More Evidence of an Ancient Egyptian and Pleiadian Presence in Australia
11th February 2013
Every time we return to the Kariong
hieroglyphs walls, my team and I find more archaeology and information.
From the first time we walked onto country, this has always been a work
in motion; a mystery unraveling at the behest of the indigenous Elders
and spirits of the land. But even so, what we saw and heard this time
was beyond expectation.
The two ‘glyph walls were of no concern
to our group on this occasion; instead, our entire team – from the
scientific to the intuitive – assembled for 4 days of exploration. We
focused on surveying the immediate area around the ‘glyphs, as well as
another location some distance away – about which we had received some
promising reports of similar archaeology.
The Embedded Crystal
We started with the shaft system located
near the ‘glyph walls in Kariong NSW. The shaft walls are incredibly
straight and artificial in their construction, and there are several
large chambers leading off from the main narrow shaft. For all the sweat
expended and dirt collected, we captured a series of high resolution
photographs of the inside of the shaft system and began to take its
metal jewellery that Koa Elder ‘Aunty’ Minnie Mace had previously found
near the back shaft (which she later gave to our us) was impetus enough
for one of our dedicated volunteers to travel to Kariong with a
professional metal detector to explore the site properly. It located
five metallic objects in the area, the last of which had the whole team
excited; it was a piece of crystal embedded in metal.
Reuben Kelly, highly respected Dhungutti Elder, tells us: “Our legends
tell us that we came to this planet on a space ship made of energy. When
it hit this atmosphere, it turned to crystal” … and crashed.
Could it be that we have physical
evidence of the explosion? The small piece of metal measures 3 cms (1.2
inches) in diameter, and has a rectangular crystal embedded within it –
which leaves no doubt that the metal was molten when the crystal was set
inside. Extremely high temperatures were part of its creation, but
whatever took place and whenever it occurred, it certainly wasn’t
manufactured by the Original people.
Its proximity to the walls, the other
metal objects found nearby, and the corroborating accounts given by
Original Elders of an alien vessel crashing nearby leave us with three
possibilities: it is either Pleiadian, ancient Egyptian (running a
distant second)… or yet another part of a devious and highly elaborate
Whenever our team is grappling with an
issue of ancient Original history, we invariably seek out the advice of
our Original mentors.
The New Carving
When approaching the subject with
Darkinjung Elder ‘Aunty’ Beve Spiers, we steered away from the ‘glyphs –
which ‘Aunty’ Beve has always maintained are “not ours” – and their
immediate surrounds, and focused on another newly discovered piece of
archaeology; an engraving that can only be described
Photo by: Ryan Mullins, WuW Founder (c)
Created using the ancient Original
method of pecking, not carving, this discovery is clearly thousands of
years old. Notably, it bears a striking resemblance to the UFO
hieroglyphs on the Kariong walls, in particular the largest five-legged
UFO. But this newly found engraving is much bigger, measuring 352
centimetres (11.5 ft) in height, 190 centimetres (6.2 ft) in width, with
the longest of its five legs reaching 167 centimetres (5.5 ft) in
length. The semi-circular top is 150 centimetres (4.9 ft) from the top
of the arc to the bottom line and is 190 centimetres (6.2 ft) at its
What is of particular interest is that
all UFO ‘glyphs on the Kariong walls are cut or sharply grooved, and
according to Aunty Beve were not made by Original people. But this old
pecked image, which is a far more intensive and ancient process, was
made by the first Australians. The only relative difference this pecking
has to the largest UFO carved on the ‘glyph wall relates not to shape,
legs or width but height; the newly discovered engraving shows
what appears to be a craft of two levels or stories, while the UFO
‘glyphs on the walls all depict one-leveled craft. So when comparing the
measurements of the two, we must take into account the deliberate
difference in height by doubling the vertical measurement of the smaller
The numbers that result are so.…
- The new larger pecking is 190 cms across, the smaller vessel is 19
cms wide and if multiplied by 10 comes out to be exactly the same width
as the larger space ship. A horizontal ratio of 1:10
- The bigger capsule is 150 cms high, while the smaller craft is 7.5
cms. We double the height to 15 cms for comparison with the 2-story
pecking. When this is multiplied by 10, we have 150 cms; another
identical match match with a 1:20 vertical ratio.
- The longest leg of the smaller UFO ‘glyph is 8.4 cms. As with the
recalibration for the height of the capsule, we must also double this
figure to keep the horizontal lines in proportion. The resulting 16.8
cms is again multiplied by 10 to complete the comparisons, with a final
figure of 168 cms. The longest leg of the newly found ancient pecking is
167 cms in length; a one centimetre difference but a near-exact
vertical ratio of 1:20. Needless to say, our team will re-measure the
new pecking to ensure our measurements are 100% accurate, in hopes of
confirming absolute mathematics.
Nevertheless…. these three comparative
measurements share exact 1:10 horizontal and 1:20 vertical ratios, with a
combined margin of error of 1 centimetre. The figures depicted appear
to be identical, each with five legs, bulbs at the bottom, an upper
semi-circle and flat base. Is this just a coincidence? We know this is a
genuine example of Original archaeology… but what does this pecking
After a solid day in scrub, we sat and
rested on the verandah at ‘base camp’ and de-briefed. Still full of
questions, we were soon joined by Aunty Beve, who at that stage knew
nothing of what we had found that day or where. In perfect
synchronicity, Aunty Beve revealed to us the story of star-people coming
to this area.
And until now, Aunty Beve had never
passed any comment on the topic of extra-terrestrials. But according to
Darkinjung lore, not only did “they” come, and arrive in distress as
Uncle Reuben has advised, their stricken-craft also crashed “in the
waters at Bambara” in a location that “wasn’t the ocean.”
Interestling, the new pecking is
located on a small rock shelf more than 20 metres from the shore,
overlooking the Brisbane Waters waterway.
Brisbane Waters Waterway
Aunty Beve paused for a moment,
searching her mind for the exact terminology for the vessel that crashed
in the “waters” – the ancient words which had been passed on to her
through countless generations. Finally – and never did we doubt it would
occur – she recalled how the Elders spoke of this event: “Carriers from
up there, that’s it!” She also made reference to this area being the
“beginning place”, as she had done before. But in learning that the
“carriers from up there“ crashed within a few kilometres of the 300
hieroglyphs, we also learn that extra-terrestrial beings and their craft were an integral part of the “beginning place” and its story.
After examining our photographs of the
new pecking and consulting with researcher Bob Pankhurst, Aunty Beve
believes the Original pecking depicts a whale and not a UFO. With
respect, the jury is still out for me regarding how this object should
be interpreted. The appearance of legs on the newly found pecking, and
the mathematical equivalence between the dimensions of this pecking and
the known UFO ‘glyphs – the translation of which we have already
confirmed with Originals and Linguists alike – are still unresolved in
Back to the ‘Glyphs
The Original lore corroborates our
translation of the first panel on the ‘glyph wall, which is replete with
alien presence, genetic manipulation and benevolent guidance. My team
and I believe it was at this “beginning place” and time that the more
ancient non-Egyptian hieroglyphs (which Aunty Beve also spoke of) were
first engraved into rock, documenting the “beginning” – and preceding
all other languages and writings.
So when leafing through segments of
Mu/Lemurian expert Jack Churchwood’s soon-to-be-published dictionary of
the language of Mu, it was pleasant – but no surprise – to discover the
consistent identical matches between Jack’s Mu script and the
non-Egyptian symbols on the Kariong walls. Clearly, the two scripts
originated from the same extra-terrestrial source.
I reflected on a comment made recently by Bundjalung Elder and Healer Gerry Bostock: “As on top, so below”.
Then amongst all the similarities was one stand out; the depiction of a wall ‘glyph that my team has examined in some detail.
I have always disputed Dr. Hans Dieter
von Senff’s interpretation that this symbol meant “land’s end”, simply
because the “land’s end” symbol has no circle, while the ‘glyph in
question is enclosed by a circle. I examined the meanings of other known
circled and four-armed ‘glyphs, and deduced from context that the
symbol must in fact mean “ancient city”. And Churchward’s book provides
an exact match for the disputed ‘glyph, which he translates as “Empire
Collaboration and Verification
Before continuing I need to pause and
clarify. One of the most strident critiques offered by academics to
rebut the authenticity of the ‘glyphs relates to the mixtures of styles
claimed to be present on the walls, leading many to claim there is more
than one narrative or scribe. My team and I agree unconditionally.
Equally we are just as certain that one of these scribes was an ancient
Egyptian recording the deeds and words of Nefer-Djeseb and Nefer-Ti-Ru:
that is a fact.
When tracing the older testimonial
further back in time, it is the more ancient influence and narrative
that leads us off into the night sky, and to the possibilities it
creates. We place the Pleiadian presence and genetic manipulation in the
highly, highly likely category. Nevertheless, our extra-terrestrial
conjectures should not obscure the fact that ancient Egyptians arrived
here no later than 4,770 years ago, and finally departed around 400
Our critics invariably take our team to
task because of our lack of degrees in archaeology, anthropology or
geology. The truth is that our work is extremely collaborative. We are
working with some very highly credentialed (and open-minded) academics,
who advise on – and vet – all we report and conclude.
In particular, there have been a number of critical observations made by contributors from outside our core team.
A recent example came about through a high resolution photograph from
inside the Kariong shaft system, which reveals the clear right angles
and straight edges of what Australian researcher Bob Clutton claims to
be a door-way. Further exploration of the shaft system will be required
to verify this, but Bob’s observation was a welcome starting point for
But another recent contribution offers a
much more intriguing and radical interpretation. Author and researcher
Richard Gabriel sent us photographs of the shaft walls that have been
analysed, filtered and enhanced through NC2 software. What emerged was
so graphic and detailed I thought it best to offer no comment until
further consultation with Richard.
One of our other advisers, a man highly
versed in ancient Egyptian script, has opted to remain anonymous for
now. He informed us that our reading of the newly found set of 13
hieroglyphs was basically correct, but in need of one revealing
addition. Our interpretations of “coffin” and “back door” were correct,
but the symbol beside “back door” – which was previously unknown to us –
represents a “wooden staff”. And not just any old piece of wood! A
staff, engraved with special symbols designed to protect the deceased in
his journeys in the after-life, and spells to ward off evil spirits.
Only Egyptian royalty and those directly related to them were allowed to
be buried with such a sacred talisman, so the likelihood that
Nefer-Ti-Ru, the son of the Pharaoh, was interred somewhere inside the
back shaft at Kariong increases markedly.
In our YouTube “Egyptians in Australia
Part 2,” indigenous elder David Fitzgerald (who formerly worked as a
sites advisor for the National Parks & Wildlife Service) was very
specific in declaring that a protective rock ceiling was there until
quite recently, only falling about 40 years ago. This explains why a
segment of this original roof still remains over a 3 metre section of
the wall-way, and why the exposed ‘glyphs appear relatively untouched by
Cements our position on this, I recently
received an account of a meeting that took place in the 1960′s from Ram
Ayana, the editor of the internet magazine “New Illuminati”; an account
that supports David’s claim, and many of our previous conclusions.
All I can say regarding the roof is that
on one occasion when I visited the site back in the 80’s, a council
worker with a hard hat – he would have been around 50 years of age –
arrived talking to an older gent who was searching for the carvings.
The council worker told a story from the
60′s about a bulldozer clearing garbage that had been dumped in the
bush when it went through a stone slab that partially collapsed into the
narrow cave. He also insisted that the roof was comprised of a number
of flat sandstone slabs that had obviously been deliberately laid in
place, but that those not broken by the dozer were subsequently broken
He suggested that part of the current
rough floor was comprised of rubble from the roof… Close inspection
revealed layer upon layer of large lichen growths on the slabs, some of
which had grown inside the inscriptions as well.
The account of lichen growth lends
weight to arguments regarding the hieroglyphs’ authenticity. And the use
of the word “cave” substantiates our belief there was a complete
protective barrier sealing off the engravings, and thus maintaining the
original cut until quite recent times. And while this is undoubtedly a
second-hand verification of David Fitzgerald’s testimony, it deserves as
much standing as the second-hand account of Alan Dash, former surveyor
for the Gosford Council.
Of one fact we are convinced, the newly
found ‘glyphs were not made by those who engraved between the walls. The
shallower indentation, much smaller sizing (which we believe to be one
third that of the 300 glyphs) and the discovery of a basalt and olivite
chisel directly beneath the 13 hieroglyphs challenges second-hand claims
of ‘deranged‘ Europeans, anonymous students or any other unidentified
hoaxer being responsible. All popular hoax theories are limited to the
‘glyph walls, make no reference to other locations… and if they did, the
work involved would discredit any notion of an idle prank. But I
Of the multitude of star markers in the
area, the closest are around 50 metres from the ‘glyph walls. Found just
above the ‘glyph site, these astronomical markers were charted by
researcher and writer Paul White and, through the application of
astro-cartography software at Sydney University, were subsequently
matched to a 4,500 year old astronomical chart. The engravings are
Original, and mark out the time when the Egyptian brothers first arrived
But what of the timing of the many other
star markers? And more importantly, why were the Original people so
fascinated with the distant constellations?
Further Issues for Consideration
The eight UFO ‘glyphs on the hieroglyph
walls, the crystal embedded in melted metal, and the masses of other
Original engravings and peckings spread throughout the region – of which
a huge majority served astronomical purposes – raise three issues
deserving of further research.
1) Why were the Original people so
fascinated with the stars? There are constant references to the Pleiades
in the Originals’ Seven Sisters Dreaming stories, many Original Elders
have told us that their ancestors are Pleiadian and Aunty Beve has told
us of the arrival of “carriers from up there”. Could the crash at
“Bambara Waters” be the location where this Pleiadian connection began?
2) The manner and precision evident
between the walls is not evident anywhere else in the area. The 13
newly-found ‘glyphs are much smaller and a shallower cut. Bundjalung
Elder Gerry Bostock assures us the wall ‘glyphs were not chiseled…. but
were cut with laser. Of course, Gerry is aware that laser technology was
neither the province of Original nor Egyptian humans, and readily
acknowledges that these incisions were made by Pleiadians. And a test of
similar rock composition leaves us certain the rock would crumble or
shatter if you tried to chisel it with a metal blade.
3) And then there is the mathematical
similarity between the known UFO ‘glyphs and the newly-found pecking in
the rock platform overlooking Brisbane Waters – increased by an exact
ratio of 1:10. Based on its method of creation, this Original pecking is
clearly thousands of years old. If it is indeed another depiction of a
UFO, “experts” and historians claim the knowledge and tools needed to
execute such a precise replication were not brought to this land until
Australia’s colonization by the English in 1788. But if it depicts a
whale, can such mathematical similarities be purely random?
Interestingly, the repetition of numbers can also be found at other Original sites….
Leaving Kariong behind… our team had
received some promising reports of archaeology in another region of NSW,
so we convoyed onto country to explore the land.
The first significant site we found was
an Original boomerang engraving site, with not one but two boomerang
grooves. One groove is obviously much older than the other, and its
edges are relatively worn. The other has sharp and clean edges and was
probably used until quite recently. Interestingly, both ‘sharpening’
grooves measure exactly 53 centimetres from edge to edge.
Not far away is a rock circle carving.
It has been pecked and engraved but has an almost perfect circular lip
with a diameter of 17 cms. The edges create a 180 degree vertical drop
to a depth of 17 cms. The base is also 17 cms in diameter.
At another site, we saw two examples of
sharp and deep incisions into solid rock; the most striking examples I
have seen of a non-natural rock fracture. The cut runs a sharp straight
narrow vertical line, turns 90 degrees and continues horizontally, then
turns 90 degrees to become vertical again. The cut measures over 5
metres, and is too straight, sharp and right-angled to be part of any
known geological process. But until we receive advice from our highly
credentialed geologist collaborator, the photographs of this possible
laser cut rock-face will remain secret.
is a photograph of the second cut. The edges have clearly frayed due to
erosion, but there is no sign of any fracturing above the cut. The rock
itself is leaning forward on the edge of a steep slope, so gravity
should certainly be encouraging the split to continue. The cut is at
least 15 cms deep but nothing is apparent on the other side of the rock.
Being sandstone, which is very easily split once a fracture appears, it
would seem the incision has been hardened. and there appears to be some
sort of beveling above the top of the cut which ensures the split
doesn’t t continue up and open up the rock shelf.
It is our opinion both sites contain
evidence of an advanced technology that lends weight to Gerry’s belief
that the ‘glyphs at the Kariong walls were laser-cut.
While working in this region, we also
found archaeology of a distinctively Egyptian motif. Two large
engravings of pyramids, one on a rock platform and the other a rock
face. Both are pecked, not laser- or metal-cut, and one has a rectangle
base just like one glyph at Kariong. Interestingly, the pyramids
engraved into this location share the same steep angles shown in the
carvings at Kariong; much more severe than those found at Egypt.
The angle of the incline has also been
raised to contest the legitimacy of the engravings. But if it is really a
hoax, and the angles and shape of both sets of pyramids are almost
identical, does that mean the unnamed hoaxer(s) wandered through the
countryside with chisel and hammer in hand, carving all the incisions
and peckings we have found in NSW?
There are so many questions,
coincidences or anomalies! I guess it is all a matter of perspective,
but I can’t help thinking the answer is hidden in Gerry Bostock’s
comment “as on top, so below.”
Later, researcher Gavin Bragg & Wake
Up World founder Ryan Mullins returned from their day’s expedition into
the region’s less welcoming territory…. with big news. They had located
a large scale culmination of something we had already observed near the
Kariong walls; a rock platform of astronomical markers…. in immense numbers! Described
by both men as “a map of the universe”, the rock platform measures
approximately 200 metres by 100 metres. And although our team is still
in the process of photographing and charting out the star markers for
further astronomical analysis, the final count of markers is likely to
be in the thousands.
many engravings in the one place, all devoted to the stars! And all
around NSW and back to the Kariong walls, we find the same celestial
setting repeated. But so far, nothing has come close to the enormity of
locating this astronomical platform. There is no known parallel in this
country. And this find once again has us looking “on top.”
So where to next?
As I stated earlier, this work has
always been a mystery unraveling at the behest of the indigenous Elders
and spirits of the land.
From the ‘White-fella’ perspective, our
work represents one huge inconvenient truth supplemented by a compelling
and intriguing possibility. The fact is that ancient Egyptians sailed
to Australia seeking mystical wisdom, knowledge of the Original word and
insights, and were not alone in doing so. Many others came, and left
when requested, with one recent tragic exception.
Then there is the ‘what if’! The
evidence of extra-terrestrial involvement is already strong, and – stay
tuned – there is more to come! It seems extremely likely that the Homo
Sapiens/Pleiadian was created in Australia, and most probably somewhere
near Gosford. But for now we will await further guidance from our
Whatever unfolds, it is apparent that
our ancestry is not as we are lead to believe. I believe we are indeed
galactic citizens, and are obliged to behave accordingly – by seeking
the truth of our origins.
As it was in the Dreaming, and will be again.
“As on top, so below”.
We had a big mob involved in our recent
expedition. After a blessing from the land’s Original custodian, our
team of 16 people descended into thick bushland in 42 degree heat… real
hard work, and all on a volunteer basis. We found much more than I have
described today, including further proof of an ancient Egyptian presence
in Australia (the evidence count now sits above sixty!) For more
details of our team’s findings, check out our latest YouTube segment “Egyptians in Australia Part 6
” as well as our previous updates, Part 4
& Part 5
Previous Articles by Steve
About the Author
For more information visit ForgottenOrigin.com.
the newest addition to Wake Up World’s team of Contributing Writers.
Steve, along with his son Evan, has co-written four books: Constructing a New World Map, Mary Magdalene’s Dreaming
and Forgotten Origin
(published by University Press of America) and the soon-to-be-published Shunned
He has written over a dozen articles on Original history and lore for
the National Indigenous Times, with four articles appearing in New Dawn
magazine. With close to 30 years of contact with Gumilaroi people and
tribes of the Bundjalung Language Confederation, and the benefit of
extensive consultation with many Original Elders, Steve’s work is to
reveal the story of the Original people, a narrative that was almost
© 2013 Forgotten Origin
'May we live in peace without weeping. May our joy outline the lives we touch without ceasing. And may our love fill the world, angel wings tenderly beating.'