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28 March

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  • ambrois@xtra.co.nz
    Celtic and Old English Saints 28 March =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= * St. Tuathal of Saint-Gall
    Message 1 of 11 , Mar 28, 2013
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      Celtic and Old English Saints 28 March

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      * St. Tuathal of Saint-Gall
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      St. Tuathal of Saint-Gall
      (Tutilo) (Tuathal: pronounced tool)
      ------------------------------------------------------------

      When St. Gall, the companion of St. Columbanus, died in Switzerland in 640,
      a monastery was built over the place of his burial. This became the famous
      monastery of St. Gall, one of the most influential monasteries of the Middle
      Ages and the center of music, art, and learning throughout that period.

      About the middle of the ninth century, returning from a visit to Rome, an
      Irishman named Moengul stopped off at the abbey and decided to stay, along
      with a number of Irish companions, among them Tuathal, or Tutilo. Moengul
      was given charge of the abbey schools and he became the teacher of Tutilo,
      Notker, and Radpert, who were distinguished for their reaming and their
      artistic skills. Tutilo, in particular, was a universal genius: musician,
      poet, painter, sculptor, builder, goldsmith, head of the monastic school,
      and composer.

      He was part of the abbey at its greatest, and the influence of Gall spread
      throughout Europe. The Gregorian chant manuscripts from the monastery of St.
      Gall, many of them undoubtedly the work of St. Tutilo, are considered among
      the most authentic and were studied carefully when the monks of Solesmes
      were restoring the tradition of Gregorian chant to the Catholic Church. The
      scribes of St. Gall supplied most of the monasteries of Europe with
      manuscript books of Gregorian chant, all of them priceless works of the art
      of illumination. Proof of the Irish influence at St. Gall is a large
      collection of Irish manuscripts at the abbey dating from the seventh,
      eighth, and ninth centuries.

      Tutilo was known to be handsome, eloquent, and quick-witted, who brought
      something of the Irish love of learning and the arts to St. Gall. He died in
      915 at the height of the abbey's influence, remembered as a great teacher, a
      dedicated monk, and a competent scholar.

      -oOo-
      Medieval Sourcebook:
      Ekkehard of St. Gall: Three Monks of St. Gall
      http://www.fordham.edu/halsall/source/eckehard1.html
      ----------------------------------------------------------------------------
      ----

      The lives of three monks who lived in the abbey of St. Gall at the end of
      the ninth century were chronicled by Ekkehard of St. Gall a century later.
      The monks are more human and istinctive than the monastic rules seem to
      suggest.

      I will tell now of Notker, Ratpert, and Tutilo, since they were one heart
      and soul, and formed together a sort of trinity in unity.... Yet, though so
      close in heart, in their natures (as it often happens) they were most
      diverse. Notker was frail in body, though not in mind, a stammerer in voice
      but not in spirit; lofty in divine thoughts, patient in adversity, gentle in
      everything, strict in enforcing the discipline of our convent, yet somewhat
      timid in sudden and unexpected alarms, except in the assaults of demons,
      whom he always withstood manfully. He was most assiduous in illuminating,
      reading, and composing; and (that I may embrace all his gifts of holiness
      within a brief compass) he was a vessel of the Holy Ghost, as full as any
      other of his own time.

      But Tutilo was widely different. He was strong and supple in arm and limb,
      such a man as Fabius tells us to choose for an athlete; ready of speech,
      clear of voice, a delicate carver and painter; musical, with especial skill
      on the harp and the flute; for the Abbot gave him a cell wherein he taught
      the harp to the sons of noble families around. He was a crafty messenger, to
      run far or near; skilled in building and all the kindred arts; he had a
      natural gift of ready and forcible expression whether in German or in Latin,
      in earnest or in jest; so that the emperor Charles [the Fat] once said,
      "Devil take the fellow who made so gifted a man into a monk!" But with all
      this he had higher gifts: in choir he was mighty, and in secret prayer he
      had the gift of tears; a most excellent composer of poetry and melodies, yet
      chaste, as became the disciple of our Master Marcellus, who shut his eyes
      against women.

      Ratpert, again, was midway between the other two. Master of the Schools from
      his youth, a straightforward and kindly teacher, he was somewhat harsh in
      discipline, more loth than all the other Brethren to set foot without the
      cloister, and wearing but two pairs of shoes in the twelvemonth. He called
      it death to go forth, and oftentimes warned Tutilo to take heed to himself
      upon his journeys; in the schools he was most assiduous. He oftentimes
      omitted the services and the mass, and would say, "We hear good masses when
      we teach others to sing them." Though he would say that impunity was the
      worst plague of cloister life, yet . he never came to the Chapter-house*
      without special summons, since he bore that most heavy burden (as he called
      it) of reproving and punishing.

      These three senators of our Republic being such as they were, yet they
      suffered constantly (as learned and strenuous men must ever suffer) the
      detractions and backbiting of such as stagnated in sloth or walked in
      frivolity; more especially, since he was the less ready to defend himself,
      that saint (as indeed he was) Dom Notker; for Tutilo and Ratpert, who were
      of sharper temper and less patient under contumely, were more rarely
      attacked by such folk. But Notker, the gentlest of men, learned in his own
      person what insults meant: I will here cite but one example, wherefrom thou
      mayest judge the rest and know how great is Satan's presumption in such
      things. There was here a certain Refectorer named Sindolf, who afterwards by
      feigned obsequiousness (for there was no other use in the man), and by
      bringing false accusations against the Brethren, wormed himself into the
      grace of Abbot Solomon, who promoted him to the Clerkship of the Works. Yet
      even as Refectorer he showed evil for good so far as he had dared, and more
      especially against Notker.

      Now Solomon was busied with many things and unable to look closely into
      every matter; wherefore many of the Brethren, seeing their food sometimes
      withdrawn and sometimes tainted, would accuse him of injustice; among whom
      these Three seemed sometimes to have said something [of the kind]. But
      Sindolf, who ever fomented discord, knowing that ancient spark which had
      kindled illwill between these schoolfellows [the four had been fellow pupils
      in the monestary, but Solomon was now promoted far beyond the others],
      wormed himself into Solomon's confidence as one who would tell him a matter
      concerning his own honour; and he, though he knew that nothing is more
      harmful for prelates than to give ear to whisperings from their subjects,
      yet asked of Sindolf's tidings. Then the liar told how those Three, ever
      wont to speak against the Abbot, had on the day before uttered things
      intolerable to God. The Abbot believed his words, and conceived against his
      unsuspecting fellows a grudge which he soon showed openly. They, unable to
      learn aught from him concerning the ground of their offence, guessed that
      they had been ensnared by Sindolf's wiles. At length, when the concurrent
      testimony of the rest, had convinced the Bishop* that they had said nothing
      whatever against him, then all demanded vengeance upon the false witness;
      but the Bishop dissembled, and they tacitly acquiesced. Now these Three
      inseparable Brethren were wont to meet in the Scriptorium, by the Prior's
      permission, in the nightly interval before Lauds, and there to hold debates
      of Holy Scripture, most suited to such a time.

      But Sindolf, knowing of their colloquies at this time, crept stealthily ne
      night to the glazed window by which Tutilo sat, whereunto he closely applied
      his ear and listened whether he might catch something which he might twist
      to evil and bear to the Bishop. Tutilo became aware of this; and, being a
      resolute man who trusted in the strength of his arms, he spoke to his
      companions in the Latin tongue (for Sindolf knew no Latin), saying, "The
      rascal is here, with his ear glued to the window! Thou, Notker, who are a
      timid fellow, go into the church; but thou, my Ratpert, seize the Brethren's
      scourge which hangeth in the calefactory, and hasten forth. 1, when I hear
      thine approach, will suddenly open the window, catch him by the hair, and
      drag him to me here by main force; and thou, dear friend, be strong and of a
      good courage, and lay upon him with all thy might, that we may avenge God on
      his body!"

      So Ratpert, who was ever most ready to discipline, crept softly forth,
      caught the scourge, and hastened swiftly to the spot, where he found the
      fellow caught up by the head, and hailed blows upon that defenceless back
      with all his might; when lo! Sindolf, struggling with arms and legs
      together, caught the scourge as it fell upon him and held it fast. But
      Ratpert was aware of a rod that lay hard by, wherewith he now laid on most
      lustily again; until the victim, after fruitless prayers for mercy, thought
      within himself, "Now is the time to cry!" and roared aloud for the Brethren.
      Part of the convent, amazed to hear these unwonted sounds at such an hour,
      hastened up with lanterns, and asked what was amiss. Whereupon Tutilo cried
      again and again, "I hold the Devil, I hold the Devil, bring hither a light,
      that I may see more clearly in whose form I hold him." Then, turning that
      unw'lling head hither and thither to the beholders, he asked as though I in
      astonishment: "What! Is this Sindolf" "Yea, indeed!" cried they, and prayed
      for his liberty: at which Tutilo released him, and said: "Woe is me! for I
      have laid hands upon the bishop's intimate and privy whisperer!" But
      Ratpert, when the Brethren hastened up, had gone aside and withdrawn himself
      privily, nor could the victim know who it was that had smitten him.

      When, therefore, some enquired whither Dom Notker and Dom Ratpert had gone,
      Tutilo answered, "Both departed to worship God when they heard the Devil,
      and left me alone with that fiend prowling in the darkness. Know ye all,
      therefore, that it was an angel of the Lord whose hand dealt him those
      stripes." The Brethren therefore departed, and the matter was much debated
      (as was natural enough) by the partisans of their side; some said that it
      had befallen by God's justice, that privy eavesdroppers might be brought to
      light; others, again, argued that such a man should not thus have been
      handled unless it were true that an angel of God had smitten him.

      from Ekkehard, "History of the Vicissitudes of St. Gallen" in G. G. Coulton,
      ed., A Medieval Garner, (London: Constable, 1910), pp. 18-22.


      Another Life

      Died at Saint-Gall, Switzerland, c. 915. The handsome, eloquent,
      quick-witted Saint Tutilo was a giant in strength and stature and a friend
      of Saint Notker Balbulus, with whom he received musical training from
      Moengal. Tutilo, a monk of Saint-Gall, may have been Tuathal, a younger
      member of the party of the Irish Bishop Marcus and his nephew who stopped at
      the abbey on their return from Rome.

      Tutilo was a painter, musician and composer of music for harp and other
      strings, poet, orator, architect, metal worker, mechanic, head of the
      cloister school, and sculptor, but he is best known for his obedience,
      recollection, and aversion to publicity. Some of his paintings can be found
      in Constance, Metz, Saint-Gall, and Mainz. The chapel in which he was
      buried, dedicated to Saint Catherine, was later renamed for him (Attwater2,
      Benedictines, D'Arcy, Encyclopedia, Fitzpatrick2).


      These Lives are archived at:
      http://groups.yahoo.com/group/celt-saints
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