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  • George Baaden
    It really is the Illuminati, the Secret Societies, the C.I.A., the Pentagon and etc. and etc. that controls the Film Industry. Because this is their Propaganda
    Message 1 of 1 , Oct 7, 2012

           It really is the Illuminati, the Secret Societies, the C.I.A., the Pentagon and etc. and etc. that controls the Film Industry. Because this is their Propaganda Wing!!! For more research into this, checkout the below websites!!!
           John Todd:
           John Todd: The Illuminati Defector!!!
           Inside the L. C.:
           How the Illuminati Runs Hollywood:
      (NOTE: Checkout the Date that George Bush (1) gives his Famous New World Order Speech. Exactly 10 Years to the Day before 9/11).
           There was a C.I.A. Movie Studio, right there at Laurel Canyon Blvd. and Mullholland Blvd. from 1940's - 1980's. The C.I.A. Movie Studio produced more films that all of the other Major Studios Combined in this same time period.
           The question is this, what exactly was the tie in of the C.I.A. movie studio to the other major Studios and also WHERE is the C.I.A. Movie Studio at today???!!!
           See the Documentary, "The Atomic Filmmakers, Hollywoods Secret Film Studio"!!!
           Supposedly, Today, the C.I.A. Movie Studios is Under Paramount Studios. Again, this is Speculation. 
           This was the Video Clip from the Simpsons, showing Bart Simpson, (the Cartoon Character), referencing 911 BEFORE IT HAPPENED!!! Unfortunately it is Blocked now.

           The Franklin School: The Secret Agenda of Bringing a Marxist Cultural Revolution to the United States!!!

           Who sold their Soul for Fame!!!
           The Illuminati in the Entertainment Business!!!
           The Beattles were Created by the Tavistock Institute:
           Lady Gaga and Beyonce's latest Video. It's all about Mind Control!!!
           Jordan Maxwell: The All Seeing Eye at the Academy Awards!!!
      Lady Gaga: Half Reptilian, Half Versace 
            From Mind Control to Superstardom: The Meaning of Lady Gaga’s “Marry the Night”
            a great analysis of MK pawns and how they make it to 'stardom'
            lobotomy anyone?
          Madonna’s Superbowl Halftime Show: A Celebration of the Grand Priestess of the Music Industry
           Subject:Hollywood Celebrities Mindcontrolled Multiple Personality Disorder / DID
      Date:Thu, 28 Oct 2010 18:30:52 -0700 (PDT)

           Miley and Noah Cyrus...MK Ultra Sex Slaves/Kittens

             The ALIEN Project is a ufological and exopolitical disclosure quest featuring articles, news, reports, videos, memes and symbolism revolving around Extraterrestrials and the UFO Phenomena. This site will try to    shed light on alternative theories and the various elements that synchronize


      Dumbed-down, amoral, nihilistic drivel from the likes of Gaga and Katy Perry serves to keep the masses in a state of spiritual decay
      Paul Joseph Watson
      Prison Planet.com
      Friday, July 2, 2010
      It has never been more apparent to those who have awakened from the slumber imposed upon them by popular culture that the establishment music industry now pumps out the most dumbed-down, monotonous, garbage which actually serves to induce depression and despair in those who are enlightened and aware, while providing hypnotizing bread and circuses for those still transfixed by the babylon system.
      If the readers of this website sat down and watched MTV for an hour, they’d probably come away feeling dazed, confused, and disgusted at the parade of sickness, idolatry and worship of everything that’s wrong in our society. Love of money, the evisceration of morality, the exaltation of post-modern nihilism, the attack on the family, the normalization of the bizarre, the sick and the twisted.
      Mainstream popular culture is nothing more than a tool which the elite use to make us feel worthless, pathetic, powerless and hopeless. They want us to believe that the most significant thing we can ever achieve in life is to look cool and garner the approval of our peers by wearing the uniform of whatever cult we are mandated to belong to, and that we can only accomplish this by mimicking the retarded behavior of the people we see in music videos. This is why legions of young people, whatever color they are or background they come from, walk around trying to look like and imitate rappers who wear their pants half way down their legs, can barely talk, and only live for getting smashed out of their skulls and having meaningless random sex with women who they objectify as instruments of carnal pleasure.
      Easily the biggest stumbling block in trying to educate people as to why they are depressed, leading increasingly insular and emotionally unstable, unhealthy lives with declining living standards is dragging them away from the very distractions that contribute to their downfall.
      The power of entertainment as an opiate of the masses has never been stronger, and with the widespread rollout of 3D technology, the tools of hypnotism are only becoming more and more potent.
      A London Guardian report entitled “Lady Gaga and the New World Order” gives serious credence to a website that not only discusses how popular music is used to keep people downtrodden and distracted, but how it is replete with messages and symbolism bragging about how the elite are using entertainment to keep the masses enslaved.
      The Vigilant Citizen has a good claim to be the world’s most distinctive music critic. On his website, vigilantcitizen.com, he describes himself as a graduate in communications and politics and a producer for “some fairly well-known ‘urban’ artists”. He has spent five years researching “Theosophy, Freemasonry, Rosicrucianism, the Bavarian Illuminati and Western Occultism”. All of these interests converge in his insanely detailed analyses of the symbolism of pop videos and lyrics. Thus Pink’s MTV awards performance mimics a Masonic initiation; Jay-Z’s Run This Town trumpets the coming of the New World Order (NWO); and the video for Black Eyed Peas’ Imma Be Rocking That Body advances “the transhumanist and police state agenda”.
      What’s surprising is the methodical, matter-of-fact, occasionally humorous tone of his essays. He does not write like a swivel-eyed loon rambling about Obamunism (although, inevitably, there’s an unsavoury fascination with Jewish influence). To those who don’t study occult symbolism, he concedes, it might all seem “totally far-fetched and ridiculous”, but for those in the know “I was simply stating the obvious”. His examinations are certainly exhaustive. Scrolling down his densely illustrated posts, you may find yourself thinking, “Say, Lady Gaga really does very often cover up one eye. And a lot of pop stars really do pretend to be robots.”
      Although the Vigilant Citizen insists he is neither a political conservative nor a religious fundamentalist, he is heir to such off-piste 60s pop critics as the Reverend David A Noebel, author of Communism, Hypnotism and the Beatles, and Gary Allen, who theorised that post-Rubber Soul Beatles material was so technically sophisticated that it must have been “put together by behavioural scientists in some think tank”. Leftwing thinkers at the time had their own take on pop as mind control. Peter Watkins’ 1967 movie Privilege starred Manfred Mann’s Paul Jones as a puppet of the state, pacifying the populace with catchy patriotic tunes. In such analysis, the villains may change but the mechanisms remain the same.
      The fact that the Guardian writer seriously discusses how popular music is littered with elitist symbolism without sneering the whole thing off as a conspiranoid delusion is an example of how abundantly clear this process is becoming.

      This kind of subject matter is no longer “out there,” it’s no longer considered wild to simply point out that popular culture and particularly popular music is exercising an undue and insidious influence on the moral, societal, and spiritual development of younger generations and humanity in general.
      Nowhere was it more obvious than during a recent Beyonce performance where she was surrounded by dancing riot cops. As the vigilant citizen website explains, this is about indoctrinating people to accept “the “robotization” of the human body and the gradual introduction of a virtual police state”.
      In other essays, Gaga’s habit of covering one eye is explained as her rejection of God and her induction as a Luciferian priestess.
      Notice how people like Christina Aguilera copy Gaga’s symbolism of humans as soulless robots.
      The one-eyed Luciferian theme is also seen here with Rihanna.
      While the website sometimes uses too broad a brush with which to identify servants of the babylon system, for example, a Bob Dylan clip is misconstrued as him saying he sold his sold to the devil, when in fact as any Dylan fan will know, in the late 70’s he became a Christian and started releasing gospel music, it does an excellent job in pointing the finger at those who really have metaphorically sold their souls - people like Katy Perry – to be used as tools with which to keep the masses in a perpetual state of disorder and spiritual decay.
      Tearing down the facade of this babylon system and dragging people away from the constant hypnotic distractions of sports, dumbed-down music, fashion and every other sideshow offered up to turn our heads from our true spiritual development is as if not more important than educating people about the political aspects of the new world order agenda.
      We need to make it “cool” to be informed about what is happening to our world and how we can change its course. This process has accelerated over the past decade and many music artists have incorporated this awakening into their work. Bands like Muse and the Foo Fighters, rappers like Paris and Eminem, are pushing back against the tide of zombie brainwashing being fostered on us by the likes of Gaga and Katy Perry.
      There’s no better way to conclude than with Bob Marley’s “Babylon System” song, which perfectly illustrates everything we are up against in this battle.
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      CANCER CONSPIRACY? Are "they" suppressing the cure? Will YOU be the next victim? Learn the Secret Truth! - READ FULL STORY

      147 Responses to “Popular Music Is The Babylon System”

      Disney Mind Control Exposed:
       I can't vouch for all of the allegations made
      > by DrFreemason here but this is certainly a
      > great presentation of subliminal stills from
      > Disney films, including one of a live-action topless
      > model in a couple of frames from "The Rescuer,"
      > some frames 'snatched' from a scene in "Who Framed
      > Roger Rabbit?" where most viewers might consciously
      > have missed the cartoon privates of the sexy female lead
      > character, Jessica Rabbit.
      > Video:
      > Unfortunately, This Video was Banned:

      > All this and so much more, including an analysis the
      > deadly fate of so many mothers of Disney characters,
      > as depicted in the early scenes of "Bambi" and "Dumbo."
      > The bond between mother and child, it seems, must step
      > aside for Disney programming.
      > The the clip shows a still of peculiar Disneyland ride,
      > where small children are obliged to straddle Donald Duck
      > in a sexually suggestive position...
      > The clip goes on to illustrate what DrFreemason
      > believes to be the overt Satanism and pedophilia
      > presented in the film, "Narnia." He claims that Walt
      > Disney's fascination with magic, Jinns and morphing had
      > to do with his status as a 33rd Degree Mason, a group who
      > he says "practice a lot of witchcraft and worship Baphomet."
      > Baphomet is a mythical winged demon with a goat's face
      > and man boobs.
      > Video:
          Unfortunately, This Video was Banned:
      > - Alexandra
      > P.S. Please share Forbidden Knowledge TV e-mails
      > and videos with your friends and colleagues.
      > That's how we grow. Thanks.
      > =================================================
      > Alexandra Bruce
      > Forbidden Knowledge TV
      > Daily Videos from the Edges of Science
      > http://www.forbiddenknowledgetv.com
      > ==================================================


      Kanye West’s “Power”: The Occult Meaning of its Symbols
      Kanye West’s “Power” is a short, almost stationary video that manages to tell a profound story in symbolic language. By decoding the occult meaning of the symbols present in this moving tableau, the viewer discovers who really holds the “power” in the world and understands the story of Kanye West’s initiation. We will look at the meaning of those symbols as they appear in the video.

      Rapper and producer Kanye West has always found a way to stand out from the crowd. His video Power is no exception. It differs from the MTV norm in many regards, whether you look at the content or the form. The duration of the video, the filming style and the subject matter are quite distinct from today’s typical rap videos as it is short (1:43), filmed in a single shot (compared to the one-shot-per-second standard of music videos) and is very rich in archetypal symbolism.
      Director Marco Brambilla sought to depict the concept of power in the form of a “video tableau”, a moving painting that slowly reveals itself to the viewer with a continuous camera movement.
      The director seem to have perfected this technique in his previous creation, Civilization, a video mural created for the new Standard Hotel in New-York city. The symbolism present there is simply overwhelming. Here it is:
      For Power, Brambilla went for a neo-classic aesthetic, but still created a piece full of symbolic and cultural references. As it was the case for paintings of the neo-classic era, each object, each symbol and each detail in the video conveys an important meaning, a meaning that is needed to understand the entire story. As we will see later, many symbols in the video have a deep occult meaning and many of them point to Freemasonry and Mystery schools. By doing so, the director clearly states what type of power is being presented in the video. We will therefore look at the meaning of the symbols displayed in the video as they appear in the shot. If you haven’t seen it, here it is:
      Symbols of the Video
      The video starts off with a close-up of Kanye West with glow-in-the-dark eyes, as if he was “illuminated” from within. He stands between an infinite row of Ionic columns, which represent “wisdom” in Masonic symbolism.
      Kanye with illuminated eyes between rows of twin pillars
      Two Pillars
      As regular readers of this site already know, the occult meaning of the twin pillars is ancient, profound and present in the symbolism of almost all mystery schools of History. There are many layers of interpretation attributed to the two columns, but one constant is always present: The pillars represent the entrance –
       the gateway – to the world of the initiate. Behind the columns can be found the key to the Mysteries and, consequently, the source of true power. This concept has been used for in many cultures and schools of thought.
      The two columns called the “Pillars of Hercules” in Ancient Greece stood at the gateway to the sphere of the enlightened
      “The city of the philosophic elect rises from the highest mountain peak of the earth, and here the gods of the wise dwell together in everlasting felicity. In the foreground are the symbolic pillars of Hercules which appear on the title page of Bacon’s Novum Organum, and between them runs the path which leads upward from the uncertainties of earth to that perfect order which is established in the sphere of the enlightened. “
      - Manly P. Hall
      Pillars of Hercules in Francis Bacon’s “New Atlantis” as a gateway to the New World
      Two pillars leading to Jacob’s Ladder in this Masonic tracing board
      Masonic initiate standing between the twin pillars as the third pillar, in the same fashion as Kanye West in the video.
      In Power, Kanye is standing at the mouth of the gateway to the “sphere of the enlightened,” right at the border of the corrupt and decadent material world. So, right from the start of the video, the director reveals the true nature of power in this world: It is not your democratically elected officials, but those who consider themselves to be behind those pillars. One of the most significant lines of the song is
      “In this white man’s world, we the ones chosen”

      Does Kanye’s “white man’s world” refer to the hidden rulers, the Illuminati, who are hidden behind those pillars? Did they choose Kanye West and give him Power by permitting him to become an influential figure in the entertainment industry? Was he chosen to become one of them? The next symbol might shed some light into this.
      Horus pendant on Kanye’s chain
      The next thing that catches the viewer’s eye is most probably that gigantic chain with Horus’ head as a pendant. Horus is an ancient Egyptian deity that has an extreme importance in occult mysteries. Considered to be the Sky god, he is more often represented with the symbol of a single eye.  The Eye of Horus is an ancient Egyptian symbol of protection and royal power from deities, in this case from Horus or Ra.
      “Horus, the son of Osiris and Isis, was called “Horus who rules with two eyes.” His right eye was white representing the sun while his left eye was black representing the moon. According to Egyptian legend Horus lost his left eye during a fight with his murderous uncle, Seth, to revenged his father’s death. Seth tore out his nephew’s eye but lost the fight because the assembly of the gods declared Horus the victor. The eye was reassembled by the magic of Thoth. Then Horus gave the eye to Osiris who experienced rebirth in the underworld.”
      - Jordan Michael,
      Encyclopedia of Gods
      Horus, god of the sky
      The importance of the “one-eye” in occult symbolism has been highlighted in many articles on The Vigilant Citizen. The All-Seeing Eye found on the Great Seal of the United States and many other occult symbols originate from the Eye of Horus.
      The Eye of Horus as depicted by the Golden Dawn Mystery School
      The symbolism of Horus is especially of great importance in Freemasonry, as the path of an initiate through the Masonic degrees is described as the process by which the Eye of Horus is opened.
      So Kanye stands at the gateway between the corrupt world of the profane and the exclusive world of the illuminated, wearing a Horus pendant, an unmistakable symbol of the Mysteries. One might say: “Well maybe Kanye just likes Egyptian things.” Maybe so, but in the context of this video, where all details are important and extremely meaningful, Horus becomes another piece of this symbolic puzzle.
      Horned Girls
      The entrance of the gateway of pillars is guarded by two horned albino girls holding a staff. Their features are very reminiscent of depictions of Isis and Hathor, goddesses of ancient Egypt. Another allusion to Egyptian magic.
      Kanye standing between two horned female figures
      Isis and Hathor crowning Queen Nefertari. Both goddesses were depicted with bovine horns on their heads.
      Isis was the mother of Horus (discussed above) and was the goddess of motherhood, nature and magic. Hathor was also considered as a maternal deity while also being the goddess of music, dance and fertility. Both Isis and Hathor were known to welcome and protect the dead during their journey to the afterlife, a concept that is particularly interesting in the context of the video.
      Hathor holding a sceptre with Pharaoh Ramses II
      “The goddess (Hathor) [...] manifests two aspects of her divine power: first of all, she participates in the afterlife rite of passage, by means of which the deceased attains eternal life, and, second, she demonstrates her special connection to the Egyptian king. Hathor is rightly called a royal goddess, and in this role she is linked in various ways to the life of the pharaoh. Often the pharaoh would call himself the oldest son of Hathor.”
      -  Archive for Research in Archetypal Symbolism
      Kanye, perhaps symbolizing the Pharaoh, is standing at the gateway to eternal wisdom, about to be executed/assassinated/sacrificed under the watchful eyes of Hathor, the “royal goddess.” Are the goddesses welcoming Kanye “behind the veil,” protecting him in this rite of passage to immortality? In occult circles, new candidates must symbolically die and be reborn to complete their initiation process. Is Kanye being killed an allegory for his initiation?
      Sword of Damocles
      Sword hanging above Kanye West’s head
      While doing some preliminary research on this video, I came across an article on MTV.com titled Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet. Here’s what it says about the sword hanging above his head:
      “Dragonlance: An image of a sword descending into a crown hovers over Kanye’s head, bringing to mind Volume Two of Douglas Niles’ series “The Crown and the Sword: The Rise of Solamnia,” in which Sir Jaymes Markham commands the orders of the Rose, Sword and Crown.”
      - Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet, MTV.com
      Really? The director of this neo-classical themed video, was inspired by an obscure fantasy novel released in, like, 2006? Seriously? Good job, MTV, in keeping our youth clueless. The descending sword is more probably a reference to the Sword of Damocles, a pretty widely known legend.
      Wenceslas Hollar’s depiction of the Sword of Damocles
      “The Damocles of the anecdote was an obsequious courtier in the court of Dionysius II of Syracuse, a fourth century BC tyrant of Syracuse. Damocles exclaimed that, as a great man of power and authority, Dionysius was truly fortunate. Dionysius offered to switch places with him for a day, so he could taste first hand that fortune. In the evening a banquet was held where Damocles very much enjoyed being waited upon like a king. Only at the end of the meal did he look up and notice a sharpened sword hanging directly above his head by a single horse-hair. Immediately, he lost all taste for the fine foods and beautiful girls and asked leave of the tyrant, saying he no longer wanted to be so fortunate.
      Dionysius had successfully conveyed a sense of the constant fear in which the great man lives. Cicero uses this story as the last in a series of contrasting examples for reaching the conclusion he had been moving towards in this fifth Disputation, in which the theme is that virtue is sufficient for living a happy life.
      Cicero asks “Does not Dionysius seem to have made it sufficiently clear that there can be nothing happy for the person over whom some fear always looms?”
      The tale of the Sword epitomizes the constant danger faced by those in positions of power. Kanye stands there, in a state of  impending doom, knowing he can be executed at any time. Right after we see the sword of Damocles, a figure appears holding a dagger and attempting to stab him. The assassination will not happen by dagger, however, as two other figures leap out of nowhere holding swords to accomplish the “Killing of the King.”
      Killing of the King – The Initiation
      Ritual initiation represented in a display of geometry and symmetry
      At the ending of the video,  the decadent women and the dagger-holding assassins all disappear as two swords are about to hit him. Are we sacrificing the King?
      The concept of regicide is reflected in the single’s cover art. It depicts Kanye’s severed, crowned head with a sword firmly jammed into it. Apparently Kanye was king and he got killed. Is this a symbol for a Masonic ritual? Note the stone on which Kanye’s head is placed. Is it the “perfect ashlar” of the Masons that represents the state of a perfected initiate?
      Covert art of Power portraying the killing of Kanye West as a king.
      A perfect ashlar in a Masonic lodge. In Masonic symbolism, the candidates start their journeys as allegorical “rough ashlars” and, through knowledge and wisdom, smooth out their edges in order to become a perfect ashlar.
      Some occult researchers have stated that the “Killing of the King” is the name of a Masonic rite of passage to obtain the 33rd degree (see “King Kill 33″ by James Shelby Downard & Michael A. Hoffman II). Semi-interesting sidenote: King Kill 33 is also the name of a Marilyn Mason song, with rather interesting lyrics. Another sidenote:
      Researchers have reported that  Killing of the King rites often happens in public, as more witnesses give more power to the ritual, hence … JFK. A completely crazy theory?… DYR (Do your research).
      Back to Kanye and his standing … the two swords flying towards him never actually touch him but instead form a triangular shape above his head, possibly hinting to a “symbolic” killing and not an actual one. Notice the position of the crown above Kanye’s head.
      The combination of those elements form an interesting image.
      Masonic Square and Compass
      In Conclusion
      To sum up the the video, Kanye stands at the border between Masonic knowledge and the decadence of the mundane life, represented by lustful and gluttonous women, lounging around eating grapes. Kanye says “goodbye cruel world / I see you in the morning“, as he has been “chosen” to take part in an initiation process that is often metaphorically described as a “long night,” followed by a glorious awakening as a new being. In order to accomplish this, Kanye needs to kill his old self and be ritualistically reborn. Once this is done, true power is within his grasp.
      This “moving painting” is definitely a multi-layered artwork, with many levels of interpretation: the first level is a commentary on power by using timeless symbols taken from ancient art; the second level describes a Masonic initiation with a ritual murder and an imminent rebirth.
      This video lasts a mere minute and forty-three seconds but it manages to give the viewers plenty to ponder on and many symbols to decode. Looking at its meaning from a pop culture point of view, it is interesting to note that this short-film, intended to be viewed by the general public (especially young people),
      describes the concept of power with overt Masonic symbolism and occult references. This causes the uninformed viewers to unconsciously associate those symbols with the concept of Power, while “those in the know” get the “insider’s wink” sent by this video. Power ultimately becomes another piece in the on-going process called the “Revelation of the Method,” where the true source of power gradually and subliminally reveals itself to the world and occult rituals take place right in front of the public’s eyes.
      How long before the complete revelation?

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