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Chalice Consort: Requiem by Eustache du Caurroy (c.1549-1609) w/ Davitt Moroney,

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  • Rebs
    Chalice Consort will open its 2011-2012 season with Requiem by Eustache du Caurroy (c.1549-1609) in November; directed by our Artistic Director, Davitt
    Message 1 of 1 , Sep 29, 2011
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      Chalice Consort will open its 2011-2012 season with Requiem by Eustache du Caurroy (c.1549-1609) in November; directed by our Artistic Director, Davitt Moroney.

      "The famous musical setting of the text of the Requiem Mass by the French composer Eustache du Caurroy is one of the finest of all Requiem settings. It was written in about 1590 and was performed at the funeral of the French king Henri IV. It was then used as a sort of "official requiem" at the funeral of subsequent French kings until the French Revolution.

      Du Caurroy is now largely forgotten, but recently (thanks to the 400th anniversary of his death in 2009) there has been a distinct renewal of interest in his music. In his day, he was considered a consummate master of the polyphonic style and the greatest French composer of the late Renaissance. His suave melodic lines and sublime harmonies are placed entirely at the service of meaningful declamation of the words. In this, he is the perfect French counterpart to Byrd in England , Victoria in Spain , Lassus in Germany , and Palestrina in Italy .

      Du Caurroy's Requiem is one of the highest moments in the history of Catholic church music. It was composed under the influence of the ideas of the Counter Reformation, which saw music as a kind of prayer. The musical setting is intended to guide attentive listeners towards an intense meditation on the words. This approach is still possible for 21st-century audiences (including non Catholics and all non believers). In the case of the Requiem, the intense musical meditation is fundamentally existential. It becomes a reflection on the universal themes of the frailty of human Life and our reconciliation with the universal inexorability of Death." ~Davitt Moroney

      WHO: Chalice Consort
      Clem Cano
      Michelle Clair
      Libbie Landles-Dowling
      Julio Ferrari
      Joshua Lanam
      Mark Sumner
      Lindasusan Ulrich
      Clarence Wright
      Rebekah Wu

      St. Edward Catholic Church presents Chalice Consort - Requiemby Eustache du Caurroy (1549-1609)
      November 4, 2011 - 8 p.m.; doors open at 7:30pm
      St. Edward's Catholic Church, 5788 Thornton Ave. Newark, CA 94560
      Tickets: email St. Edward's at parishoffice@... for advance purchase Tickets are available at the door

      The Cathedral of Christ the Light presents Chalice Consort - Requiemby Eustache du Caurroy (1549-1609)
      November 5, 2011 - 8 p.m.; doors open at 7:30pm
      The Cathedral of Christ the Light, 2121 Harrison Street, Oakland, CA 94612
      Tickets (http://www.eventbrite.com/event/2240908618): $15 in advance, Children 12 and under are free, $20 at the door (Note: online ticket sales end at 12PM, on day of concert.)
      Parking: The entrance to the underground Cathedral Parking Garage is located on 21st Street . Parking in the garage is $5.00 per vehicle.

      Chalice Consort presents Requiemby Eustache du Caurroy (1549-1609)
      November 6, 2010 - 4 p.m.; doors open at 3:30pm
      The National Shrine of St. Francis of Assisi, 610 Vallejo Street, SF, CA 94133
      Tickets (http://www.eventbrite.com/event/2155162148): $18 in advance, $20 at the door; $15 for Early Music America (EMA) members, students & seniors in advance, $20 at the door. Children 17 and under are free. (NOTE: online ticket sales end at 12AM on day of concert.)
      Parking: http://www.shrinesf.org/findus.htm#3

      About Chalice Consort: Chalice Consort collaborates with early music scholars and musicians in helping little-known works from the Renaissance and early Baroque eras become more widely appreciated by the modern music-loving public. The Consort pays special attention to the verbal texts and to the music's rhetorical force, as well as to acoustics. Its performances also take into account the various concepts of stylistic decorum that were strongly articulated by humanist writers in the Renaissance and provide an essential part of the context in which these repertoires were composed, performed, and first appreciated. Chalice Consort aims to communicate the emotional power of this music to modern listeners. www.chaliceconsort.org

      For more information about Chalice Consort, email Rebekah Wu at chaliceconsort@....
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