Loading ...
Sorry, an error occurred while loading the content.

ANNOUNCEMENT: Computer Music Journal, new issue now available

Expand Messages
  • AMS
    Computer Music Journal, Volume 37, Number 1, Spring 2013
    Message 1 of 13 , May 13, 2013
    • 0 Attachment
      Computer Music Journal, Volume 37, Number 1, Spring 2013

      http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.37.1.html

      Table of Contents

      Spatialization
      The Spatial Sound Description Interchange Format: Principles, Specification, and Examples
      Nils Peters, Trond Lossius, Jan C. Schacher

      New Performance Interfaces
      The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians
      Edgar Berdahl, Alexandros Kontogeorgakopoulos

      Sound Synthesis
      Synthesis of Resonance by Nonlinear Distortion Methods
      Victor Lazzarini, Joseph Timoney

      Dynamic Convolution Modeling, a Hybrid Synthesis Strategy
      David Bessell

      Music Information Retrieval
      A Clustering Strategy for the Key Segmentation of Musical Audio
      Maximos A. Kaliakatsos-Papakostas, Andreas Floros, Michael N. Vrahatis

      Events
      A Festival of Experimental Music (review)
      Ross Feller

      Publications
      Source: Music of the Avant-Garde, 1966-1973 ed. by Larry Austin and Douglas Kahn, and:Source: Music of the Avant-Garde Records 1-6, 1968-1971 by Robert Ashley et al. (review)
      Michael Boyd

      Studiare La Computer Music: Definizioni, Analisi, Fonti by Laura Zattra (review)
      Andrea Valle
    • AMS
      Computer Music Journal Volume 37, Number 2, Summer 2013 http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.37.2.html Compositional Techniques Feedback
      Message 2 of 13 , Jun 10, 2013
      • 0 Attachment
        Computer Music Journal

        Volume 37, Number 2, Summer 2013

        http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.37.2.html

        Compositional Techniques

        Feedback Systems: An Analytical Framework
        Dario Sanfilippo, Andrea Valle

        Timing and synchronization in Performance

        Predicting an Orchestral Conductor's Baton Movements Using Machine Learning
        Donald G. Dansereau, Nathan Brock, Jeremy R. Cooperstock

        Synchronizing Sequencing Software to a Live Drummer
        Andrew Robertson, Mark D. Plumbley

        Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation
        Myriam Desainte-Catherine, Antoine Allombert, Gérard Assayag

        Automatic Transcription

        Towards Computer-Assisted Flamenco Transcription: An Experimental Comparison of Automatic Transcription Algorithms as Applied to A Cappella Singing
        Emilia Gómez, Jordi Bonada

        Reviews

        Demos and Late-Breaking Session of the Thirteenth International Society for Music Information Retrieval Conference (ISMIR 2012) (review)
        Amélie Anglade, Eric Humphrey, Erik Schmidt, Sebastian Stober, Mohamed Sordo

        Mainframe Experimentalism: Early Computing and the Foundations of the Digital Arts ed. by Hannah B. Higgins and Douglas Kahn (review)
        Hubert Howe, Jeffrey Trevino

        Elizabeth Hoffman: Intérieurs Harmoniques (review)
        Ross Feller
      • AMS
        Computer Music Journal Volume 37, Number 3, Fall 2013 http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.37.3.html Table of Contents Recalling a
        Message 3 of 13 , Oct 7, 2013
        • 0 Attachment
          Computer Music Journal

          Volume 37, Number 3, Fall 2013

          http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.37.3.html

          Table of Contents

          Recalling a Singular Synthesizer

          Augmented Musical Instruments

          Trumpet Augmentation and Technological Symbiosis
          Joseph Thibodeau, Marcelo M. Wanderley

          The History of Computer Music

          Life and Times of the Samson Box
          D. Gareth Loy

          The Systems Concepts Digital Synthesizer: An Architectural Retrospective
          D. Gareth Loy

          Algorithmic Generation of Music

          Automatic Phrase Continuation from Guitar and Bass Guitar Melodies
          Srikanth Cherla, Hendrik Purwins, Marco Marchini

          Music Information Retrieval

          Joint Recognition of Raag and Tonic in North Indian Music
          Parag Chordia, Sertan entürk

          Reviews: Recordings

          Imaginary Friends by Andrew May (review)
          Ross Feller

          Mars in 3D (review)
          D. Gareth Loy

          Products of Interest
        • AMS
          Computer Music Journal Volume 38, Number 1, Spring 2014 http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.1.html Table of Contents Live Coding
          Message 4 of 13 , Apr 21, 2014
          • 0 Attachment
            Computer Music Journal
            Volume 38, Number 1, Spring 2014
            http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.1.html

            Table of Contents
            Live Coding
            Herding Cats: Observing Live Coding in the Wild
            Thor Magnusson

            Live Coding in a Scalable, Participatory Laptop Orchestra
            David Ogborn

            Hacking Choreography: Dance and Live Coding
            Kate Sicchio

            Computation as Material in Live Coding
            Till Bovermann, Dave Griffiths

            Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems
            Scott Wilson, Norah Lorway, Rosalyn Coull, Konstantinos Vasilakos, Tim Moyers

            The Many Meanings of Live Coding
            Andrew Sorensen, Ben Swift, Alistair Riddell

            Live Coding the Law: Improvisation, Code, and Copyright
            Martin Zeilinger

            Reviews
            Publications
            Recordings
            Products of Interest
          • AMS
            Computer Music Journal Volume 38, Number 2, Summer 2014 http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.2.html The Mobile Phone as Musical
            Message 5 of 13 , May 27, 2014
            • 0 Attachment
              Computer Music Journal
              Volume 38, Number 2, Summer 2014

              http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.2.html

              The Mobile Phone as Musical Instrument

              Ocarina: Designing the iPhone’s Magic Flute
              Ge Wang

              New Musical Interfaces

              In-House Development of Paper Force Sensors for Musical Applications
              Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven, Denis Curtil

              Musical Performance by Computers

              Methods and Prospects for Human–Computer Performance of Popular Music
              Roger B. Dannenberg, Nicolas E. Gold, Dawen Liang, Guangyu Xia

              Active Scores: Representation and Synchronization in Human–Computer Performance of Popular Music
              Roger B. Dannenberg, Nicolas E. Gold, Dawen Liang, Guangyu Xia

              Compositional Software

              Generative Tools for Interactive Composition: Real-Time Musical Structures Based on Schaeffer’s TARTYP and on Klumpenhouwer Networks
              Israel Neuman

              Reviews

              Events

              2013 Performance Studies Network International Conference (review)
              Katerina Kosta, Shengchen Li

              Publications

              Designing Audio Objects for Max/MSP and Pd by Eric Lyon (review)
              Robert S. Thompson

              Recordings

              Nuestro Tiempo / Our Time by Juan Blanco (review)
              Ross Feller
            • Robert Judd
              Computer Music Journal, Volume 38, Number 3, Fall 2014 http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.3.html EditorsÆ Notes Marcelo M.
              Message 6 of 13 , Sep 22, 2014
              • 0 Attachment
                Computer Music Journal, Volume 38, Number 3, Fall 2014

                http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.3.html

                Editors’ Notes
                Marcelo M. Wanderley, Joseph Malloch

                Mapping

                Mapping Control Structures for Sound Synthesis: Functional and Topological Perspectives
                Doug Van Nort, Marcelo M. Wanderley, Philippe Depalle

                A Zoomable Mapping of a Musical Parameter Space Using Hilbert Curves
                Robert Tubb, Simon Dixon

                Mapping Through Listening
                Baptiste Caramiaux, Jules Françoise, Norbert Schnell, Frédéric Bevilacqua

                The Map and the Flock: Emergence in Mapping with Swarm Algorithms
                Jan C. Schacher, Daniel Bisig, Philippe Kocher

                Compositional and Performance Mapping in Computer Chamber Music: A Case Study
                Eric Lyon, R. Benjamin Knapp, Gascia Ouzounian

                Reviews

                Events

                MCM 2013: The Fourth International Conference on Mathematics and Computation in Music (review)
                Louis Bigo

                Recordings

                Matthew Burtner: Noise Plays Burtner (review)
                Ross Feller
              • Robert Judd
                Computer Music Journal Volume 38, Number 4, Winter 2014 http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.4.html Digital Sound Synthesis Sound
                Message 7 of 13 , Dec 29, 2014
                • 0 Attachment
                  Computer Music Journal
                  Volume 38, Number 4, Winter 2014
                  http://muse.jhu.edu/journals/computer_music_journal/toc/cmj.38.4.html

                  Digital Sound Synthesis

                  Sound Synthesis with Auditory Distortion Products
                  Gary S. Kendall, Christopher Haworth, Rodrigo F. Cádiz

                  An Intuitive Synthesizer of Continuous-Interaction Sounds: Rubbing, Scratching, and Rolling
                  Simon Conan, Etienne Thoret, Mitsuko Aramaki, Olivier Derrien, Charles Gondre, Sølvi Ystad, Richard Kronland-Martinet

                  Histogram Mapping Synthesis: A Cellular Automata-Based Technique for Flexible Sound Design
                  Jaime Serquera, Eduardo Reck Miranda

                  Sound Synthesis of a Gaussian Quantum Particle in an Infinite Square Well
                  Rodrigo F. Cadiz, Javier Ramo

                  New Musical Interfaces

                  Evaluating Gesture-Augmented Keyboard Performance
                  Qi Yang, Georg Essl

                  Algorithmic Composition

                  Functional Scaffolding for Composing Additional Musical Voices
                  Amy K. Hoover, Paul A. Szerlip, Kenneth O. Stanley

                  Reviews

                  Events
                  EMS 2014: The Twelfth Electroacoustic Music Studies Network Conference (review)
                  Ian Stevenson

                  Publications
                  The Techniques of Singing by Nicholas Isherwood (review)
                  Curtis Roads

                  Sound in Z: Experiments in Sound and Electronic Music in Early 20th Century Russia by Andrey Smirnov (review)
                  Jacob Gotlib
                Your message has been successfully submitted and would be delivered to recipients shortly.