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ANNOUNCEMENT: Latin American Music Review, new issue now available

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  • AMS
    Latin American Music Review, Volume 33, Number 1, Spring/Summer 2012 http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.33.1.html Articles
    Message 1 of 6 , Jul 2, 2012
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      Latin American Music Review, Volume 33, Number 1, Spring/Summer 2012


      http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.33.1.html

      Articles

      Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano
      Orlando Enrique Fiol

      Danzar para que el mundo no se acabe. Estudio sistemático de la danza rarámuri
      Ángel Acuña Delgado

      Guillermo Graetzer. Judaísmo y exilio: las palabras ausentes
      Sílvia Glocer

      Cuban Hip-Hop Goes Global: Orishas' A lo cubano
      Lea Ramsdell

      Reviews

      Cuban Zarzuela: Performing Race and Gender on Havana's Lyric Stage (review)
      Noriko Manabe

      The Clave Matrix: Afro-Cuban Rhythm: Its Principles and Origins (review)
      Chris Stover

      Blackness in the White Nation: A History of Afro-Uruguay (review)
      Morgan James Luker

      A Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano (review)
      Patricia Caicedo

      Tassa Thunder: Folk Music from India to the Caribbean (review)
      Jessica Swanston
    • AMS
      Latin American Music Review Volume 33, Number 2, Fall/Winter 2012 http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.33.2.html Table of Contents
      Message 2 of 6 , Nov 19, 2012
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        Latin American Music Review
        Volume 33, Number 2, Fall/Winter 2012

        http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.33.2.html

        Table of Contents

        Articles

        Organografía del bandoneón y prácticas musicales: Lógica dispositiva de los teclados del bandoneón rheinische Tonlage 38/33 y la escritura ideográfica
        Mercedes Krapovickas

        Huapango Arribeño: A Mexican Musico-Poetic Tradition at the Interstices of Postmodernity (1968-1982)
        Alex E. Chávez

        Hearing the Change: Reggaeton and Emergent Values in Contemporary Cuba
        Nora Gámez Torres

        Reviews

        Reggaeton (review)
        Kim Kattari

        Del Juju al Uauco: Un estudio arqueomusicológico de las flautas globulares cerradas de cráneo de cérvido en la región Chinchaysuyu del imperio de los incas (review)
        Daniela La Chioma

        Oye Como Va! Hybridity and Identity in Latino Popular Music (review)
        Juan Flores

        Music in the Hispanic Caribbean (review)
        Rebecca Sager

        Enciclopédia da música em Portugal no século XX (review)
        Cory J. LaFevers

        Música dramática en el seminario de San Antonio Abad de Cusco. Estudio crítico, análisis y transcripción de comedias, jocosos, romances, cantadas, juguetes, mojigangas y tonos humanos de los siglos XVII y XVIII (review)
        Alejando Vera

        Alberto Ginastera: A Research and Information Guide (review)
        Carol A. Hess

        Camargo Guarnieri, Sonata and Sonatinas (review)
        Sarah M. Tyrrell
      • AMS
        Latin American Music Review Volume 34, Number 1, Spring/Summer 2013 http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.34.1.html Table of
        Message 3 of 6 , Jul 1, 2013
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          Latin American Music Review

          Volume 34, Number 1, Spring/Summer 2013

          http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.34.1.html

          Table of Contents

          Articles

          THIS ISSUE OF LAMR IS DEDICATED TO Robert Stevenson (1916-2012): In Memoriam
          Steven Loza

          Parading Brazil through New Orleans: Brazilian Immigrant Interaction with Casa Samba
          Annie McNeill Gibson

          Producing the Andean Voice: Popular Music, Folkloric Performance, and the Possessive Investment in Indigeneity
          Joshua Tucker

          La chilena mexicana es peruana: Multiculturalism, Regionalism, and Transnational Musical Currents in the Hispanic Pacific
          Alex Stewart

          Reviews

          Music ImagiNation: U.S.-Colombian Identity and the Latin Music Boom by María Elena Cepeda (review)
          Carolina Santamaría

          Music of Latin America and the Caribbean by Mark Brill (review)
          Daniel Sheehy

          The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590-1810 by Kristin Dutcher Mann (review)
          Drew Edward Davies

          The Berimbau: Soul of Brazilian Music by Eric A. Galm (review)
          Frederick Moehn

          La música folclórica dominicana by Josué Santana and Edis Sánchez (review)
          Daniel Piper
        • AMS
          Latin American Music Review Volume 34, Number 2, Fall/Winter 2013 http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.34.2.html Articles Claiming
          Message 4 of 6 , Dec 9, 2013
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            Latin American Music Review
            Volume 34, Number 2, Fall/Winter 2013
            http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.34.2.html

            Articles

            Claiming Caribbeanness in the Brazilian Amazon: Lambada, Critical Cosmopolitanism, and the Creation of an Alternative Amazon
            Darien Lamen

            Heitor Villa-Lobos e Getúlio Vargas: Doutrinando crianças por meio da educação musical
            Gabriel Ferraz

            Beginning a New Cuban Dream: An Interview with Carlos Varela
            María Caridad Cumaná, Karen Dubinsky

            Toward an Understanding of Conga santiaguera: Elements of La conga de Los Hoyos
            Lani Milstein

            El compositor uruguayo Coriún Aharonián: Música, ideología y el rol del compositor en la sociedad
            Eduardo Herrera

            Reviews

            Burst of Breath: Indigenous Ritual Wind Instruments in Lowland South America edited by Jonathan D. Hill and Jean-Pierre Chaumeil (review)
            Bernd Brabec De Mori

            Afro-Mexico: Dancing between Myth and Reality by Anita González (review)
            Alex E. Chávez

            Afro-Colombian Hip-Hop: Globalization, Transcultural Music, and Ethnic Identities by Christopher Dennis (review)
            Steven Spinner

            Brazilian Popular Music and Citizenship edited by Idelber Avelar and Christopher Dunn (review)
            Cory J. Lafevers

            Music and Urban Society in Colonial Latin America edited by Geoffrey Baker and Tess Knighton (review)
            Jesús A. Ramos-Kittrell

            Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana by Geoffrey Baker (review)
            Robin Moore
          • Robert Judd
            Latin American Music Review Volume 35, Number 2, Fall/Winter 2014 http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.35.2.html Articles Forging a
            Message 5 of 6 , Dec 22, 2014
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              Latin American Music Review
              Volume 35, Number 2, Fall/Winter 2014
              http://muse.jhu.edu/journals/latin_american_music_review/toc/lat.35.2.html

              Articles

              Forging a Cosmopolitan Ideal: Mario Lavista’s Early Music
              Ana R. Alonso-Minutti

              “They’re Stealing Our Music”: The Argentinísima Controversy, National Culture Boundaries, and the Rise of a Bolivian Nationalist Discourse
              Fernando Rios

              Evita, el Che, Gardel y el gol de Victorino: Funciones y significados del sampleo en el tango electrónico
              María Emilia Greco, Rubén López Cano

              The Cultural Positioning of the Banda de Músicos in the Central Andes of Peru
              Joshua Katz-Rosene

              Reviews

              Cumbia! Scenes of a Migrant Latin American Music Genre ed. by Héctor Fernández L’hoeste and Pablo Semán, and: Cumbia: Nación, etnia y género en Latinoamerica ed. by Pablo Semán and Pablo Vila, and: Troubling Gender: Youth and Cumbia in Argentina’s Music Scene by Pablo Vila and Pablo Semán (review)
              Juan Agudelo

              Musics of Latin America ed. by Robin Moore and Walter Aaron Clark (review)
              Noel Allende Goitía

              The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza, with Jonathan Clark and Chris Strachwitz (review)
              Donald Henriques

              The Accordion in the Americas: Klezmer, Polka, Tango, Zydeco, and More! ed. by Helena Simonett (review)
              Susan Hurley-Glowa

              Embodying Mexico: Tourism, Nationalism, and Performance by Ruth Hellier-Tinoco (review)
              Kim Kattari

              Contracanto: Una perspectiva semiótica de la obra temprana de Silvestre Revueltas by Roberto Kolb Neuhaus (review)
              Rubén López Cano

              Silvestre Revueltas en escena y en pantalla: La música de Silvestre Revueltas para el cine y la escena by Eduardo Contreras Soto, and: Contracanto: Una perspectiva semiótica de la obra temprana de Silvestre Revueltas by Roberto Kolb Neuhaus (review)
              Leonora Saavedra

              Los libros de polifonía de la Catedral de México: Estudio y catálogo crítico by Javier Marín López (review)
              Juan Francisco Sans

              Afro-Cuban Music: A Bibliographic Guide by John Gray (review)
              Amanda Villepastour
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