Cash (was Re: 2003 favorites)
- --On Tuesday, December 2, 2003 2:40 PM -0500 Perfect Sound Forever
> Any thoughts on the Johnny Cash box set?My thought is that it would be an excellent gift for someone to give me.
On paper, it sounds wonderful.
- --- In email@example.com, Catherine Lewis <cplewis@i...>
> On Tue, 2 Dec 2003, Perfect Sound Forever wrote:nothing for
> > I've listen to the Wrens a few times now and it's really doing
> > me. I'm trying hard to hear something especially as a number ofpeople
> > whose opinion I respect like 'em a lot but it ain't happened yet.That's cool. It's hard to describe why music affects you, positively
or negatively. I guess with the Wrens, for me personally, the record
makes me really sad(and in a good way if that makes any sense). The
whole record from start to finish is about a breakup that the lead
singer did not want to happen. I like his voice although I really
had to listen to it on head phones a few times before I fell in love
with it. He writes some damn good lyrics and the fact that they are
all in my age bracket, 35-40, is cool.
"..I can't type, I can't temp, and I'm way past college"
- Here's a review of the box, from this week's Onion.
Cash Unearthed (Buy It!)
Cash Unearthed Johnny Cash's massively important and prolific career had
its fertile and fallow periods, but few expected a major peak in 1994,
after years of forgettable albums, cultural invisibility, and poor sales.
Fewer still expected a resurgence under the guidance of Rick Rubin, the
producer best known for his legendary work in rap and heavy metal. But
Rubin's initial vision for Cash?sitting him down with an esoteric
assortment of source material and recording the singer's bare-bones
interpretations?helped spark a career renewal that continued through Cash's
death in September. American Recordings, the first fruit of their
collaborations, ranks among Cash's best work, as well as the greatest
albums of the '90s. And while the singer's subsequent three records for the
American label produced slowly diminishing returns as his voice
deteriorated and the song selection grew more iffy, Cash and Rubin's many
sessions produced an abundance of enduring classics. Amazingly, Cash
recorded dozens of songs between May (after the death of his wife, the
incomparable June Carter Cash) and his death on Sept. 12, and he had just
finished contributing liner notes for an exhaustive and lavishly packaged
treasure chest of outtakes from the American era. Not counting a pointless
greatest-hits disc spanning his last four albums, Cash Unearthed compiles
64 unreleased tracks on four individually titled discs: Who's Gonna Cry
(some of which has been heard on the indispensable American Outtakes
bootleg), Trouble In Mind (like 1996's Unchained, recorded with Tom Petty &
The Heartbreakers, among others), Redemption Songs (a set of covers
featuring guests such as Fiona Apple, Nick Cave, and the late Joe
Strummer), and My Mother's Hymn Book (an assortment of stripped-down
religious songs Cash hailed as his own best work). Though it represented
the culmination of a lifelong dream for Cash, My Mother's Hymn Book is the
least compelling of the four new albums, largely because its
warm-but-straightforward spirituals are accompanied by little of the
conflict or contemplation inherent in his best religious material. But the
other three, while marred by the occasional misstep, run in varying shades
of incredible. Who's Gonna Cry serves as a natural companion piece to
1994's American Recordings, presenting a riveting, near-perfect collection
of acoustic meditations on life, death, love, and murder. (The set draws
its title from the chilling "The Caretaker," a hair-raising ballad which
poses the question, "Who's gonna cry when old John dies?") Trouble In Mind
similarly reflects its counterpart: Though it brings to mind Unchained's
spirited performances and outstanding peaks, it also has the misfortune of
following a disc with more intensity and heft. It does, however, feature
the most moving moment on Cash Unearthed. "As Long As The Grass Shall
Grow," performed with June Carter Cash, encapsulates both singers'
brilliance and love for each other in an appropriately timeless tearjerker.
Redemption Songs doles out some classics of its own, with its most notable
track pairing Cash with The Clash, as Joe Strummer joins in on a moving
cover of Bob Marley's "Redemption Song." Not content to merely fill some
gaps in Cash's recent catalog, Cash Unearthed provides an essential tour
through the final years of a towering career. Fittingly, that life's work
closes on an extended highpoint worthy of the brilliant work that made Cash
an eternal icon. ?Stephen Thompson
- Someone wrote:
> > > I've listen to the Wrens a few times now and it's really doingLisa replied:
> > > me. I'm trying hard to hear something especially as a number of
> > > whose opinion I respect like 'em a lot but it ain't happened yet.
>That's cool. It's hard to describe why music affects you, positivelyThe Wrens have always fallen in that "Archers of Loaf" slanted indie-rock
>or negatively. I guess with the Wrens, for me personally, the record
>makes me really sad(and in a good way if that makes any sense). The
>whole record from start to finish is about a breakup that the lead
>singer did not want to happen. I like his voice although I really
>had to listen to it on head phones a few times before I fell in love
>with it. He writes some damn good lyrics and the fact that they are
>all in my age bracket, 35-40, is cool.
category for me.
The disc of theirs that I would really recommend is their 1996 release,
(Sadly enough) you can usually find it used at a decent price.
np: Smoking Popes - Live
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