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959Kalamazoo 2015 Proposal

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  • Blog Editor, The Society for the Study of
    May 5, 2014
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      Here's my working draft for a Kalamazoo 2015 proposal for a session on Arthurian comics. Please send me some feedback and offers to preside should it be approved.

      Michael


      Crisis in Infinite Camelots? Reflections on the Comics and Their Place in Arthurian Studies (A Roundtable)

                  Comics based on or inspired by the Arthurian legend have been in existence since at least the 1920s, and this corpus, which is primarily American in origin, numbers in the thousands. Despite the history and diversity of this material, comics studies remain a neglected aspect of research on the modern Matter of Britain compared to work on other media, a fact lamented on by Alan Stewart, one the founders and foremost popularizers of Arthurian comics research, in 1986. At that time, he remarked, “Over the centuries, the legend of King Arthur has been recounted in virtually every medium of expression known to humankind. Most of these are represented in Arthurian studies, but the popular artform known as the comic strip has been largely neglected, despite the fact that comics remain one of the most widely disseminated and experienced media of our time” (12). Sadly, there has yet to be burgeoning interest in Arthurian comics, despite some promising starts. However, this does not have to remain the status quo.

      Comics are important texts for understanding the contemporary reception of the legend, and they have much to offer the Arthurian enthusiast, as Valerie M. Lagorio and Mildred Leake Day observed in 1990: “It is interesting to note the parallel development of Arthurian adaptations in the novel, science fiction and fantasy, movies, and the comics in recent years, as all have exhibited increasingly sophisticated, imaginative, and original treatments of the Arthurian ideal” (xvi). Writing in 1996, Norris J. Lacy, focusing specifically on comics, submitted that “American comics and cartoons constitute one of the fertile sources of popular Arthuriana,” though the slow progress of study suggests some reluctance in incorporating the medium into our scholarship and teaching. Thus, the purpose of this roundtable is to initiate discussions of how we might foster original work on Arthurian comics by exploring various ways to successfully integrate the comics medium into our careers, for, as Peter W. Williams reminded us in 1982, “Speculum and Prince Valiant both occupy the pages on the shelves in our libraries, and each in its own way is a manifestation of that strange and wonderful culture, the American” (15).

      The Alliance hopes to attract a varied group of presenters for this session, including medievalists, popular culture specialists, and comics scholars.

       

      Works Cited

      Lacy, Norris J. “Popular Culture.” The New Arthurian Encyclopedia. Updated Paperback Edition with Supplement, 1990-1995. Ed. Norris J. Lacy, et al. Garland Reference Library      of Humanities 931. New York and London: Garland, 1996.  363-64.

      Lagorio, Valerie M., and Mildred Leake Day. “Introduction to Volume II.” King Arthur Through            the Ages. Ed. Valerie M. Lagorio and Mildred Leake Day. Vol. 2. Garland Reference           Library of Humanities 1301. New York: Garland, 1990. Xi-xvi.

      Stewart, H. Alan. “King Arthur in the Comics.” Avalon to Camelot 2.1 (1986): 12-14.

      Williams, Peter W. “The Varieties of American Medievalism.” Studies in Medievalism 1.2 (Spring 1982): 7-20.

       

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      Michael A. Torregrossa, Listserv Moderator/ Blog Editor
      The Virtual Society for the Study of Popular Culture and the Middle Ages
      Michael A Torregrossa and Carl James Grindley, Co-Founders
      http://PopularCultureandtheMiddleAges.org
      The Alliance for the Promotion of Research on the Matter of Britain
      Michael A Torregrossa, Founder
      http://KingArthurForever.org


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