Note: This review contains significant spoilers.
Battlestar Galactica: "Fragged"
Tensions build among the stranded soldiers on Kobol when Crashdown orders a
questionable attack on a Cylon missile battery. On Galactica, Tigh faces
tough questions from the civilian government.
Air date: 7/29/2005 (USA)
Written by Dawn Prestwich & Nicole Yorkin
Directed by Sergio Mimica-Gezzan
Rating out of 4: ***
Review by Jamahl Epsicokhan
Given the last couple shows, the title of this episode, "Fragged," might
give you a big hint as to where the story is going to end up. Let's just say
the title is not misleading. It's essentially accurate. It also hints at a
direction toward which my suspicions were already raised -- because of the
fact that Sam Witwer, who plays Crashdown, is the only major player to have
gone from recurring cast member to "guest star" in the credits as of this
season's premiere. My thinking: This storyline cannot end well for the
If there's a common thread between the two storylines in "Fragged," it's
about how situations can quickly deteriorate, going from bad to worse in a
matter of hours -- or seconds. These situations deteriorate not because of
external forces, but because of conscious choices made by the characters.
Here's a universe with flawed people taking flawed actions. The A-story,
involving the infantry unit on Kobol, is tense and terrific. The B-story on
the Galactica, involving Tigh's problems and Roslin's mental state, is less
engaging, perhaps because it's a bit simplistic as drama.
Like with any arc-based TV series, it's getting more difficult to score
these episodes with star ratings. Every rating feels like an of-the-moment
score based on approximations for the current week, mixed with hedged bets
for future episode possibilities. Three stars has become the catch-all for:
"I liked it a lot, it wasn't perfect, it's part of a much bigger puzzle, and
I have to leave room for the likelihood that something better (or worse)
will come along next week." As always, star ratings are just useful
approximations, with no scientific value or absolute comparative
relationship with other series/seasons necessarily implied. But I digress.
On Kobol, the stranded infantry unit holds a memorial service for their
slain comrades, Tarn (who was shot) and Socinus (whose died from smoke
inhalation). Crashdown has a strange look in his eyes, like he has more to
prove now than ever, which is a very dangerous attitude for a CO to be
carrying around in a survival situation. The remaining soldiers in the unit,
Tyrol, Cally, Seelix, and, yes, even Baltar, conduct recon to figure out
where all the Cylons are deployed. They discover the Cylons are assembling
an anti-aircraft battery to shoot down any Raptors that come looking to
rescue them. The nature of the recon, combined with Baltar's inexperience in
such matters, leads to some confusion as to exactly how many Cylons there
Crashdown decides the unit should attack the Cylons so no more people die.
The flaw in his plan is that he's likely to get his entire unit killed;
they're hopelessly outgunned. The deaths of Tarn and Socinus have clouded
his judgment; he feels he must prove himself to people who are already dead.
Tyrol thinks Crashdown should be worrying about the people who are still
alive, not those who can no longer be saved.
One question I had was why the Raptor search teams wouldn't already be
expecting Cylons on the planet. There was, after all, a base star and a
bunch of Raiders orbiting Kobol just a few days earlier. The other question
I had was why the Cylons haven't deployed another base star to Kobol (like,
for example, the one that was in "Scattered"). Wouldn't they know that the
base star in orbit of Kobol was destroyed and therefore send another one to
track the rescue operation? One of the storytelling logic problems with the
Cylons seemingly having so many resources is that we begin to wonder why
they can (or can't) locate the fleet whenever they do (or don't). They seem
to pop up only at random.
Baltar and Six have debates over the legacy of humanity. Six lectures him on
the idea that Man's ultimate legacy is killing, and its salvation lies only
in accepting the one true God and asking His forgiveness. In doing so, Six
betrays herself as the ultimate hypocrite. Apparently, the Cylons' solution
to the problem was genocide, which Six washes her hands of by saying the
Cylons are Man's children and knew no better. I guess Choice had nothing to
do with it and they are therefore blameless. She tells Baltar to "be a man."
By the end of the episode, he has indeed become a man according to her
definition (having taken a life), but I think when she says "man," she
really means "Man." The Cylons (or Baltar's paranoid imagination, I suppose)
have some warped philosophies, let me tell you.
Meanwhile, Crashdown only reinforces his status as an ineffective leader,
and his attack plan spurs plenty of unhappiness. Only the civilian, Baltar,
is brash enough to speak up (not having the military respect for chain of
command). When he calls for a vote, Tyrol (who, by the way, also hates the
plan) shouts Baltar down and tells him to shut up. I like the notion that
Tyrol is a true military man and that he doesn't permit the type of mutiny
that Baltar tries to introduce into the situation. Tyrol knows that a
military unit cannot be a democracy and that such a notion can spawn only
chaos. Crashdown is in charge, for better or worse.
It turns out to mostly be for worse. Crashdown's plan is probably untenable,
but the actual manner in which it falls apart is unexpected and makes for
some pulse-pounding drama. Cally freezes, refuses to flank the Cylons, and
stops the plan in its tracks with her fear and inaction. When she does this,
Crashdown puts a gun to her head and orders her to move. He says he's going
to count to three. Then Tyrol pulls a gun on Crashdown.
What happens here is a pitch-perfect dramatization of a messy situation
turning bad, then worse. Would Crashdown really pull a gun on his own
soldier given the variables and even his psychological state? Would he
honestly think it could possibly do more good than harm? I'm not sure. What
I am sure of is that it makes for a taut, powerful scene, which the actors
act the hell out of. There's an intensity of emotion, a startling complexity
in what everyone is feeling, which is completely believable and riveting.
Cally's paralysis by fear; Tyrol's desperate attempt to regain order;
Seelix's completely true statement that "this is *crazy*"; Crashdown's
painful realization that he has lost all control and yet his refusal to back
down from his position of authority. And then Baltar, of all people, shoots
Crashdown in the back, something that has all kinds of implications. As
death scenes go, Crashdown's is certainly powerful, but absolutely not
heroic. He is, in short, fragged.
And then things get even worse, as the Cylons open fire with machine guns.
If last week was hard-core sci-fi action, then this week is hard-core ground
warfare action, and exceptionally well done: loud, chaotic, dirty,
desperate, and harrowing -- and shot in the gritty docudrama style of modern
Really, the only thing holding this episode back are the reasonable but
somehow too obvious scenes on Galactica. Roslin has descended into dementia
because she hasn't gotten her medication (which makes her symptoms look more
like withdrawal because of drug addiction). Meanwhile, Tigh finds the
pressures of command and administration mounting. If Tigh was the right man
for the job in "Valley of Darkness" when the Cylons boarded and besieged the
ship, he's decidedly *not* the right man for the job here, where political
instincts are necessary, and dealing with the civilian government -- not
dismissing them, as Tigh does -- is a must.
The story becomes perhaps a little simplistic as Tigh blows up at Lee on the
hangar deck, casually dismisses the Quorum of 12, and allows himself to be
talked by his wife, Ellen "Lady Macbeth" Tigh, into letting the press see
Roslin in her deranged state so he will have unchallenged authority.
("Viewing time at the zoo," he says, which is too glib even for Tigh,
whether alcohol-induced or not.) The plan backfires spectacularly, and
perhaps too neatly. Roslin's terminal illness becomes public, which in
fitting with the Prophecies of Pythia turns her into a religious icon of
sorts, which made me naturally think of the type of issues explored with
Sisko as the Emissary on DS9.
But Tigh does seem aware of his own limitations and mistakes, as when he
visits a still-unconscious Adama in sickbay and says, "I really frakked
things up for you, Bill." There's a certain calculated irony when he
declares martial law immediately *after* this private admission, and then
orders the press "the hell off my ship," with the word "my" being
particularly significant. Tigh's not the most flexible fellow, and it's
clear already that that's going to pose a problem.
Copyright 2005, Jamahl Epsicokhan. All rights reserved.
Unauthorized reproduction or distribution of this article is prohibited.
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Jamahl Epsicokhan - jammer@...