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Tetuzi Akiyama/Josef van Wissem in DC, Tuesday 2/5

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  • Scott Verrastro
    Clavius Productions presents: Tuesday, February 5 Velvet Lounge 915 U St NW WDC http://www.velvetloungedc.com 202-462-3213 $8, doors 9pm, 21+ Tetuzi Akiyama
    Message 1 of 1 , Feb 1 7:11 AM
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      Clavius Productions presents:

      Tuesday, February 5
      Velvet Lounge
      915 U St NW WDC
      http://www.velvetloungedc.com
      202-462-3213
      $8, doors 9pm, 21+

      Tetuzi Akiyama (solo experimental guitar, from Japan)
      Josef van Wissem (solo experimental lute, from Holland)
      Kuschty Rye Ergot (DC improv psych, ex-Redeemers/Ca$h $lave Clique, mem. of Kohoutek/Insect Factory)
      Max Ochs (legendary MD acoustic fingerpicker, featured on the first Takoma compilation)


      Tetuzi Akiyama
      http://www.japanimprov.com/takiyama/

      Tetuzi Akiyama is a highly unique and experimental guitarist heavily applying free improvisation and noise. Besides guitar, he also plays electronics, viola, and self-made instruments. Akiyama became an enthusiastic hard rock fan when he was eleven years old, and started playing electric guitar at the age of thirteen. Later, he also came to be very interested in free improvisation and classical music. He formed the improvised music band Madhar in 1987. He also started playing classical viola, and formed the Hikyo String Quintet in 1994. The band, which played avant-garde improvised classical music, consisted of a viola, two cello, and two violin players, and included Taku Sugimoto on cello. Sugimoto soon left the band, which thus became a quartet. Later that year, Akiyama and Sugimoto launched their guitar duo, Akiyama-Sugimoto. They played gigs in New York in 1995, and in the Midwest (including Chicago and Detroit) in '96. For about a year starting in early 1994, Akiyama was also a member of Nijiumu, one of guitarist Keiji Haino's bands.


      Josef van Wissem
      http://www.josefvanwissem.com

      Jozef van Wissem probably plays and composes for the most unlikely instruments in the world of contemporary improvised music: the Renaissance and Baroque lute. He has accomplished the strange feat of bridging the idiom of seventeenth century lute literature and twenty-first century free improv of the silent type. Although Van Wissem uses subtle electronic sound manipulation, he has largely stayed faithful to the particular timbre, resonance and playing technique of the lute. Van Wissem first came to be noticed a few years ago because of his radical conceptual approach to Renaissance lute music: he deconstructed existing compositions, for instance by playing them backwards. He also composed his own pieces for lute, using palindromes and mirrored structures. His music therefore does not have a traditional linear progression, nor leads to a climax, it rather stays on the same level of intensity. His music is quiet and not so much demands concentrated listening, as it will bring the listener in a state of concentrated listening -- an aspect that makes Van Wissem a natural ally of the current post-reductionist improvising musicians. Van Wissem also runs the Incunabulum label, and performs regularly around the world in duo with guitar-wizard of Captain Beefheart-fame, Gary Lucas. He also works with M.B./Maurizio Bianchi, Tetuzi Akiyama, and Elliot Sharp.


      Kuschty Rye Ergot
      http://www.myspace.com/kuschtyryeergot

      Kuschty Rye Ergot is the new project from long-time DC area multi-instrumentalist/vocalist John Stanton. A collective as opposed to a fixed lineup, performances range from drifty slowburn Popol Vuh-ish watercolour solo guitar/synth constructs to full blown ensemble sonic exhaust blasts, along with occasional stripped down acoustic folk musings. Elements of many of Stanton's wide-ranging previous efforts (Redeemers, Cash Slave Clique, Nik Turner/Harvey Bainbridge of Hawkwind, Spaceseed, Promise Breakers, Cotton & Billawtm) are in evidence, refracted via a prism of spatial folk, electronics, and whatever else the lineup du jour shakes loose from their collective tree. A universe where Ronnie Lane and COB channel Dome and Peter Hammill? You decide.


      Max Ochs
      http://www.tompkinssquare.com/max.html

      Max Ochs was featured on the very first Takoma Records compilation, Contemporary Guitar, Spring '67, and has since been criminally unrecorded. He was born in Baltimore, is Phil Ochs' cousin, was responsible for turning Robbie Basho on to folk music, and played in the seminal, if obscure, ESP raga band Seventh Sons. Admittedly enamored with Pete Seeger, Ochs until recently operated Annapolis' 333 Coffeehouse, where he occasionally performed. More information on Max can be found in this interview:

      http://www.bayweekly.com/year04/issuexii12/lifexii12.html


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