17, 2019, at 1:19 PM, gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com> wrote:

Hello Bryan

That's really early. Any idea what was in the 'About Search' item?? It could have been the series bible.

  Just because there was a sketch there doesn't mean either way is there was a scanner for sale.

  I have been thinking a bit though. We know who had the hero scanner but what if the other ones were the stunt models?? That would explain why it/they weren't in the catalogue for long.

Geoff

***************  Geoff Willmetts    editor, SFCrowsnest.info and other suffixes ****************
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world  
                 and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
*************************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com>
Sent: 17 August 2019 20:24
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

 

Here is a link to a image file from John’s collection of the Lincoln Enterprises 4th catalog page featuring Search: https://www.dropbox.com/s/z6t4xkf7xnpy9o6/Lincoln%20Enterprises%20Cat%204.jpg?dl=0

Here is a link to a image file from Johns collection of the Lincoln Enterprises 5th catalog page featuring Search:

https://www.dropbox.com/s/qmk4vfyyjbx22s3/Lincoln%20Enterprises%20Cat%205.jpg?dl=0

On Aug 17, 2019, at 11:55 AM, Jim Alexander II probecontrol@... [probe_control] <probe_control@yahoogroups.com> wrote:

No answer yet. :(  It’d be nice if he sees it one day.. 

Senensky’s site is somewhere I can spend hours at a time on. I absolutely adore it. 

Jim Alexander 
Sent from my iPhone

On Aug 16, 2019, at 10:21 PM, 'LambuLambu@...' LambuLambu@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Wow! What a wealth of info in that link! It's like getting a drink from a fire hose (with the nozzle set on straight-stream, not fog, be it high- or low-velocity fog). I do hope that poster, Kit Sullivan, does contact Jim and sends a photo of the scanner replica; like "almost" everyone else, I had no idea such catalogues existed back then, or that one even sold a scanner replica. If Kit does, hopefully Jim will post a copy of the photo here as well as on the Facebook page (since I don't do Facebook).

end run,

Dino.

-----Original Message-----
From: gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com>
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Sent: Fri, Aug 16, 2019 2:54 pm
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

Hello John

Just read the link.

Would have been interesting to have seen Jim Garner thump Tony Franciosa.

I agree with Jim Alexander. If the scanner had been available on Lincoln Enterprises, we'd all have gone after it at that price.

Some things from what Senensky infers is not seeing any of the earlier episodes so no knowing if there was any house style needed..

  He does sound like a jobbing director though.

Geoff

*********** Geoff Willmetts   editor, SFCrowsnest.info and other suffixes ***********
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of John actingman6@... [probe_control] <probe_control@yahoogroups.com>
Sent: 16 August 2019 19:26
To: Probe Control <probe_control@yahoogroups.com>
Subject: [probe_control] Ralph Senensky On Ends Of The Earth

I don't know if this site had been mentioned before on this list.  I saw it referenced on the Facebook page.  Director Ralph Senensky talks about directing Ends of the Earth.

http://senensky.com/ends-of-the-earth/

And there is so much on that site about the other shows he has directed, I will be busy reading for years, I think.

On Aug 17, 2019, at 3:05 PM, gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com> wrote:

Hello John and Bryan

Well, that was an interesting read. Gave a lot more details on Franciosa, O'Brian and Stevens that I didn't know.

  The Search info joins the dots. Looking at which stories he references means it was in production as it was written.

  Most appreciated.

Something else to ponder on. Lincoln Enterprises sold three Star Trek bibles, yet considering it has so much of Search, not its bible.

  Considering how Warner's had things archived, do you think its worth asking to see if a copy is hidden away somewhere??

Geoff

***************  Geoff Willmetts    editor, SFCrowsnest.info and other suffixes ****************
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world  
                 and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
*************************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of John actingman6@... [probe_control] <probe_control@yahoogroups.com>
Sent: 17 August 2019 22:36
To: Probe Control <probe_control@yahoogroups.com>
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

 

Here is the text of "About Search"..  Long timers have seen it before...it has just been a very long time:

A 1972 Warner Brothers Press Release on Search


NEWS FROM
WARNER BROS. TELEVISION

About

"SEARCH"

As a primary guideline to authors working on scripts for his Search series 
which he created,
prolific executive producer Leslie Stevens says, "The ultimate impact of 
Search depends
upon a simple concept: The show is intended as entertainment."

TV being the widespread medium it is, entertainment shouldn't be all that 
difficult to come
by nightly - but often it is. Since Stevens admonition to the authors is 
closely supervised
by himself, entertainment is what's found in NBC-TV's 10 to 11 (PST) time 
slot on
Wednesday evenings beginning this fall.

The Leslie Stevens Productions Search series, made in conjunction with 
Warner Bros.
Television, is a contemporary look at today's world, tinged with a touch of 
little-known
electronic magic, plus a peek into the future based on existing techniques 
and what they
may expand into.

Search, as a series, grew from a two-hour film televised last fall, titled 
"World Premiere"
Probe," starring Hugh O' Brien as an electronic private-eye. He's in the 
employ of World
Securities, a firm which protects and insures banks, national treasures, 
art collections and
the like. As a Probe - the firm's designation for its "agent" or 
"operative" - O'Brien works
in Probe Division, specializing in the search and recovery of "that which 
is missing."

With the expansion of the original film into a series of one-hour episodes 
under the new
title, Search, operations of Probe adventures have been expanded to include 
another two
stars - Tony Franciosa and Doug McClure. This makes certain O'Brian's 
talents aren't
overexposed, and that personality and physical traits of the three stars 
can be matched up
to ever-varying storylines to pique continuing audience interest through 
variety.

After his initial admonition to authors, as noted above, that the Search 
series is "intended
as entertainment," Stevens continued: "It is designed as an exciting, 
enjoyable hour of
escape from the cares of the day. It is not a message show - but that 
doesn't mean that
the pendulum automatically swings to an empty vacuum. Real entertainment 
requires real
showmanship and demands genuine creativity to blend the exciting 
ingredients: wit,
invention, romance, glamor - that which pleases intelligent audiences."

Briefly, in Search, Probe Division is split into several units titled Probe 
Control, its activities
overseen by Burgess Meredith.

Physically, Probe Control resembles the cockpit of a giant airship - it is 
dark and glowing
with telemetry instruments. Banks of computers flicker like fire-flies, 
reels of tape whirl,
shot
and reverse, and a large TV screen looms high overall. In the dark void of 
the background,
other Probe units can be seen working on other cases. An elite corps of 
five computer
telemetry specialists work at Meredith's command; they sit before 
individual consoles and
panels, their faces glow-lit by blinking, staccato lights. It resembles 
Houston Control at
NASA.

When a Probe - be it O'Brian, Franciosa or McClure - is on a job, his every 
movement
constantly is monitored by Probe Control via modern miracles of 
miniaturized systems: one
is a TV scanner-camera the size of a postage stamp. Magnetized to loci-on, 
it is worn as
a tie-tack, cufflink, wrist-watch, hand-held - or whatever. It has 
all-frequencies micro-wave
capability. It picks up picture, sound, infra-red heat, ultra 
sonics-chemical radiation - the
full
spectrum. Too, he has a tiny receiving-set neuro implant behind his ear 
which can be
heard by him only. He can communicate silently with Probe Control by tooth 
radio
implants:
tightening the jaw once signals affirmative; twice, negative. A twitch 
calls "more
information," a continuing clampdown signals "emergency."

Individual searches by individual Probes in the "Search" episodes vary as 
widely as do the
individual stars chosen for the roles: in "The Gold Machine," Hugh O'Brian 
travels to San
Francisco to locate an Eurasian "source of missing funds," and a paroled 
convict along a
trail fast disappearing into limbo. His adventure is shared by glamorous, 
blonde Angel
Tompkins, liberated by vacation from her medical telemetry duties behind a 
Probe Control
console.

Again, in "One of Our Probes Is Missing," Tony Franciosa follows a 
dangerous and
obscure London trail searching for a missing fellow Probe and 
counterfeiters whose activities
threaten the entire European acceptance of American currency. Franciosa's 
companion
in adventure is the titian-haired beauty, Stefanie Powers, with more curves 
than an All-Star
pitcher.

In a third episode, "Short Circuit," starring Doug McClure, the Probe has 
less than 12-hours
to find and capture an original designer of Probe Division and many of its 
electronic
miracles. The temporarily-crazed man threatens completely to destroy World 
Security
Corporation and Probe Division with a new invention - and has demonstrated 
that he can.
McClure's feminine foil here is Mary Ann Mobley, former Miss America.

After a decade away from series TV, Hugh O'Brian was lured back via the 
"Search" project,
the first of more than 50 offered which he felt was fresh enough to hold 
his interest; he'd
earlier wearied of the medium after six long years as TV's Wyatt Earp.

Variety typifies O'Brian, the man. He diversifies constantly. His money 
is in stocks and
bonds, real estate, bowling alleys, a building equipment firm, a 
theatre-in-the-round, an oil
syndicate and his own TV production company. Born in Rochester, New York, 
his family
reared him subsequently in such diverse places as Chicago, Pennsylvania, 
Long Island,
Illinois, and Mississippi. He's played a diversity of roles ranging from 
Hamlet to Wyatt
Earp, in films, films for TV; TV documentaries and on-stage; a confirmed 
bachelor, he lives atop
a hill overlooking Beverly Hills with gossip columnists constantly 
wondering in print which
of his many dates is sharing the pad with him. He admits only to Brut and 
Panda,
respectively a white German Shepherd and a Spaniel of questionable lineage.

Even as the versatile Stevens created the Probe of "Search," O'Brian 
originated the role
of the electronic private-eye, Lockwood. As a Probe, he is a former 
astronaut, selected in
the first group to ride the Command Module on Gemini III.

At the peak of his film career 14 years ago, Tony Franciosa said, "I'll 
never make a TV
series."

Fortunately, Franciosa admits today, no one paid much mind to his 
declaration. TV's been
good to him. Space doesn't permit listing his overall TV activities in the 
14 years, but there
was "Valentine's Day," and "Name of the Game," both series of high 
success. Today,
Franciosa admits, "I do TV for the bread. I've a lotta family to support."

Franciosa's had his problems; many of them on public record. He's now 
working at his
fourth marriage; he's a former angry boy of the streets who on occasion 
drank too much;
police arrest records bear his name. He's a cliche: "a fiery Latin." 
Obviously Italian, he told
one writer he'd changed his name (from Papaleo) because, "I didn't want to 
be Italian. I
was under the impression all Italians were gangsters or gamblers or 
racketeers." An
idealic boyhood-full of traumas. One acquaintance likens Franciosa to: "A 
typical operatic Italian
tenor of volcanic temperament. He flows along like a torpid river, then 
suddenly turns into
a raging rapid. In a frenzy, he gesticulates, he screams imprecations; he 
quiets. Two
minutes later he's forgotten it ever happened." Ladies seem to sense this 
controlled
emotion seething below-surface; it attracts.

For "Search," Franciosa's character name is Nick Bianco. Of Bianco, 
creator Stevens
notes: "A razor-sharp character, he's a smooth, funny street 
specialist. He knows every
gang, bookie, pool hustler, mobster, consigliere, cop, commissioner, FBI, 
CIA, DFI
agent...he is an encyclopedia of the underworld...Extremely smooth with 
women...he is
able to dazzle the Lady Dean of a wealthy Girls' School or even a Jackie 
Kennedy..."

Doug McClure, third of the Probe trio starring in "Search" wasn't born with 
sand between
his toes, but it wasn't long before it appeared.

At the age of three, McClure's parents moved into a home near the Pacific 
Ocean Sands
at Pacific Palisades. By the time he was five years older, he was riding 
his own horse and
body-sufing; later, as a student at Santa Monica Jr. College and at 
U.C.L.A. large portions
of his spare time were spent riding horesback or surfing.

McClure gave up surfing several years ago: "TV's demands won't permit the 
time required,"
but he continues to own four horses. For years, he rode the rodeo circuit, 
competing in
specialties of calf-roping, team-roping and bareback riding. Those are 
ex-luxuries, too:
"When a friend of mine lost a finger roping, I lost a lotta interest," he 
says, also admitting
time has taken a certain toll.

Again, executive producer Stevens, wittingly or not, has employed personal 
characteristics
in casting the third Probe of "Search."

McClure is C. R. Grover, "Stand-by Probe, no unit, unassigned. He is the 
eternal back-up
man, ready for action but rarely called upon...since nothing ever happens, 
he has learned
to take it easy. In fact, he has become a Super Goof-off. He likes to 
hang out at the
beach, surf a little, fish maybe...practice guitar...rest up. The only 
thing that stirs him into activity
is a good-looking girl.

"As a Probe, he is incredible...he is tough, brilliant operator. The 
reason for his astounding
capability is that he wants to get it over with so he can return to his 
life work of goofing-off."

In a 20-year professional career, executive producer Leslie Stevens' 
energetic mind has
brought forth many a wondrous entertainment for people to behold.

Latest, and perhaps most dramatic of all, comes in his treatment of what he 
terms: "A
Moon-Walk Down Main Street." It is exemplified in the screenplays (largely 
form his hand)
of his "Search" series.

A native of Washington, D.C., Stevens at ten became a resident of London, 
where his
father was American attache. An early interest in drama may have been 
intensified by his
father's insistence that he earn his allowance by memorizing 
Shakespeare. Today,
provoked by a proper bet, Stevens yet can soliloquize fluently.

He studied and graduated from the Royal College of Westminister. Stevens 
dates his
breakthrough at 1939-40, when he worked as Orson Welles' assistant on "Five 
Kings" with
the Mercury theatre.

At 18, Stevens joined the U.S. Army Air Force, emerging at end of World War 
II, with
Captain's rank, and enrolled at the Yale University Graduate School of Fine 
Arts to study
drama.

Returning to off-Broadway productions as a playwright, he also moonlighted 
as a copy boy
at TIME, inc., in New York, for three years. Charles Boyer and Claudette 
Colbert were
starred in "Marriage Go Round," on Broadway in 1957. Its author: Leslie 
Stevens. He
wrote on "Playhouse 90," "Producer's Theatre," "Kraft Theatre," and major 
specials for
CBS, NBC and ABC.

With Arthur Penn at Warner Bros. In 1962, Stevens wrote several films, 
including "Left-
Handed Gun" for Paul Newman. He moved to Twentieth Century Fox and United 
Artists,
where he created "Outer Limits."

Universal Studios signed Stevens in 1970 as executive producer, where he 
functioned as
writer-producer-director on such shows as: "Name of the Game," "McCloud," 
"It Takes a
Thief," "Virginian," "World Premieres," and others...

In 1971, he formed a new company, of which he's President, Leslie Stevens 
Productions,
Inc. He also is the owner of a giant U.S. missile base near Sacramento, 
California, (former
launch pad of the huge Titan ICBM) which he purchased for conversion into a 
major
ecology center. The result, "Earthside Missile Base," he terms a 
true-to-life demonstration
of "swords into plowshares."

On Sat, Aug 17, 2019 at 5:16 PM Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Sorry Geoff, I have no idea what was in the “About Search” item, but I wish I did.

On Aug 17, 2019, at 1:19 PM, gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com> wrote:

Hello Bryan

That's really early. Any idea what was in the 'About Search' item?? It could have been the series bible.

  Just because there was a sketch there doesn't mean either way is there was a scanner for sale.

  I have been thinking a bit though. We know who had the hero scanner but what if the other ones were the stunt models?? That would explain why it/they weren't in the catalogue for long.

Geoff

***************  Geoff Willmetts    editor, SFCrowsnest.info and other suffixes ****************
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world  
                 and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
*************************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com>
Sent: 17 August 2019 20:24
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

 

Here is a link to a image file from John’s collection of the Lincoln Enterprises 4th catalog page featuring Search: https://www.dropbox.com/s/z6t4xkf7xnpy9o6/Lincoln%20Enterprises%20Cat%204.jpg?dl=0

Here is a link to a image file from Johns collection of the Lincoln Enterprises 5th catalog page featuring Search:

https://www.dropbox.com/s/qmk4vfyyjbx22s3/Lincoln%20Enterprises%20Cat%205.jpg?dl=0

On Aug 17, 2019, at 11:55 AM, Jim Alexander II probecontrol@... [probe_control] <probe_control@yahoogroups.com> wrote:

No answer yet. :(  It’d be nice if he sees it one day.. 

Senensky’s site is somewhere I can spend hours at a time on. I absolutely adore it. 

Jim Alexander 
Sent from my iPhone

On Aug 16, 2019, at 10:21 PM, 'LambuLambu@...' LambuLambu@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Wow! What a wealth of info in that link! It's like getting a drink from a fire hose (with the nozzle set on straight-stream, not fog, be it high- or low-velocity fog). I do hope that poster, Kit Sullivan, does contact Jim and sends a photo of the scanner replica; like "almost" everyone else, I had no idea such catalogues existed back then, or that one even sold a scanner replica. If Kit does, hopefully Jim will post a copy of the photo here as well as on the Facebook page (since I don't do Facebook).

end run,

Dino.

-----Original Message-----
From: gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com>
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Sent: Fri, Aug 16, 2019 2:54 pm
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

Hello John

Just read the link.

Would have been interesting to have seen Jim Garner thump Tony Franciosa.

I agree with Jim Alexander. If the scanner had been available on Lincoln Enterprises, we'd all have gone after it at that price.

Some things from what Senensky infers is not seeing any of the earlier episodes so no knowing if there was any house style needed..

  He does sound like a jobbing director though.

Geoff

*********** Geoff Willmetts   editor, SFCrowsnest.info and other suffixes ***********
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of John actingman6@... [probe_control] <probe_control@yahoogroups.com>
Sent: 16 August 2019 19:26
To: Probe Control <probe_control@yahoogroups.com>
Subject: [probe_control]

(Message over 64 KB, truncated)

On Aug 17, 2019, at 4:22 PM, John actingman6@... [probe_control] <probe_control@yahoogroups.com> wrote:

Between Don and Myself we have Lincoln and Search covered.  I think around 1975, after I had all the scripts, I stopped ordering clips because I kept getting the same ones.

Don on the other hand kept ordering and managed to get all the good stuff like the idling patterns, and more of the slate shots that I did not.

I still have one of the small manila envelopes with the clips in them uncut, because they were the same ones I already had..

I had concluded that I was the only one ordering and I asked them to pull out a deeper envelope, but I got the same shots.

So I gave up and never heard from Lincoln again.

I learned about Lincoln inadvertently.  My fourth printing (March, 1969) copy of The Making of Star Trek had at the bottom of the episode listing at the back of the book a notice  saying if we want more information, to write to Star Trek Enterprises at (address).

Don't remember what I asked, but what I got in response was Star Trek catalogue number 2.

This might have been in 1970.

On Sat, Aug 17, 2019 at 6:26 PM Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

HI John,

Ha! Thanks! I have seen that press release, but not sure I made the connection that it was being sold through the Lincoln Enterprises Catalog as “About Search”. Or, if I did, I’ve forgotten—you're right it has been a very long time :)

Thanks for posting this again!

I’ve been going down the internet search rabbit hole for the last couple of hours (despite needing to doing other things). I’ve been looking to find other Lincoln Enterprise Catalogs mentioning Search. I found a few catalog covers, but all the posted interior pages are, of course, so far, Star Trek related :)

I really doubt they ever sold the scanner through the catalog; however, it would be fantastic to find all the old Lincoln Enterprise catalogs that mentioned Search. And will kick my 13-year old self if there really were scanners for sale back in the day!

I remember receiving two Lincoln Enterprise catalogs as a kid. My long-timer memory is very foggy, but I think I responded to a ad in a comic book and sent in some money for postage & handling specifically because they had Search merch. But didn’t save mine like you did! Any remembrance on how you knew about the catalog?

Bryan

On Aug 17, 2019, at 2:36 PM, John actingman6@... [probe_control] <probe_control@yahoogroups.com> wrote:

Here is the text of "About Search"..  Long timers have seen it before...it has just been a very long time:

A 1972 Warner Brothers Press Release on Search


NEWS FROM
WARNER BROS. TELEVISION

About

"SEARCH"

As a primary guideline to authors working on scripts for his Search series 
which he created,
prolific executive producer Leslie Stevens says, "The ultimate impact of 
Search depends
upon a simple concept: The show is intended as entertainment.."

TV being the widespread medium it is, entertainment shouldn't be all that 
difficult to come
by nightly - but often it is. Since Stevens admonition to the authors is 
closely supervised
by himself, entertainment is what's found in NBC-TV's 10 to 11 (PST) time 
slot on
Wednesday evenings beginning this fall.

The Leslie Stevens Productions Search series, made in conjunction with 
Warner Bros.
Television, is a contemporary look at today's world, tinged with a touch of 
little-known
electronic magic, plus a peek into the future based on existing techniques 
and what they
may expand into.

Search, as a series, grew from a two-hour film televised last fall, titled 
"World Premiere"
Probe," starring Hugh O' Brien as an electronic private-eye. He's in the 
employ of World
Securities, a firm which protects and insures banks, national treasures, 
art collections and
the like. As a Probe - the firm's designation for its "agent" or 
"operative" - O'Brien works
in Probe Division, specializing in the search and recovery of "that which 
is missing."

With the expansion of the original film into a series of one-hour episodes 
under the new
title, Search, operations of Probe adventures have been expanded to include 
another two
stars - Tony Franciosa and Doug McClure. This makes certain O'Brian's 
talents aren't
overexposed, and that personality and physical traits of the three stars 
can be matched up
to ever-varying storylines to pique continuing audience interest through 
variety.

After his initial admonition to authors, as noted above, that the Search 
series is "intended
as entertainment," Stevens continued: "It is designed as an exciting, 
enjoyable hour of
escape from the cares of the day. It is not a message show - but that 
doesn't mean that
the pendulum automatically swings to an empty vacuum. Real entertainment 
requires real
showmanship and demands genuine creativity to blend the exciting 
ingredients: wit,
invention, romance, glamor - that which pleases intelligent audiences."

Briefly, in Search, Probe Division is split into several units titled Probe 
Control, its activities
overseen by Burgess Meredith.

Physically, Probe Control resembles the cockpit of a giant airship - it is 
dark and glowing
with telemetry instruments. Banks of computers flicker like fire-flies, 
reels of tape whirl,
shot
and reverse, and a large TV screen looms high overall. In the dark void of 
the background,
other Probe units can be seen working on other cases. An elite corps of 
five computer
telemetry specialists work at Meredith's command; they sit before 
individual consoles and
panels, their faces glow-lit by blinking, staccato lights. It resembles 
Houston Control at
NASA.

When a Probe - be it O'Brian, Franciosa or McClure - is on a job, his every 
movement
constantly is monitored by Probe Control via modern miracles of 
miniaturized systems: one
is a TV scanner-camera the size of a postage stamp. Magnetized to loci-on, 
it is worn as
a tie-tack, cufflink, wrist-watch, hand-held - or whatever. It has 
all-frequencies micro-wave
capability. It picks up picture, sound, infra-red heat, ultra 
sonics-chemical radiation - the
full
spectrum. Too, he has a tiny receiving-set neuro implant behind his ear 
which can be
heard by him only. He can communicate silently with Probe Control by tooth 
radio
implants:
tightening the jaw once signals affirmative; twice, negative. A twitch 
calls "more
information," a continuing clampdown signals "emergency."

Individual searches by individual Probes in the "Search" episodes vary as 
widely as do the
individual stars chosen for the roles: in "The Gold Machine," Hugh O'Brian 
travels to San
Francisco to locate an Eurasian "source of missing funds," and a paroled 
convict along a
trail fast disappearing into limbo. His adventure is shared by glamorous, 
blonde Angel
Tompkins, liberated by vacation from her medical telemetry duties behind a 
Probe Control
console.

Again, in "One of Our Probes Is Missing," Tony Franciosa follows a 
dangerous and
obscure London trail searching for a missing fellow Probe and 
counterfeiters whose activities
threaten the entire European acceptance of American currency. Franciosa's 
companion
in adventure is the titian-haired beauty, Stefanie Powers, with more curves 
than an All-Star
pitcher.

In a third episode, "Short Circuit," starring Doug McClure, the Probe has 
less than 12-hours
to find and capture an original designer of Probe Division and many of its 
electronic
miracles. The temporarily-crazed man threatens completely to destroy World 
Security
Corporation and Probe Division with a new invention - and has demonstrated 
that he can.
McClure's feminine foil here is Mary Ann Mobley, former Miss America.

After a decade away from series TV, Hugh O'Brian was lured back via the 
"Search" project,
the first of more than 50 offered which he felt was fresh enough to hold 
his interest; he'd
earlier wearied of the medium after six long years as TV's Wyatt Earp.

Variety typifies O'Brian, the man. He diversifies constantly. His money 
is in stocks and
bonds, real estate, bowling alleys, a building equipment firm, a 
theatre-in-the-round, an oil
syndicate and his own TV production company.. Born in Rochester, New York, 
his family
reared him subsequently in such diverse places as Chicago, Pennsylvania, 
Long Island,
Illinois, and Mississippi. He's played a diversity of roles ranging from 
Hamlet to Wyatt
Earp, in films, films for TV; TV documentaries and on-stage; a confirmed 
bachelor, he lives atop
a hill overlooking Beverly Hills with gossip columnists constantly 
wondering in print which
of his many dates is sharing the pad with him. He admits only to Brut and 
Panda,
respectively a white German Shepherd and a Spaniel of questionable lineage..

Even as the versatile Stevens created the Probe of "Search," O'Brian 
originated the role
of the electronic private-eye, Lockwood. As a Probe, he is a former 
astronaut, selected in
the first group to ride the Command Module on Gemini III.

At the peak of his film career 14 years ago, Tony Franciosa said, "I'll 
never make a TV
series."

Fortunately, Franciosa admits today, no one paid much mind to his 
declaration. TV's been
good to him. Space doesn't permit listing his overall TV activities in the 
14 years, but there
was "Valentine's Day," and "Name of the Game," both series of high 
success. Today,
Franciosa admits, "I do TV for the bread. I've a lotta family to support."

Franciosa's had his problems; many of them on public record. He's now 
working at his
fourth marriage; he's a former angry boy of the streets who on occasion 
drank too much;
police arrest records bear his name. He's a cliche: "a fiery Latin." 
Obviously Italian, he told
one writer he'd changed his name (from Papaleo) because, "I didn't want to 
be Italian. I
was under the impression all Italians were gangsters or gamblers or 
racketeers." An
idealic boyhood-full of traumas. One acquaintance likens Franciosa to: "A 
typical operatic Italian
tenor of volcanic temperament. He flows along like a torpid river, then 
suddenly turns into
a raging rapid. In a frenzy, he gesticulates, he screams imprecations; he 
quiets. Two
minutes later he's forgotten it ever happened." Ladies seem to sense this 
controlled
emotion seething below-surface; it attracts.

For "Search," Franciosa's character name is Nick Bianco. Of Bianco, 
creator Stevens
notes: "A razor-sharp character, he's a smooth, funny street 
specialist. He knows every
gang, bookie, pool hustler, mobster, consigliere, cop, commissioner, FBI, 
CIA, DFI
agent...he is an encyclopedia of the underworld...Extremely smooth with 
women...he is
able to dazzle the Lady Dean of a wealthy Girls' School or even a Jackie 
Kennedy..."

Doug McClure, third of the Probe trio starring in "Search" wasn't born with 
sand between
his toes, but it wasn't long before it appeared.

At the age of three, McClure's parents moved into a home near the Pacific 
Ocean Sands
at Pacific Palisades. By the time he was five years older, he was riding 
his own horse and
body-sufing; later, as a student at Santa Monica Jr. College and at 
U.C.L.A. large portions
of his spare time were spent riding horesback or surfing.

McClure gave up surfing several years ago: "TV's demands won't permit the 
time required,"
but he continues to own four horses. For years, he rode the rodeo circuit, 
competing in
specialties of calf-roping, team-roping and bareback riding. Those are 
ex-luxuries, too:
"When a friend of mine lost a finger roping, I lost a lotta interest," he 
says, also admitting
time has taken a certain toll.

Again, executive producer Stevens, wittingly or not, has employed personal 
characteristics
in casting the third Probe of "Search."

McClure is C. R. Grover, "Stand-by Probe, no unit, unassigned. He is the 
eternal back-up
man, ready for action but rarely called upon...since nothing ever happens, 
he has learned
to take it easy. In fact, he has become a Super Goof-off. He likes to 
hang out at the
beach, surf a little, fish maybe...practice guitar...rest up. The only 
thing that stirs him into activity
is a good-looking girl.

"As a Probe, he is incredible...he is tough, brilliant operator. The 
reason for his astounding
capability is that he wants to get it over with so he can return to his 
life work of goofing-off."

In a 20-year professional career, executive producer Leslie Stevens' 
energetic mind has
brought forth many a wondrous entertainment for people to behold.

Latest, and perhaps most dramatic of all, comes in his treatment of what he 
terms: "A
Moon-Walk Down Main Street." It is exemplified in the screenplays (largely 
form his hand)
of his "Search" series.

A native of Washington, D.C., Stevens at ten became a resident of London, 
where his
father was American attache. An early interest in drama may have been 
intensified by his
father's insistence that he earn his allowance by memorizing 
Shakespeare.. Today,
provoked by a proper bet, Stevens yet can soliloquize fluently.

He studied and graduated from the Royal College of Westminister. Stevens 
dates his
breakthrough at 1939-40, when he worked as Orson Welles' assistant on "Five 
Kings" with
the Mercury theatre.

At 18, Stevens joined the U.S. Army Air Force, emerging at end of World War 
II, with
Captain's rank, and enrolled at the Yale University Graduate School of Fine 
Arts to study
drama.

Returning to off-Broadway productions as a playwright, he also moonlighted 
as a copy boy
at TIME, inc., in New York, for three years. Charles Boyer and Claudette 
Colbert were
starred in "Marriage Go Round," on Broadway in 1957. Its author: Leslie 
Stevens. He
wrote on "Playhouse 90," "Producer's Theatre," "Kraft Theatre," and major 
specials for
CBS, NBC and ABC.

With Arthur Penn at Warner Bros. In 1962, Stevens wrote several films, 
including "Left-
Handed Gun" for Paul Newman. He moved to Twentieth Century Fox and United 
Artists,
where he created "Outer Limits."

Universal Studios signed Stevens in 1970 as executive producer, where he 
functioned as
writer-producer-director on such shows as: "Name of the Game," "McCloud," 
"It Takes a
Thief," "Virginian," "World Premieres," and others..

In 1971, he formed a new company, of which he's President, Leslie Stevens 
Productions,
Inc. He also is the owner of a giant U.S. missile base near Sacramento, 
California, (former
launch pad of the huge Titan ICBM) which he purchased for conversion into a 
major
ecology center. The result, "Earthside Missile Base," he terms a 
true-to-life demonstration
of "swords into plowshares."

On Sat, Aug 17, 2019 at 5:16 PM Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Sorry Geoff, I have no idea what was in the “About Search” item, but I wish I did.

On Aug 17, 2019, at 1:19 PM, gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com> wrote:

Hello Bryan

That's really early. Any idea what was in the 'About Search' item?? It could have been the series bible.

  Just because there was a sketch there doesn't mean either way is there was a scanner for sale.

  I have been thinking a bit though. We know who had the hero scanner but what if the other ones were the stunt models?? That would explain why it/they weren't in the catalogue for long.

Geoff

***************  Geoff Willmetts    editor, SFCrowsnest.info and other suffixes ****************
 
           SFCrowsnest.info is the biggest SF website in Europe and second biggest in the world  
                 and that's only because the first is a commerical site and they look to what we do!

  NOTE THE NEW WEBSITE LINK IN YOUR FAVOURITES LIST
 
*************************************************************************************

---

From: probe_control@yahoogroups.com <probe_control@yahoogroups.com> on behalf of Bryan Durk bryankd@... [probe_control] <probe_control@yahoogroups.com>
Sent: 17 August 2019 20:24
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

 

 

Here is a link to a image file from John’s collection of the Lincoln Enterprises 4th catalog page featuring Search: https://www.dropbox.com/s/z6t4xkf7xnpy9o6/Lincoln%20Enterprises%20Cat%204.jpg?dl=0

Here is a link to a image file from Johns collection of the Lincoln Enterprises 5th catalog page featuring Search:

https://www.dropbox.com/s/qmk4vfyyjbx22s3/Lincoln%20Enterprises%20Cat%205.jpg?dl=0

On Aug 17, 2019, at 11:55 AM, Jim Alexander II probecontrol@... [probe_control] <probe_control@yahoogroups.com> wrote:

No answer yet. :(  It’d be nice if he sees it one day.. 

Senensky’s site is somewhere I can spend hours at a time on. I absolutely adore it. 

Jim Alexander 
Sent from my iPhone

On Aug 16, 2019, at 10:21 PM, 'LambuLambu@aol..com' LambuLambu@... [probe_control] <probe_control@yahoogroups.com> wrote:

 

Wow! What a wealth of info in that link! It's like getting a drink from a fire hose (with the nozzle set on straight-stream, not fog, be it high- or low-velocity fog). I do hope that poster, Kit Sullivan, does contact Jim and sends a photo of the scanner replica; like "almost" everyone else, I had no idea such catalogues existed back then, or that one even sold a scanner replica. If Kit does, hopefully Jim will post a copy of the photo here as well as on the Facebook page (since I don't do Facebook).

end run,

Dino.

-----Original Message-----
From: gf willmetts gfwillmetts-2@... [probe_control] <probe_control@yahoogroups.com>
To: probe_control@yahoogroups.com <probe_control@yahoogroups.com>
Sent: Fri, Aug 16, 2019 2:54 pm
Subject: Re: [probe_control] Ralph Senensky On Ends Of The Earth

(Message over 64 KB, truncated)

Sorry for coming back to the conversation so late. The differences in hours across the pond.

Hello Bryan

            Don’t leave it too late. You humans are mortal after all.

Hello John

            I haven’t looked at my Search clips in ages, more so after you warned they were getting red.

            I have to confess work and other things keep me off Yahoo.

Hello Dino

            Is it my imagination or you American folks tend to have less tolerant parents??

Geoff