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[ENT] Jammer's Review: "Cold Station 12"

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  • Jamahl Epsicokhan
    Note: This review contains significant spoilers. In brief: A solid show balancing action and characters, which comes together in one particularly good scene.
    Message 1 of 1 , Nov 10, 2004
      Note: This review contains significant spoilers.

      In brief: A solid show balancing action and characters, which comes together
      in one particularly good scene.

      Plot description: Soong and his Augments besiege a medical research
      facility, hoping to steal and bring to life the 1,800 frozen embryos that
      are stored there.

      Star Trek: Enterprise - "Cold Station 12"

      Airdate: 11/5/2004 (USA)
      Written by Michael Bryant
      Directed by Mike Vejar

      Review by Jamahl Epsicokhan
      Rating out of 4: ***1/2

      "Why are you so surprised? Whenever a group of people start believing
      they're better than everyone else, the results are always the same." --
      Archer to Soong

      There's a scene in "Cold Station 12" that had full command of my attention
      in a way that only great scenes do. It involves an unthinkable situation
      where one man is forced to either watch another man die, or divulge
      dangerous information that his duty demands he not allow fall into the wrong

      Dr. Soong has arrived at Cold Station 12 with his Augment "children,"
      including the rather ruthless loose cannon, Malik. Cold Station 12 stores
      more than 1,800 embryos left over from the Eugenics Wars, and Soong, in his
      misguided quest to give these enhanced human embryos a chance to be born,
      intends to steal them. All he needs is the code to gain access to the vault.
      Only Dr. Jeremy Lucas (Richard Riehle) knows the code, and Lucas is refusing
      to give it up, even after taking a beating from Malik.

      Malik comes up with the idea of putting one of Lucas' colleagues in a sealed
      chamber and exposing him to a horrible, deadly virus while Lucas is forced
      to watch. Soong expects Lucas will cave, but when it becomes clear he will
      not, the scene becomes one of panicked urgency. Soong suddenly realizes that
      a man is about to die, and that's not something he ever wanted. Suddenly,
      because of his obsession, Soong finds he has backed himself into a very dark
      corner. "How can you let this happen?!" he demands of Lucas. "How can you?!"
      Lucas demands back. Both are demands of complete desperation. Finally, Soong
      tells Malik to release the anti-pathogen. "No," says Malik, defiantly yet
      somehow still matter-of-factly. Soong is too late anyway; the man is dead.

      I really admire this scene, because there's a lot going on in it. The levels
      it works on are impressive, because we don't just have one man being forced
      to watch as another man is tortured (which is acted and directed with great
      tension and urgency), but we also get into the feelings, motives, and
      conflicts of the people doing the torturing. It's one of those rare scenes
      where we are suddenly identifying with everybody at once, on all sides of a
      mess careening out of control.

      The rest of the episode is pretty good, but as far as I'm concerned, this
      scene is the episode. It sums up everything about the characters and their
      actions in one dramatic stroke. They say actions speak louder than words,
      and this scene works as proof of that adage. The surprise on Soong's face
      when Malik disobediently tells him "no" says as much about Soong as any
      amount of dialog could. Later, Archer pointedly asks Soong, "Why are you so
      surprised?" Everybody can see the writing on the wall but Soong.

      Soong is essentially a misguided idealist who turns a blind eye to history
      and breaks the law, certain that this time, under his tutelage, things will
      be different. In the episode's opening teaser, set 11 years earlier, we see
      Soong teaching his young Augment pupils that they're special but unjustly
      feared because they're different. "You are the future," he assures them.

      What we don't find out is where things started to go wrong. Obviously Soong
      was captured and imprisoned, and the children, still young and
      impressionable, had to go on alone. Was the fact Soong was absent the reason
      they eventually went astray? Or was Soong himself responsible, for having
      hinted that they were meant to replace humanity's current developmental
      status quo? Regardless of when things went wrong, an argument could be made
      that disaster was unavoidable (which, indeed, is why Earth is said to have
      banned genetic engineering). If part three of this story follows from this
      one, Soong inevitably and solemnly will be pondering the error of his ways.

      The episode's plot is a straightforward implementation of The Chase. Soong
      and the Augments got away, and now Archer must find them. Searching for
      clues, the Enterprise first arrives at Soong's old hideout where the
      Augments were raised. There the crew find clues that suggest Soong plans to
      go to Cold Station 12 to steal the rest of its 1,800 embryos. (These
      embryos, by the way, weren't destroyed following the Eugenics Wars because
      of the controversies of the times. One would think that a century or more to
      think it over might've yielded an acceptable answer, but I guess not.)

      They also find Udar (Kaj-Erik Eriksen), left behind by his brethren when the
      Augments abandoned the colony. Udar's nickname is Smike, a literary
      reference to his handicaps; he does not have the advanced biological
      abilities of the other Augments. The fact that they chose for this reason to
      leave him behind is revealing. Archer attempts to connect with Smike, and
      reaches out to him with history lessons about Earth that don't have the same
      spin of alienation and doom that Soong had put forth.

      While "Cold Station 12" is, yes, a plot-oriented action-adventure show --
      complete with hostage crises, space battles, auto-destruct countdowns, a
      cliffhanger ending, and a fight scene where Persis the Ass-Kicking Chick
      punches a guy with an uppercut that makes him do a laughably stylized
      back-flip -- its strength is that it doesn't lose sight of its characters
      and dialog.

      Archer and Phlox have a nice scene where they discuss the pros and cons of
      genetic engineering. The Denobulans had managed to integrate genetic
      engineering into their lives without destroying themselves in the process,
      perhaps because their goal was to benefit medicine rather than making
      supermen that would shatter society with their ruthless ambitions. Archer's
      own personal conflict is that his father died of Clarke's Syndrome, a
      clearly Alzheimer's-like disease that Soong claims to have a cure for -- if
      only the procedures for developing the cure were legal. This is obviously
      meant to prompt us to draw ethical parallels between genetic engineering in
      the 22nd century and our current controversies regarding the future of
      stem-cell research and similar research.

      Then there's the countdown to inevitable disaster between Soong and the
      highly rebellious Malik, who begins to see Soong not as his father but
      simply another weak human unworthy of respect. Malik is a ruthless
      megalomaniac, through and through, who respects only strength. Watch the way
      he winces at the sight of Smike hugging Soong, as if Smike doesn't deserve
      being loved simply because he's weak. It cannot be said that Malik is a deep
      or multifaceted character, but he makes for an effective and despicable
      villain who is good at manipulating Soong's weakness of compassion for his
      children. He's the proof waiting to be exposed to show Soong how things went
      wrong and will go wrong again.

      And, as I said, it all culminates with the extended sequence on the research
      facility, with that well-realized torture scenario. Dr. Lucas is the same
      Dr. Lucas who is the good friend and pen-pal of Phlox ("Dear Doctor,"
      "Doctor's Orders"), and who is played by Richard Riehle, a recognizable
      character actor who brings integrity to the character and does not easily
      back down (this certainly is not the guy who concocted "Jump to Conclusions"
      in "Office Space").

      Because of this compelling scene, a good episode that deftly balances
      characters with a middlebrow sci-fi action storyline is elevated into
      something more dramatic and memorable, and emerges as the best installment
      so far this season.

      Next week: Will the Augments spark long-standing tensions between Earth and
      the Klingons?

      Copyright 2004 Jamahl Epsicokhan. All rights reserved.
      Unauthorized reproduction or distribution of this article is prohibited.

      Star Trek: Hypertext - http://www.st-hypertext.com/
      Jamahl Epsicokhan - jammer@...
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