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[FILM] Chinese actress Zhang Ziyi grows into international star

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  • chiayuan25
    Chinese actress Zhang grows into international star Thursday August 11 9:05 AM ET After dazzling audiences with her waifish beauty and graceful performances in
    Message 1 of 1 , Aug 11, 2005
      Chinese actress Zhang grows into international star
      Thursday August 11 9:05 AM ET

      After dazzling audiences with her waifish beauty and graceful
      performances in a string of Chinese martial arts hits, Ziyi Zhang is
      coming of age as an actress on the brink of international stardom.

      Zhang, 26, gives her most mature performance yet with a portrayal of
      a prostitute struggling with her feelings in Wong Kar Wai's "2046,"
      which had its U.S. opening last weekend, and stars in the Hollywood
      version of the best-selling book "Memoirs of a Geisha" due in

      Already hailed by Time magazine as "China's gift to Hollywood" and on
      People magazine's "50 Most Beautiful People" list among other U.S.
      pop accolades, the Beijing native has even Anglicized the order of
      her name, from the traditional Zhang Ziyi, ahead of the possible
      blockbuster impact of "Geisha."

      Zhang's rise has coincided with a Western surge of interest in Asian
      films starting with her role in the big hit "Crouching Tiger, Hidden
      Dragon," (2000) directed by Ang Lee, and moving through "Hero"
      and "House of Flying Daggers," both shot by Zhang Yimou.

      "I've been lucky to work with the great directors," said Zhang, who
      was directed in "Geisha," by Rob Marshall, who was nominated for the
      best-directing Oscar for "Chicago."

      "It's fate, it's timing, destiny. I believe in that. There's really a
      lot of opportunity right now," she said in a recent interview.

      While "2046," a dreamy, steamy reflection on lovers' longings,
      promises and betrayals that merges past, present and future, will
      play in movie art houses, "Geisha," with Stephen Spielberg as its
      executive producer, is intended for a mainstream, worldwide audience.

      Zhang said both roles were challenging and had strikingly contrasting
      styles, both cinematically and in fashion. She wears elaborate kimono
      and customs in "Geisha" and slinky cheomsongs, the high-collared form-
      fitting silk dress, and high heels for her "2046" scenes set in
      hedonistic Hong Kong of the 1960s.


      As a Chinese actress cast to play a Japanese geisha with all the
      dialogue in English in a Hollywood production, the Beijing beauty had
      to endure what she laughingly called pre-production "boot camp" to

      "For us, who can't speak English and must speak with an English
      accent and a Japanese accent, that was really hard, so much
      pressure," said Zhang, who studied English for the role and who used
      a translator sparingly during the interview.

      "But this opportunity to work on this film that has a great cast, has
      a great script, a great director, I think anyone would take this
      seriously and do it well.

      "We spent a lot of time learning. We called it boot camp. We got to
      learn how to walk, how to play the shamisen (musical instrument), how
      to dress, add to that the cast is entirely non-English speaking and
      you can imagine how hard it was," she said of the adaptation of
      Arthur Golden's novel.

      "I will be proud of this movie. I know this will be a very beautiful,
      very emotional, very touching."

      "2046," a follow-up to Kar Wai's acclaimed "In the Mood for Love" was
      also a stretch for Zhang, who plumbed her emotions for a performance
      The New York Times described as "shockingly intense."

      "I think this character for me so far was my most difficult role I
      ever played," Zhang said about her role in "2046," which won her best
      actress honors at the Hong Kong Film Awards.

      Working with Kar Wai was a unique experience for Zhang.

      "They didn't have script. Every day I got two pages of handwriting.
      You don't need to memorize lines. You just give your real feelings. I
      just enjoyed this lady, being her, showing her true feelings.

      "As I understood her more, I gave more, building slowly. We shot a
      lot of different takes instead of rehearsing. It was a great training
      for me as a young actress."

      Michael Barker, co-president of Sony Pictures Classics, which is
      distributing "2046" and brought "Crouching Tiger, Hidden Dragon," to
      the United States among other Asian hits, said the crossover of a
      talented international artist such as Zhang was nothing new for

      "Zhang Ziyi going from 'House of Daggers' and '2046' to 'Memoirs of a
      Geisha,' is no different than Catherine Deneuve going from her French
      hits to American success, or Sophia Loren going from Italian movies
      to big Hollywood star," he said. "It's happening with Asian actresses

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