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  • AMS
    MLA Notes, Volume 69, Number 3, March 2013 http://muse.jhu.edu/journals/notes/toc/not.69.3.html Music Publishing by Subscription in 1820s France: A Preliminary
    Message 1 of 13 , Feb 22, 2013
      MLA Notes, Volume 69, Number 3, March 2013


      Music Publishing by Subscription in 1820s France: A Preliminary Study
      Anita Breckbill

      What Employers Want: Entry-Level Qualifications for Music Librarians
      Joe C. Clark

      Music Discovery Requirements: A Guide to Optimizing Interfaces
      Nara L. Newcomer, Rebecca Belford, Deb Kulczak, Kimmy Szeto, Jennifer Matthews, Misti Shaw

      Book Reviews


      Performing Pain: Music and Trauma in Eastern Europe by Maria Cizmic (review)
      Alice Miller Cotter

      In Search of Song: The Life and Times of Lucy Broadwood by Dorothy de Val (review)
      Julian Onderdonk

      Selbstlose Musik. Texte, Briefe, Gespräche by Karel Goeyvaerts (review)
      Martin Iddon

      Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner by David Conway (review)
      Tina Frühauf


      Music and the Language of Love: Seventeenth-Century French Airs by Catherine Gordon-Seifert (review)
      Francesca Giannetti

      Staging the French Revolution: Cultural Politics and the Paris Opéra, 1789–1794 by Mark Darlow (review)
      Damien Mahiet


      Richard Strauss: A Musical Life by Raymond Holden (review)
      Scott Warfield

      Brahms und Ungarn. Biographische, rezeptionsgeschichtliche, quellenkritische und analytische Studien by Adam Gellen (review)
      Balázs Mikusi

      (North) Americana

      John Philip Sousa’s America: The Patriot’s Life in Images and Words by John Philip Sousa IV and Loras John Schissel, and: “Bully for the Band!”: The Civil War Letters and Diary of Four Brothers in the 10thVermont Infantry Band: Charles George, Herbert George, Jere George and Osman George ed. by James G. Davis, and: Connecticut’s Fife & Drum Tradition by James Clark (review)
      Raoul F. Camus

      Bruce Springsteen, Cultural Studies, and the Runaway American Dream. ed. by Kenneth Womack et al. (review)
      Michael Ethen

      Unheard Of: Memoirs of a Canadian Composer by John Beckwith (review)
      Benita Wolters-Fredlund

      John Adams’s Nixon in China: Musical Analysis, Historical and Political Perspectives by Timothy A. Johnson (review)
      Robert Lintott

      Norman Granz: The Man Who Used Jazz for Justice by Tad Hershorn (review)
      David Tenenholtz

      Music and Markets

      The Perilous Life of Symphony Orchestras: Artistic Triumphs and Economic Challenges by Robert J. Flanagan (review)
      Michael Mauskapf

      Music, Movies, Meanings and Markets: Cinemajazzamatazz by Morris B. Holbrook (review)
      Mark C. Gridley


      Ravel by Roger Nichols (review)
      Mark DeVoto

      Ravel the Decadent: Memory, Sublimation, and Desire by Michael J. Puri (review)
      Zarah Ersoff


      Jean Sibelius by Tomi Mäkelä, and: Jean Sibelius and His World ed. by Daniel M. Grimley (review)
      Carl Rahkonen

      The Correspondence of Jean Sibelius and Rosa Newmarch, 1906–1939 ed. by Philip Ross (review)
      Ryan Ross

      Musical Theater

      The Oxford Handbook of the American Musicaled. by Raymond Knapp et al. (review)
      Lara E. Housez

      Weill’s Musical Theater: Stages of Reform by Stephen Hinton (review)
      Sabine Feisst

      Irving Berlin’s American Musical Theater by Jeffrey Magee (review)
      Trudi Wright

      The Irving Berlin Reader ed. by Benjamin Sears (review)
      Ann van der Merwe

      Books Recently Published

      New Periodicals

      Digital Media Reviews

      Video Reviews

      Music Reviews

      Music Received
    • AMS
      Music Library Association Notes Volume 69, Number 4, June 2013 http://muse.jhu.edu/journals/notes/toc/not.69.4.html Table of Contents Documenting the Zenith of
      Message 2 of 13 , May 2, 2013
        Music Library Association Notes

        Volume 69, Number 4, June 2013


        Table of Contents

        Documenting the Zenith of Women Song Composers: A Database of Songs Published in the United States and the British Commonwealth, ca. 1890–1930
        Christopher Reynolds

        Johann Philipp Kirnberger and Authorship
        Beverly Jerold

        Reassessing Eugène Bozza: Discoveries in the Bibliothèque Municipale de Valenciennes Archive
        Lois Kuyper-Rushing

        Book Reviews

        Jewishness (as Heard by Others)

        The Music Libel Against the Jews by Ruth HaCohen (review)
        Jesse Rosenberg


        Hugo-Wolf-Werkverzeichnis (HWW): Thematisch-chronologisches Verzeichnis der musikalischen Werke Hugo Wolfs by Margret Jestremski (review)
        Heather Platt

        The Music Library of a Noble Florentine Family: A Catalogue Raisonné of Manuscripts and Prints of the 1720s to the 1850s Collected by the Ricasoli Family Now Housed in the University of Louisville Music Library ed. by Susan Parisi (review)
        Christine Jeanneret

        Giacomo Puccini: a Discography by Roger Flury (review)
        Richard LeSueur

        Instruments and Performance

        The Art of Partimento: History, Theory, Practice by Giorgio Sanguinetti (review)
        David Chapman

        Style and Performance for Bowed String Instruments in French Baroque Music by Mary Cyr (review)
        John Moran

        Great Wagner Conductors: A Listener’s Companion by Jonathan Brown (review)
        James L. Zychowicz

        The Drum: A History by Matt Dean (review)
        Marty Jenkins

        The Trombone in the Renaissance: A History in Pictures and Documents by Stewart Carter (review)
        David M. Guion

        World Musics

        Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana by Steven Feld (review)
        Stephen Hager

        Romani Routes: Cultural Politics and Balkan Music in Diaspora by Carol Silverman (review)
        Barbara Rose Lange

        Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa by Matt Gillan (review)
        Sarah J. McClimon

        Times and Places

        Silent Music: Medieval Song and the Construction of History in Eighteenth-Century Spain by Susan Boynton (review)
        Mark A. Peters

        Moral Fire: Musical Portraits from America’s Fin de Siècle by Joseph Horowitz (review)
        Nancy Newman

        British Music and Literary Context: Artistic Connections in the Long Nineteenth Century by Michael Allis (review)
        Rohan H. Stewart-MacDonald

        The Journals and Letters of Susan Burney: Music and Society in Late Eighteenth-Century England by Philip Olleson (review)
        Andrew Shryock


        From Jim Crow to Jay-Z: Race, Rap, and the Performance of Masculinity by Miles White (review)
        J. Griffith Rollefson

        Music, Sexuality and the Enlightenment in Mozart’s Figaro, Don Giovanni and Così fan tutte by Charles Ford (review)
        Katharina Clausius


        György Ligeti: Of Foreign Lands and Strange Sounds ed. by Louise Duchesneau and Wolfgang Marx, and: Ligeti’s Laments: Nostalgia, Exoticism, and the Absolute by Amy Bauer (review)
        Péter Laki

        John Cage by Rob Haskins, and: “we must arrange everything”: Erfahrung, Rahmung und Spiel bei John Cage by Michael Rebhahn (review)
        Clemens Gresser

        Rethinking Schumann ed. by Roe-Min Kok and Laura Tunbridge (review)
        Yannis Rammos

        Books Recently Published
        Digital Media Reviews
        Music Reviews
        Music Received
      • AMS
        MLA Notes Volume 70, Number 2, December 2013 http://muse.jhu.edu/journals/notes/toc/not.70.2.html Table of Contents Studying Britten: The Current Landscape of
        Message 3 of 13 , Nov 25, 2013
          MLA Notes Volume 70, Number 2, December 2013


          Table of Contents

          Studying Britten: The Current Landscape of Published Britten Scholarship
          Jonathan Manton

          In Memoriam Mary Wallace Davidson
          Daniel Zager, Philip Ponella

          Prices of Music Monographs and Scores as Reflected in Notes, 2007-2012
          Kerri Scannell Baunach

          Notes for Notes

          Book Reviews

          Theatrical Music

          Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)
          Geoffrey Block

          Ombra: Supernatural Music in the Eighteenth Century by Clive McClelland (review)
          Sarah Bushey

          La dramaturgie de Gustave Charpentier by Michela Niccolai (review)
          Matthew Franke

          Modernist Mysteries: Perséphone by Tamara Levitz (review)
          Sarah Iker

          Franz Schubert: Ein Opernkomponist? Am Beispiel des Fierrabras by Liane Speidel (review)
          Eric Schneeman

          Maps and Travels

          Jan Ladislav Dussek (1760-1812): A Bohemian Composer "en voyage" through Europe ed. by Roberto Illiano and Rohan H. Stewart-MacDonald (review)
          Bryan Proksch

          Music and Ceremony at the Court of Charles V: The Capilla Flamenca and the Art of Political Promotion by Mary Tiffany Ferer (review)
          Greta Olson

          Mapping Canada's Music: Selected Writings of Helmut Kallmann ed. by John Beckwith and Robin Elliott (review)
          Benita Wolters-Fredlund


          The Oxford Handbook of Neo-Riemannian Music Theories ed. by Edward Gollin and Alexander Rehding (review)
          Murray Dineen

          Documenting Schools of Music

          The Associated Board of the Royal Schools of Music: A Social and Cultural History by David C. H. Wright (review)
          G. W. E. Brightwell

          Le Conservatoire national de musique et de déclamation, 1900-1930: Documents historiques et administratifs by Anne Bongrain (review)
          Christopher Brent Murray

          Instrument Restoration

          The Conservation, Restoration, and Repair of Stringed Instruments and Their Bows ed. by Tom Wilder (review)
          Daniel F. Boomhower

          Books Recently Published
          James Procell, Matt Ertz

          Digital Media Reviews

          Classical Music in Video (review)
          Michael J. Duffy IV

          New York Philharmonic Digital Archives (review)
          Lisa Shiota

          Research Centre for the History and Analysis of Recorded Music (CHARM) Sound Files Search and Discography (review)
          Carolyn Doi

          Music Reviews

          Diplomatic Transcriptions of Medieval Music
          William Hudson

          Two Versions of C. P. E. Bach's Magnificat
          Evan Cortens

          Arias for a Tenor from Mozart's Vienna
          Joshua Neumann

          Two Editions of Ravel's Piano Trio
          Roy Howat

          The Vocal Score for Messiaen's Saint François d'Assise
          Christopher Dingle
        • AMS
          Music Library Association Notes Volume 70, Number 3, March 2014 http://muse.jhu.edu/journals/notes/toc/not.70.3.html Table of Contents Reconstructing Samuel
          Message 4 of 13 , Mar 4 4:42 PM
            Music Library Association Notes
            Volume 70, Number 3, March 2014


            Table of Contents

            Reconstructing Samuel Barber’s Christmas Cantata Christmas Eve: A Trio with Solos, Op. XIII
            Iain Quinn

            Photoplay Music From the Mirskey Collection at the University of Pittsburgh
            Carlos E. Peña

            Denkmäler der Tonkunst in Österreich (DTÖ): History and Editorial Program
            Martin Eybl

            Notes for Notes

            Book Reviews
            Bewitching Russian Opera: The Tsarina from State to Stage by Inna Naroditskaya (review)
            Richard Taruskin

            The Birth of an Opera: Fifteen Masterpieces from Poppea to Wozzeck by Michael Rose (review)
            George Kennaway

            Noah im kalten Krieg: Igor Strawinsky’s Musical Play “The Flood.” by Hannah Dübgen (review)
            Emily Richmond Pollock

            Camille Saint-Saëns, 1835–1921: A Thematic Catalogue of His Complete Works, Volume II: The Dramatic Works by Sabina Teller Ratner (review)
            James William Sobaskie

            Church Music
            Music and Theology in Nineteenth-Century Britain ed. by Martin V. Clarke (review)
            Julian Onderdonk

            Die Lieder des Evangelischen Gesangbuchs, Band. 1: Kirchenjahr und Gottesdienst (EG 1-269). Kommentar zu Entstehung, Text und Musik by Karl Christian Thust (review)
            Mark A. Peters

            Instruments and Performance
            Pierre Cochereau: Organist of Notre-Dame by Anthony Hammond (review)
            Christina Linklater

            The Violin: A Social History of the World’s Most Versatile Instrument by David Schoenbaum (review)
            Kirstin Dougan

            Trumpets and other High Brass, Volume 1: A History Inspired by the Joe R. and Joella F. Utley Collection: Instruments of the Single Harmonic Series by Sabine Katharina Klaus (review)
            Marty Jenkins

            Making Musicians: A Personal History of the Britten-Pears School by Moira Bennett (review)
            Shersten Johnson

            I Drum, Therefore I Am: Being and Becoming a Drummer by Gareth Dylan Smith (review)
            Mandy Smith

            Pionier der alten Musik: Hans Eberhard Hoesch und die Kabeler Kammermusik by Nikolaus de Palézieux (review)
            Abby Anderton

            Cage & Consequences ed. by Julia H. Schröder and Volker Straebel (review)
            Clemens Gresser

            Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty (review)
            Travis D. Stimeling

            Afro-Cuban Music: A Bibliographic Guide by John Gray (review)
            Nolan Warden

            Haydn and Mozart
            Engaging Haydn: Culture, Context, and Criticism ed. by Mary Hunter and Richard Will (review)
            Balázs Mikusi

            The Orchestral Revolution: Haydn and the Technologies of Timbre by Emily I. Dolan (review)
            Paul Christiansen

            Mozart-Jahrbuch 2011 ed. by Ulrich Leisinger and Johanna Senigl (review)
            Lisa de Alwis

            Nineteenth Century
            François-Joseph Fétis: Musicographe by Rémy Campos (review)
            Peter Bloom

            Expressive Intersections in Brahms: Essays in Analysis and Meaning ed. by Heather Platt and Peter H. Smith (review)
            Melissa Hoag

            The Collected Writings of Franz Liszt, vol. 2: Essays and Letters of a Traveling Bachelor of Music ed. and trans. by Janita R. Hall-Swadley (review)
            Reeves Shulstad

            Twentieth Century
            “I am not a hero, I am a composer”: Hanns Eisler in Hollywood by Horst Weber (review)
            Andrea F. Bohlman

            Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and Paul Hindemith by Magnar Breivik (review)
            Michael J. Duffy IV

            The Great Orchestrator: Arthur Judson and American Arts Management by James M. Doering (review)
            Michael Mauskapf

            Books Recently Published
            James Procell, Matt Ertz

            New Periodicals
            Jared Cowling

            Digital Media Reviews
            SoundCloud (review)
            Francesca Giannetti

            ShareStream (review)
            Lisa Hooper

            Video Reviews
            Mahler on DVD: An Overview of Art Films, Documentaries, and Concert Videos
            James L. Zychowicz

            Music Reviews
            Arrangements by Clara Schumann
            Valerie Woodring Goertzen

            Lalo’s Fiesque
            Jacek Blaszkiewicz

            Transcriptions of Early Recorded Jazz
            Barry Kernfeld

            Two Versions of Janácek’s Glagolitic Mass
            John Tyrrell

            Maderna’s Requiem Recovered
            Claudia di Luzio
          • AMS
            MLA Notes Volume 70, Number 4, June 2014 http://muse.jhu.edu/journals/notes/toc/not.70.4.html Table of Contents Aaron CoplandÆs Soviet Diary (1960) Kevin
            Message 5 of 13 , May 12, 2014
              MLA Notes
              Volume 70, Number 4, June 2014


              Table of Contents

              Aaron Copland’s Soviet Diary (1960)
              Kevin Bartig

              C. P. E. Bach Sources at the Library of Congress
              Daniel F. Boomhower

              Book Reviews
              Ethnomusicology: Performing Culture

              Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru by Joshua Tucker (review)
              Francisco D. Lara

              SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture by Nathan Hesselink (review)
              Soojin Kim

              From Opera Boat to Silver Screen: Visual and Sonic Culture of Cantonese Opera (??????: ???????) by Sai-shing Yung (review)
              Min Wang

              And We’re All Brothers: Singing in Yiddish in Contemporary North America by Abigail Wood (review)
              Benita Wolters-Fredlund

              Gothic and Punk

              Gothic Music: The Sounds of the Uncanny by Isabella van Elferen (review)
              Alexander Carpenter

              This Music Leaves Stains: The Complete Story of the Misfits by James Greene Jr (review)
              Brandon Peter Masterman


              Eurojazzland: Jazz and European Sources, Dynamics, and Contexts ed. by Luca Cerchiari, Laurent Cugny, Franz Kerschbaumer (review)
              Hilary Baker

              Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland by Paul de Barros (review)
              Mark Gridley

              Keith Jarrett’s The Köln Concert by Peter Elsdon, and: People Get Ready: The Future of Jazz is Now! ed. by Ajay Heble, Rob Wallace, and: Beyond a Love Supreme: John Coltrane and the Legacy of an Album by Tony Whyton (review)
              Edward Komara

              Concise Guide to Jazz by Mark C. Gridley (review)
              Matthew Snyder

              Instruments and Performance Practice

              “Diess herrliche, imponirende Instrument”: Die Orgel im Zeitalter Felix Mendelssohn Bartholdys ed. by Anselm Hartinger, Christoph Wolff, Peter Wollny (review)
              Christina Linklater

              Mozarts Tempo-System: Ein Handbuch für die professionelle Praxis: Alle Autograph bezeichneten Tempi in 420 Gruppen von Stücken gleicher Charakteristik mit 392 kommentierten Notenbeispielen und allen relevanten Quellentexten by Helmut Breidenstein (review)
              Michael Malkiewicz, Rebecca Schmid

              The Recorder and Other Members of the Flute Family in Writings from 1100 to 1500 by David Lasocki (review)
              Beth Thompson

              Analysis and Stylistic Evolution

              Messiaen’s Final Works by Christopher Dingle (review)
              Vincent Benitez

              Harmony in Haydn and Mozart by David Damschroder (review)
              Steven D. Mathews

              Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions by Robert Pascall (review)
              Michael Vaillancourt

              Bach and Bach Family

              Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn by Matthew Dirst (review)
              Mark A. Peters

              Carl Philipp Emanuel Bach: Portrait Collection I: Catalogue ed. by Annette Richards, and: Carl Philipp Emanuel Bach: Portrait Collection II: Plates ed. by Annette Richards (review)
              Robin A. Leaver

              Nineteenth and Twentieth Centuries

              Sergey Prokofiev, Diaries 1924–1933: Prodigal Son by Anthony Phillips (review)
              Kevin Bartig

              Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett (review)
              Kirsten S. Paige

              The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton by J. P. E. Harper-Scott (review)
              Luca Lévi Sala


              The Music History Classroom ed. by James A. Davis (review)
              Jessica H. Grimmer

              Books Recently Published
              Matt Ertz, James Procell

              Digital Media Reviews

              Met Opera On Demand: Student Access (review)
              Kathleen DeLaurenti

              Music Reviews

              The Mathew Holmes Manuscripts I: Cambridge University Library MS Dd.2.11 (review)
              Gary R. Boye

              Il terzo libro de madrigali a cinque voci con alcuni di Giovanni Gabrieli: Venezia, Angelo Gardano 1589 by Andrea Gabrieli (review)
              Sherri Bishop

              Elias = Elijah: Ein Oratorium nach Worten des Alten Testaments = The Words Selected from the Old Testament op. 70 ed. by Christian Martin Schmidt, and: Elias = Elijah: Ein Oratorium = An Oratorio, and: Christian Martin Schmidt, and: Elias = Elijah, op. 70, MWV A 25, Klavier-Bearbeitungen = Arrangements for Pianoforte (review)
              Laura Stokes

              Knyaz’ Igor’ = Prince Igor: Opera ed. by Anna Bulycheva (review)
              Albrecht Gaub

              Orchestral Works by George Butterworth (review)
              James Brooks Kuykendall

              Fortunato: An Opera in Three Scenes (1958) ed. by Stephanie Jensen-Moulton, and: Fortunato: Orchestration of Scene 1 ed. by Stephanie Jensen-Moulton (review)
              Mary Robb
            • AMS
              MLA Notes, Volume 71, Number 1, September 2014 http://muse.jhu.edu/journals/notes/toc/not.71.1.html From DebussyÆs Studio: The Little-Known Autograph of De
              Message 6 of 13 , Aug 22, 2014
                MLA Notes, Volume 71, Number 1, September 2014


                From Debussy’s Studio: The Little-Known Autograph of De rêve, the First of the Proses lyriques (1892)
                Denis Herlin, Peter Bloom

                A Long-Lost Partbook of French Chansons Resurfaces at the University of Virginia
                Paul Walker, Rya Martin

                Book Reviews

                Pelléas et Mélisande, cent ans après: Études et documents Edited by Jean-Christophe Branger, Sylvie Douche, and Denis Herlin (review)
                Michael Strasser

                Messiaen’s Musical Techniques: The Composer’s View and Beyond by Gareth Healey (review)
                Vincent Benitez

                Chopin’s Prophet: The Life of Pianist Vladimir de Pachmann by Edward Blickstein and Gregor Benko (review)
                Donald Manildi

                Dramatic Expression in Rameau’s Tragédie en Musique: Between Tradition and Enlightenment by Cynthia Verba (review)
                Nathan John Martin

                Mozart’s Grace by Scott G. Burnham (review)
                Steven D. Mathews

                Bachs Orchester- und Kammermusik: Das Handbuch Edited by Siegbert Rampe (review)
                John Moran

                Postmoderne hinter dem Eisernen Vorhang: Werk und Rezeption Alfred Schnittkes im Kontext ost- und mitteleuropäischer Musikdiskurse Edited by Amrei Flechsig and Stefan Weiss (review)
                Peter Schmelz

                I codici liturgici di Castel Tirolo by Marco Gozzi (review)
                Jacopo Mazzeo

                Insights and Essays on the Music Performance Library Edited by Russ Girsberger and Laurie Lake (review)
                Laurel Diskin

                The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s by Mitchell Morris (review)
                Joseph R. Matson

                Listening to Stanley Kubrick: The Music in His Films by Christine Lee Gengaro (review)
                Jessica L. Getman

                Pretty Good for a Girl: Women in Bluegrass by Murphy Hicks Henry (review)
                Philip Vandermeer

                God Bless America: The Surprising History of an Iconic Song by Sheryl Kaskowitz (review)
                John Hausmann

                Dinner with Lenny: The Last Long Interview with Leonard Bernstein by Jonathan Cott (review)
                Lars Helgert

                Before Elvis: The Prehistory of Rock ‘n’ Roll by Larry Birnbaum (review)
                Vincent J. Novara

                Blues: A Regional Experience by Bob Eagle and Eric S. LeBlanc, and: The Great Jazz Guitarists: The Ultimate Guide by Scott Yanow (review)
                Edward Komara

                The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop by Guthrie P. Ramsey Jr. (review)
                Anthony Bushard

                Walk Tall: The Music and Life of Julian “Cannonball” Adderley by Cary Ginell, and: Jazz Icons: Heroes, Myths and the Jazz Tradition by Tony Whyton (review)
                Mark Gridley

                Whose Spain?: Negotiating “Spanish Music” in Paris, 1908–1929 by Samuel Llano (review)
                Carol A. Hess

                Music and the Politics of Negation by James R. Currie (review)
                Linda Kouvaras

                Singing a Hindu Nation: Marathi Devotional Performance and Nationalism by Anna C. Schultz (review)
                Justin Scarimbolo

                Books Recently Published
                James Procell, Matt Ertz

                New Periodicals

                Digital Media Reviews
                Felicity Ann Brown

                Video Reviews
                Lulu by Alban Berg (review)
                Alexander Carpenter

                Preussisches Märchen by Boris Blacher, and: Oedipus: Musiktheater by Wolfgang Rihm (review)
                John Holland

                Die Soldaten by Bernd Alois Zimmermann (review)
                Emily Richmond Pollock

                The Perfect American by Philip Glass (review)
                James M. Doering

                El Niño by John Adams (review)
                S. Andrew Granade

                Moby-Dick by Jake Heggie (review)
                Ryan Ebright

                Claude Debussy: Music Cannot be Learned Directed by Georges Gachot (review)
                Roderick L. Sharpe

                Bloody Daughter Directed by Stéphanie Argerich (review)
                Lisa Woznicki

                Speak the Music: Robert Mann and the Mysteries of Chamber Music Directed by Allan Miller (review)
                Beth Fleming

                The Italian Character: The Story of a Great Italian Orchestra Directed by Angelo Bozzolini (review)
                Shelley L. Rogers

                Enigma Variations by Edward Elgar (review)
                Roderick L. Sharpe

                Sergiu Celibidache: Firebrand and Philosopher Directed by Norbert Busè, and: Celibidache Rehearses Bruckner’s Ninth Directed by Jan Schmidt-Garre (review)
                Kevin Salfen

                Legendary Conductors of the Boston Symphony Orchestra (review)
                John Clark

                Le Sacre du printemps, L’Oiseau de feu (review)
                Michael Ashenfelder

                Live at Montreux by Stan Getz (review)
                Alexander Carpenter

                Primavera by The Banda Brothers (review)
                Christopher L. Ballengee

                Greenwich Village: Music That Defined a Generation Directed by Laura Archibald (review)
                Randall Zwally

                Music Reviews
                Fifteenth-Century Settings of the Gloria and Credo
                Robert Nosow

                Rosenmüller’s Kernsprüche
                Derek Stauff

                Completions of Mozart Aria Fragments
                Cliff Eisen
              • Robert Judd
                MLA Notes Volume 71, Number 2, December 2014 http://muse.jhu.edu/journals/notes/toc/not.71.2.html Table of Contents Articles C. P. E. Bach and the History of
                Message 7 of 13 , Nov 22, 2014
                  MLA Notes Volume 71, Number 2, December 2014


                  Table of Contents


                  C. P. E. Bach and the History of Music
                  Christoph Wolff

                  The Sound of Moog: Using Vinyl Recordings to Reconstruct a History of the Moog Synthesizer
                  Thom Holmes

                  A Panoramic Survey of Beethoven’s Hammerklavier Sonata, Op. 106: Composition and Performance
                  Basilio Fernández Morante, Charles Davis

                  Prices of Music Monographs and Scores as Reflected in Notes, 2008–2013
                  Kerri Scannell Baunach

                  Notes for Notes

                  Book Reviews

                  Aesthetics, Philosophy

                  Rethinking Hanslick: Music, Formalism, and Expression ed. by Nicole Grimes, Siobhán Donovan, Wolfgang Marx (review)
                  Yung-Hsiang Wang

                  Skryabin, Philosophy and the Music of Desire by Kenneth M. Smith (review)
                  Inessa Bazayev

                  The Aesthetic Life of Cyril Scott by Sarah Collins (review)
                  Laurie J. Sampsel

                  American Music

                  MacDowell by E. Douglas Bomberger (review)
                  Robin Rausch

                  Sweet Dreams: The World of Patsy Cline ed. by Warren R. Hofstra (review)
                  Olivia Carter Mather

                  John Kirkpatrick, American Music, and the Printed Page by Drew Massey (review)
                  Tim Sullivan

                  Anything Goes: A History of American Musical Theatre by Ethan Mordden (review)
                  Christopher Lynch


                  Frederic Mompou: El eterno recomenzar by Adolf Pla i Garrigós (review)
                  Lance W. Brunner

                  Hamilton Harty: Musical Polymath by Jeremy Dibble (review)
                  Julian Onderdonk

                  Hipness, Jazz

                  Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music by Jesse Weaver Shipley (review)
                  James Burns

                  Dig: Sound and Music in Hip Culture by Phil Ford (review)
                  Joseph R. Matson

                  The John Coltrane Reference by Chris DeVito, et al. (review)
                  Mark C. Gridley

                  Opera, Medicine

                  Not without Madness: Perspectives on Opera by Fabrizio Della Seta (review)
                  Gina Rivera

                  A History of Opera by Carolyn Abbate, Roger Parker (review)
                  Hannah Adamy

                  Bad Vibrations: The History of the Idea of Music as a Cause of Disease by James Kennaway (review)
                  Brian F. Wright


                  The Pierrot Ensembles: Chronicle and Catalogue, 1912–2012 by Christopher Dromey (review)
                  Bryan R. Simms

                  Beethovens Orchestermusik und Konzerte: Das Handbuch ed. by Oliver Korte, Albrecht Riethmüller (review)
                  John Moran

                  Guide to the Pianist’s Repertoire by Maurice Hinson, Wesley Roberts (review)
                  Donald Manildi

                  Sovereign, Sacred

                  Sovereign Feminine: Music and Gender in Eighteenth-Century Germany by Matthew Head (review)
                  Mark A. Peters

                  Music in Early Franciscan Thought by Peter V. Loewen (review)
                  Richard R. Bunbury


                  A Theory of Music Analysis: On Segmentation and Associative Organization by Dora A. Hanninen (review)
                  Dimitris Exarchos

                  Books Recently Published
                  James Procell, Matt Ertz

                  Music Reviews

                  Music from Medieval Britain

                  Songs in British Sources c. 1150–1300 ed. by Helen Deeming (review)
                  Gregorio Bevilacqua

                  Eighteenth-Century Chamber Music from the Spanish Court

                  Tríos para dos violines y violonchelo. Series VI y VIII ed. by Lluís Bertran Xirau, and: Cuartetos de cuerda L184–L199 ed. by Miguel Ángel Marín, Jorge Fonseca (review)
                  Germán Labrador

                  Keyboard Music by Galuppi

                  Le opere strumentali. Serie prima: Musica per tastiera, Volume 1: Opera 1, Opera 2, Passatempo al cembalo ed. by Mario Folena, Roberto LoreggianLe opere strumentali. Serie prima: Musica per tastiera, Volume 2: [Manoscritti da fonti veneziane] ed. by Federica Iannella, Giuliana Maccaroni, and: Le opere strumentali. Serie prima: Musica per tastiera, Volume 3: [Manoscritti da fonti italiane (non veneziane)] by Elisa Fontana, Roberto Velasco, and: Le opere strumentali. Serie prima: Musica per tastiera, Volume 4: [Manoscritti da fonti italiane diverse]by Alvise De Piero (review)
                  Matteo Magarotto

                  The Original Version of Bizet’s L’Arle´sienne

                  L’Arlésienne: Drame en trois actes et cinq tableaux. Version originale de 1872 pour ensemble instrumental et chœur by Georges Bizet (review)
                  Hugh Macdonald

                  Newly Published Music by Benjamin Britten

                  Three Songs for Les Illuminations by Benjamin Britten, and: Six Early Songs (1929–31) for medium voice and piano by Benjamin Britten, and: Two Pieces for violin, viola and piano (1929) by Benjamin Britten, and: Two Psalms: Out of the deep, Praise ye the Lord, for SATB chorus and orchestra by Benjamin Britten, and: Variations for piano (1965) by Benjamin Britten (review)
                  Mervyn Cooke
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