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[ENT] Jammer's Review: "Two Days and Two Nights"

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  • Jamahl Epsicokhan
    Warning: This review contains significant spoilers. If you haven t seen the episode yet, beware. In brief: Pleasant. Fairly amusing and entertaining as
    Message 1 of 1 , Jun 25, 2002
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      Warning: This review contains significant spoilers. If you haven't seen the
      episode yet, beware.


      In brief: Pleasant. Fairly amusing and entertaining as lightweight
      shore-leave episodes go.

      Plot description: Members of the Enterprise crew head down to the surface of
      the planet Risa in hopes for some brief but relaxing shore leave.

      -----
      Enterprise: "Two Days and Two Nights"

      Airdate: 5/15/2002 (USA)
      Teleplay by Chris Black
      Story by Rick Berman & Brannon Braga
      Directed by Michael Dorn

      Review by Jamahl Epsicokhan
      Rating out of 4: ***

      "You think this is my fault!"
      "You were willing to follow two strange aliens into a basement!"
      "*Gorgeous* aliens! Don't forget -- they were *gorgeous*!"
      -- Trip and Malcolm, after being shot and tied to a beam in their
      underwear
      -----

      One lesson that seems to emerge in "Two Days and Two Nights" is that the
      nookie is awarded to those who aren't trying so hard. Or maybe it's *not*
      awarded in two cases because Trip and Malcolm are overly typical males being
      overly obvious and trying too hard at it.

      But, hell -- at least hooking up is actually on the minds of members of the
      crew. In previous Star Trek series it was almost as if human beings were
      above the very notion of having a sex drive, let alone expressing it. That's
      not saying "Two Days and Two Nights" is the least bit sophisticated when it
      comes to the topic, but when Trip and Malcolm get decked out in their
      nightlife threads and head out to a club to look for women ... well at least
      that's something that's socially recognizable in our own century. And when
      they fail miserably ... well, that's recognizable too.

      The shore-leave episode is not a new concept in Trek, but this proves to be
      one of the better examples because it keeps things simple and observes
      regular human behavior. We follow a few characters through their separate
      adventures in (attempted) relaxation, as they shuttle down to renowned
      pleasure planet Risa.

      Based on evidence here, Trip and Malcolm are destined to become the
      best-buddy partners-in-crime a la O'Brien and Bashir. It's nice to see that
      "Shuttlepod One," like DS9's "Armageddon Game," firmly solidified a
      friendship. Their storyline hardly has anything resembling depth (hanging
      out at a club, doing a fair amount of imbibing, trolling for dates), but
      something about it rings true. The actors bring a relaxed, unforced
      believability to light material; I found myself not thinking about the plot
      and just settling back and watching two people trying to have some fun. The
      emerging Trip/Malcolm repartee is adequately amusing. My one complaint is
      that the two thieves had to be shapeshifters. That's taking the
      Venus-flytrap routine just a little too far over the top; the two (non)women
      that rob Trip and Malcolm didn't have to be morphing shapeshifters to be
      criminals.

      Another plot -- less silly -- involves Archer settling into a beach resort
      with Porthos and some books. A woman named Keyla (Dey Young, last seen in
      Trek in DS9's "A Simple Investigation") is checked into a room with a nearby
      terrace. Inevitably, Archer and Keyla meet and go out for a casual dinner.
      Somewhat initially confusing is the fact that Keyla looks so completely
      human to the point that I began wondering if she was a civilian who somehow
      got from Earth to Risa. Dialog reveals that's not the case, but it raises
      the point of aliens that are human almost to a fault.

      Archer's storyline turns out to be an effective example of taking a
      lightweight premise and adding some fairly meaty larger-plot implications in
      an appropriately low-key way. It turns out Keyla is a Tandaran operative
      (the Tandarans were those who had imprisoned innocent Suliban in
      "Detained"). She was sent with a cover story to get close to Archer and
      convince him to reveal more information about the Suliban. The way she goes
      about doing this is sneaky and very believable given what we learned about
      the Tandarans in the earlier episode -- a people who take the concept of "we
      need to know what you know" very seriously, to the point of monomania.

      In a third storyline, Travis falls while rock-climbing and must be shuttled
      back to the Enterprise. Kellie Waymire reprises her role as Crewman Cutler,
      Phlox's medical assistant, but she encounters the unexpected in subbing as
      ship's doctor. This results in Phlox having to be brought prematurely out of
      hibernation to treat Travis for a medicinal allergy. Lesson of the week:
      Don't wake a Denobulan from hibernation and expect him to be clear-headed.
      Played for laughs, Phlox's drowsy/insane antics are milked for all they're
      worth, which is to say the results are mixed: Billingsley is game for these
      scenes but they're hit-and-miss -- sometimes amusing, other times too broad
      and obvious.

      In a fourth storyline, Hoshi meets a friendly man named Ravis (Rudolf
      Martin), who comes from a planet that's unpronounceable and probably even
      more unspellable. Ravis and Hoshi connect instantly on linguistic levels,
      and I must again express my approval at the use of subtitles in lieu of the
      universal translator, and the pleasant, easygoing chemistry between the two
      characters that ensues.

      It serves as some sort of justice -- or anti-justice -- that Hoshi is the
      one who ends up getting bedroom time while not being the one who had set out
      looking for it. Meanwhile, Malcolm and Trip spend a night tied up
      unconscious in the basement of a bar in their underwear, because thieves
      have stolen their clothes. Whoever said "nothing ventured, nothing gained"
      was apparently not one who was shot, robbed, and left unconscious in the
      basement of a bar in their underwear.

      It's a small miracle of sorts that these four unrelated plot threads manage
      to end up being not only watchable but fairly entertaining. Michael Dorn,
      who directed one of Trek's all-time best comedies, DS9's "In the Cards,"
      brings a similar sense of restraint and straightforward humanity to the
      material. Admittedly, none of these plots on their own would be sufficient
      to sustain an episode, or even half an episode. But together they manage to
      work adequately for a low-key vacation episode.

      And in the end, during the shuttle ride back to the Enterprise, everyone is
      content to forgo conversation about vacation. What happened on Risa stays on
      Risa. I like that.

      --
      Next week: A catastrophic accident suggests an end to the Enterprise's
      mission. (Season finale.)

      -----
      Copyright 2002 Jamahl Epsicokhan. All rights reserved.
      Unauthorized reproduction or distribution of this article is prohibited.

      Star Trek: Hypertext - http://www.st-hypertext.com/
      Jamahl Epsicokhan - jammer@...
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