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RE: [art_education] KILN... HELP!

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  • Hillmer, Jan
    Just remember that the boiling point of water is 212 degrees F. Set your kiln to 200 or below for 3-4 hours if you can. Prop open the lid a bit with a kiln
    Message 1 of 4 , May 1, 2008

      Just remember that the boiling point of water is 212 degrees F.    Set your kiln to 200 or below for 3-4 hours if you can.  Prop open the lid a bit with a kiln stilt laid on its side to release the moisture from the kiln.    If you can do this the night before you fire, that would surely help.

       

      Tampa is very humid, and I often put my students’ works in front of a box fan set on low.  The movement of the air allows drying to take place.

       

      Jan in Tampa

       

       

       


      From: art_education@yahoogroups.com [mailto: art_education@yahoogroups.com ] On Behalf Of missartladyva
      Sent: Thursday, May 01, 2008 9:54 AM
      To: art_education@yahoogroups.com
      Subject: [art_education] KILN... HELP!

       

      Ok, so I have this fancy little electric kiln in a tiny room with
      massive air conditioning. The clay work that the kids have done looks
      great but it has been several days and the moisture in the room seems
      to be at a stand still. I seem to recall in the depths of my brain a
      trick where you could turn on the kiln to aid the drying time of clay.
      Does anyone know this trick or if it is safe? If so, what temp?

      I just think the closed room and high cold damp air is going to have
      me waiting a month for pieces to be bone dry.

      Any help would be appreciated!

      Holly Bess Kincaid
      Robinson Elementary
      Seabrook , TX
      www.artsonia. com/schools/ robinson8
      www.artsonia. com/schools/ dublin1

    • Linda Gomez
      Hi there, Wind is the best way to dry clay. The only problem with force drying things is that they may crack in the firing. Good luck. Linda. To:
      Message 2 of 4 , May 1, 2008
        Hi there,
        Wind is the best way to dry clay.
        The only problem with force drying things is that they may crack in the firing.
        Good luck.
        Linda.



        To: art_education@yahoogroups.com
        From: hillmjan@...
        Date: Thu, 1 May 2008 10:18:57 -0400
        Subject: RE: [art_education] KILN... HELP!

        Just remember that the boiling point of water is 212 degrees F.    Set your kiln to 200 or below for 3-4 hours if you can.  Prop open the lid a bit with a kiln stilt laid on its side to release the moisture from the kiln.    If you can do this the night before you fire, that would surely help.

         

        Tampa is very humid, and I often put my students’ works in front of a box fan set on low.  The movement of the air allows drying to take place.

         

        Jan in Tampa

         

         

         


        From: art_education@ yahoogroups. com [mailto:art_education@ yahoogroups. com] On Behalf Of missartladyva
        Sent: Thursday, May 01, 2008 9:54 AM
        To: art_education@ yahoogroups. com
        Subject: [art_education] KILN... HELP!

         

        Ok, so I have this fancy little electric kiln in a tiny room with
        massive air conditioning. The clay work that the kids have done looks
        great but it has been several days and the moisture in the room seems
        to be at a stand still. I seem to recall in the depths of my brain a
        trick where you could turn on the kiln to aid the drying time of clay.
        Does anyone know this trick or if it is safe? If so, what temp?

        I just think the closed room and high cold damp air is going to have
        me waiting a month for pieces to be bone dry.

        Any help would be appreciated!

        Holly Bess Kincaid
        Robinson Elementary
        Seabrook, TX
        www.artsonia. com/schools/ robinson8
        www.artsonia. com/schools/ dublin1




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      • faye barber
        I always fire student work over night on lw also before bringing it up to speed the next day. I have noticed that even bisque wae sucks up huge amounts of
        Message 3 of 4 , May 2, 2008
           I always fire student work over night on lw also before bringing it up to speed the next day.  I have noticed  that even bisque wae sucks up huge amounts of mosisure, and that certainly leads to  many problems.  In other words, I used to heat my glaze fire ( bisue ware for just an hour before going into the medium heat.  To be on the safe side now, I  even  fire the gazed things on low for four to 6 hours.  Green ware is overnight on low with all peep holes open and top  loading door wide open as well. 
           
          Speaking of kilns... does anyone know anything about firing glass ... fusing etc, with a Skutt electic kiln.?  It has a cone sitter and timer but it doesn't tell me the temperature...and my budget doens't allow for  any more extra's. 


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