Re: Why do we have choirs?
- --- In email@example.com, kjlawrence@... wrote:
> It's interesting that you write this. I myself know of noI dispute it. There's no real accurate way to tell, is there? I find
> music historian who has claimed that the music of the
> ancient world was not limited to monophony. I really
> don't think there is any dispute about this question.
it hard to believe that no one noticed the euphony of a perfect fifth
or a triad, when played on a lute or just by people singing, in a
culture that produced the most exquisite art and advanced science and
philosophy the world has seen. And we, today, have only a small
remnant of that civilization's accomplishments. I believe monophony
was a choice.
- --- In firstname.lastname@example.org, "Stan Takis" <takistan@...>
>(Responding late, sorry)
> --- In email@example.com, "dananetherton" <dana@>
> > One practical benefit has to do with the shortage of skilled
> > cantors.
> > Another is (let's be frank) the opportunity it affords our devoted
> > ladies to take an active role in the worship of the Church.
> Dear Dana:
> True. And let's not forget the assimilation issue. We are still
> assimilating. The US is overwhelmingly Protestant and Catholic, and
> there are many in our Orthodox Church who do not see why we cannot
> be more like them.
"Still assimilating" ... could be, could be. At the same time, of
course, Nia Vardolos fought off Hollywood attempts to change "My Big
Fat Greek Wedding" into something Jewish, or Italian -- because by gum
she *didn't* want the distinctively *Greek-American* elements in her
story to be assimilated into the generic "Mediterranean immigrant" story.
And thanks to the clout that Rita Wilson (producer, and Tom Hanks's
Greek-American wife -- on whose behalf *he* became Orthodox) had built
up in Hollywood, she didn't have to.
And Michael Constantine (for one) could finally *play* a Big Fat Role
that is in his own ethnic background -- perhaps his 5th "Greek"
character in a 35+ year career with 164 appearances (according to
This is consistent with what's happening with other ethnic groups in
America: the byword is no longer "melting pot", getting melted into
"Americans"; the byword is "diversity" and "heritage".
So the assimilation process no longer has to go on to the point where
visible Greek-ness (and visible Orthodoxy) disappears. The "Greek"
part of "Greek-American" (and by extension the "Orthodox" part of
"Greek Orthodox") no longer has to disappear in favor of the
Perhaps it's the younger generation (like Nia Vardolos and Rita
Wilson) that recognizes this, and the older generation that still
clings to the old model of assimilation?
But it's true that assimilation has been part of the history. Back
when I was regularly on Usenet, a cynical Greek-American who also
regularly posted there asserted that the GOA would be gone in another
generation or two -- as the young bail out to join the Protestant
churches, while the old insist on using Greek-and-only-Greek.
That mindset *can* cripple a parish -- I know an OCA parish in my
metro area that nearly perished because of it (different ethnic, same
Perhaps the younger generation -- those members who stick with the
Church despite these frustrations -- will be the ones to break free of
the "assimilation" approach to Orthodoxy. That's certainly the age
range where I see interest in learning Chant. And it's certainly the
age range where (in my own little parochial patch) I see zero interest
in joining the choir.
-- Dana Netherton