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Final Call for Papers. Evomusart'05

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  • Juan Jesus Romero Cardalda
    ... CALL FOR PAPERS EvoMUSART 2005 3rd European Workshop on Evolutionary Music and Art 30 March - 1 April 2005, Lausanne, Switzerland ... Submission Deadline:
    Message 1 of 1 , Oct 28, 2004
      -------------------5 NOVEMBER DEADLINE IS APPROACHING!!!
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      CALL FOR PAPERS EvoMUSART 2005

      3rd European Workshop on Evolutionary Music and Art

      30 March - 1 April 2005, Lausanne, Switzerland
      -------------------------------------------------------------------------------------------------
      Submission Deadline: 5 November 2004

      EuroGP website: http://www.evonet.info/eurogp2005
      EvoMUSART2005 website:
      http://evonet.lri.fr//eurogp2005/index.php?page=evomusart
      -------------------------------------------------------------------------------------------------

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      INTRODUCTION
      -------------------------------------------------------------------------------------------------
      The application of Evolutionary Computation (EC) techniques for the
      development of creative systems is a new, exciting and significant area of
      research. There is a growing interest in the application of these
      techniques in fields such as: art and music generation, analysis and
      interpretation; architecture; and design.

      EvoMUSART 2005 is the third workshop of the EvoNet working group on
      Evolutionary Music and Art. Following the success of previous events, the
      main goal of EvoMUSART 2005 is to bring together researchers who are using
      Evolutionary Computation in this context, providing the opportunity to
      promote, present and discuss ongoing work in the area.

      The event includes a Exhibition and Demonstration Session, giving an
      opportunity for the presentation of evolutionary art and music in an
      informal environment. The submission of works for the demonstration
      session is independent from the submission of papers.

      The workshop will be held from 30 March to 1 April 2005 in Lausanne,
      Switzerland, as part of the EuroGP&EvoCOP2005 event.

      Accepted papers will be presented orally at the workshop and included in
      the EuroGP2005 conference proceedings, published by Springer Verlag in the
      Lecture Notes in Computer Science series.

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      TOPICS OF INTEREST
      -------------------------------------------------------------------------------------------------
      The papers should include original and unpublished contributions related
      to the use of EC in the scope of the analysis, generation and
      interpretation of art and music. Topics of interest include, but are not
      limited to:
      - Generation
      o Evolutionary Art . Systems that create drawings, images,
      animations, sculptures, poetry, text, etc.;
      o Evolutionary Music . Systems that create musical pieces, sounds,
      instruments, voices, etc.;
      o Robotic Based Evolutionary Art and Music;
      - Analysis and Interpretation
      o Systems that resort to EC to perform the analysis of image,
      music, sound sculpture, or some other types of artistic object;
      o Systems in which the analysis of artworks is used in conjunction
      with EC techniques to produce novel objects;
      - Computer Aided Creativity
      o Systems in which EC is used to promote the creativity of a human
      user;
      o New ways of integrating the user in the evolutionary cycle;
      o Collaborative distributed environments;
      - Theory
      o Surveys of the current state-of-the-art in the area;
      identification of weaknesses and strengths; comparative analysis and
      classification;
      o Validation methodologies;
      o New models designed to promote the creative potential of EC;
      o Aesthetics, emotional response;
      o Studies on the applicability of these techniques to other
      creativity-related areas;

      -------------------------------------------------------------------------------------------------
      SUBMISSION PROCEDURE
      -------------------------------------------------------------------------------------------------
      Submissions should be a maximum of ten A4 pages and they should be sent in
      postscript or PDF format. It is advisable that the papers conform to the
      Springer Lecture Notes in Computer Science format.
      The reviewing process is double blind. Authors should remove their names
      from submitted papers, and should take reasonable care that their identity
      is disguised. References to own work can be included in the paper, but
      should be referred to in the third person. It is very important that the
      e-mail accompanying submission should state all the authors, including all
      their e-mail addresses. To avoid problems with electronic delivery, papers
      should be e-mailed to both of the program chairs. A notification of
      receipt will be e-mailed a few days after the deadline.

      -------------------------------------------------------------------------------------------------
      IMPORTANT DATES
      -------------------------------------------------------------------------------------------------
      Submission: 5 November 2004
      Notification: 10 December 2004
      Camera ready: 14 January 2004
      Workshop: 30 March - 1 April 2005

      -------------------------------------------------------------------------------------------------
      WORKSHOP CHAIRS
      -------------------------------------------------------------------------------------------------
      Juan Romero
      University of A Coru�a, Spain
      jj@...

      Penousal Machado
      CISUC . Centre for Informatics and Systems, University of Coimbra,
      Portugal
      ISEC . Instituto Superior de Engenharia de Coimbra, Portugal
      machado@...

      -------------------------------------------------------------------------------------------------
      PROGRAMME COMMITTEE
      -------------------------------------------------------------------------------------------------
      Alan Dorin
      Monash University, Australia

      Am�lcar Cardoso
      University of Coimbra, Portugal

      Anargyros Sarafopoulos
      Bournemouth University, UK

      Andrew Gartland-Jones
      University of Sussex, UK

      Bill Manaris
      College of Charleston, USA

      Carlos Grilo
      School of Technology and Management of Leiria, Portugal

      Colin Johnson
      University of Kent, UK

      Eduardo R. Miranda
      University of Plymouth, UK

      Gary Greenfield
      University of Richmond, USA

      Geraint A. Wiggins
      University of London, UK

      Hideyuki Takagi
      Kyushu University, Japan

      Jon McCormack
      Monash University, Australia

      Lee Spector
      Hampshire College, USA

      Luigi Pagliarini
      Academy of Fine Arts of Rome, Italy
      University of Southern Denmark, Denmark

      Martin Hemberg
      Imperial College London, UK

      Matthew Lewis
      Ohio State University, USA

      Michael Young
      University of London, UK

      Paul Brown
      Independent Artist and Writer
      Visiting Fellow, Birkbeck College, University of London, UK

      Paul Nemirovsky
      MIT Media Laboratory, USA

      Peter Bentley
      University College London

      Peter Todd
      Max Planck Institute for Human Development, Germany

      Scott Draves
      San Francisco, USA

      Stefano Cagnoni
      University of Parma., Italy

      Stephen Todd
      IBM, UK

      Tatsuo Unemi
      Soka University, Japan

      Tim Blackwell
      University of London, UK

      William B Langdon
      University College London, UK

      William Latham
      Art Games Ltd, UK



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