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CONF: The Agon of Opera and Dance, Princeton univ. May 2013

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    The Agon of Opera and Dance An interdisciplinary symposium at Princeton University May 3-4, 2013 http://agonsymposium.wordpress.com/ Assembling perspectives
    Message 1 of 1 , Mar 22, 2013
      The Agon of Opera and Dance

      An interdisciplinary symposium at Princeton University

      May 3-4, 2013

      http://agonsymposium.wordpress.com/

      Assembling perspectives from musicology, theater and performance studies, dance history and criticism, and cinema and media studies, �The Agon of Opera and Dance� aims to explore the conceptual and practical polarities of opera and dance. Through the cultivation of a meaningful dialogue between academics and practitioners, it is our hope that the symposium will bring new prominence to the question of this longstanding agon, launching a sophisticated and thorough inquiry into the confrontation and complementarity of opera and dance.

      The two-day event will feature academic presentations by distinguished opera and dance scholars Mary Ann Smart (University of California Berkeley), Rebecca Schneider (Brown University) and Timothy Scholl (Oberlin College and Conservatory); a lecture-demonstration by composer Barbara White (Princeton University) involving her one-act opera, Weakness, with choreography by Kate Weare; an interview with Russian dance critic Pavel Gershenzon; and a roundtable discussion of �choreographer�s opera� that examines the work of Trisha Brown, Pina Bausch, and Mark Morris, to be moderated by David J. Levin (University of Chicago; Co-Executive Editor, Opera Quarterly).

      We are delighted to welcome as discussants for the symposium members of the editorial board of The Opera Quarterly including Alessandra Campana, Bonnie Gordon, Ryan Minor, and Heather Wiebe. Dance scholars and critics Joan Acocella (The New Yorker Magazine), Lynn Garafola (Barnard College), Janice Ross (Stanford University), and Elizabeth Kendall (The New School) will serve as discussants, joined by a roster of Princeton faculty that includes Wendy Heller, Simon Morrison, Caryl Emerson, Peter Brooks, Serguei Alex Oushakine, Tina Fehlandt and Jeffrey Dolven.

      The symposium will conclude on May 4 with two back-to-back performance events: a screening of the dance film �Baroque Suite� by Princeton composer Troy Herion, and a work-in-progress, �Structural Appropriation,� by Princeton Senior Lecturer in Dance and choreographer Rebecca Lazier. The piece attempts to give the independent forms (choreography, voice, music, and dancers) equal value and follows conditions appropriated from Terry Riley�s In C. (6:30pm, Lewis Center for the Arts, Hagan Dance Studio).

      The events are free and open to the public, but registration is requested. Please register for the event by sending an email with your name and affiliation to agonsymposium at gmail.com

      Full schedule and more information at: http://agonsymposium.wordpress.com/

      "The Agon of Opera and Dance" is presented by the Princeton University Department of Music, the Department of Slavic Languages and Literatures, and the Lewis Center for the Arts, in association with The Opera Quarterly. Additional funding provided by the Princeton Institute for International and Regional Studies, the Program in Russian and Eurasian Studies, the Council of the Humanities, the Program in Italian Studies, and the Interdisciplinary Doctoral Program in the Humanities.
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