From Logology (Man Self-Bildung), to LogoCosmoMAN-
- danifyou wrote:
[Bradford the following authored]
> "Beings who look forever backwards into,
> (Blue Flower of Novalis)"
Once again, ladies and gentleman, boys and girls, it is time for
Bradford and Danny to give you codes and passwords to the world of
Imagination. Jan, Harvey and Joksu know these codes and Passwords,
but many of you out there, can't understand, can't hold together what
Novalis called "little Fable's" ideas for two seconds in your
intellects. Little Fable is Grace and the Christ paradigm of logic in
the Christo world of new planetary education.
Characters such as Eros, Sophia, Fable, Ginnistan and the Scribe
offer an undertone into mythic maps of Imagination. Three Fairy Tales
of monumental import must be studied. 1- "The Green Snake and
Beautiful Lily". 2- "Blue Flower-Heinrich von Ofterdingen". 3-
Steiner's tale of ART and SCIENCE is a brilliant tale about Winter of
the intellect and the soul and warmth of the spirit in Art. Which
makes a study of Novalis/Raphael a key to understanding deeper levels
of Michael School research.
Now these three fairy tales still mean very little to the Anthro
impaired. But for example, if we look into Saturn and Saturn as the
Scribe character in the tale of "The Blue Flower" by Novalis, we must
learn something incredible. We babble about the Akashic records and
we also babble about the planets, but we fail to understand how the
Beings of Saturn look ever Backwards at the failed Karma of human
deeds and the ancient foundations of Cosmic evolution. We fail to see
and understand that the Rings of Saturn and the Planet Saturn, in
it's orbit of 29 1/2 years is an immense marker for the biography of
humanity. So how do we approach the mystery of the Akashic records
and Saturn but also a marker for the indication the work of certain
Beings connected to Kronos and Time. We could approach this mystery,
if you had the organ of Imagination, through the inner eye of the
First Anthro, Novalis.
"The scribe wrote endlessly, looking up only occasionally to give the
children a sour look, or to scowl darkly at the wet-nurse, who simply
smiled back pleasantly and said nothing.
The children's father was constantly coming in and going out, and
each time he would see how the children were going, and kindly greet
Ginnistan. He always had something to say to the scribe, who would
listen attentively, and after he had transcribed it would lean over
and hand the pages to a noble godly woman who was leaning against an
altar who had a dark bowl full of clear water. She dipped the pages
into the bowl, and looked into it with a cheerful smile. If when she
drew them out the writing remained and had become shining, she would
hand the leaf back to the scribe to be fastened into a large book.
Often, if his efforts had been in vain and were washed away, the
scribe's countenance would turn sullen.
From time to time, the woman would turn to Ginnistan and the
children, dip her finger into the bowl, sprinkle some drops on them.
As soon as the drops touched the wet-nurse, the child or the cradle,
they would melt into a blue haze, displaying a thousand strange
sights, always changing. If a drop were to perchance fall on the
scribe, it would result in a shower of numbers and geometrical
figures, [ here please try to understand Kepler and his model of the
universe if you can] which he would then industriously gather, thread
them on a string, and then hang them as an ornament around his neck."
Following the destiny of understanding Saturn Beings allows us to
understand hard copies, hard facts and soft facts. The difference
between Fable and The Scribe is Grace has entered back into Creation
through the Christ event of Golgotha. Fact? Fable? Hard fact or soft
fact? If you don't know the answer to these kinds of question you are
only slowly coming to terms with Michael School wisdom. There is much
To truly understand the immensity of what I am relating to you that
you are missing, is that you would have to follow the removal of the
head of John the Baptist and the further destiny of Raphael and
Novalis to the dawning impulse of Anthroposophy.
Here, if you could understand, doubtful, even grasp how Novalis could
see the things in his Fairy Tales and stories and how George
McDonald, Emerson and others grasped the richness of Novalis, you
would nearly understand how Steiner indicated that the Baptist became
the Group Soul that hovered over the disciples, remembered Jesus as
the painter Raphael and entered the world Imaginitive cognition in
his destiny as Novalis.
Now Fable and Grace were weaving strongly in the heart of Novalis.
Ancient Kronos was the Saturn image of the deadly effect of Saturn
eating his children. Certainly the critical, wild man of ethics and
goat skin, John the Baptist, stood in the road and the path of
Judaism and marked a way to a MidSummer mystery. What a wild Goat
Skin, scapegoat of his own people and what a stunning friendship he
had with Jesus. Since the dawning of the I AM, individual human
beings have slowly been able to write I AM deeds into the akasha and
these new deeds are looked upon form either the aspect of Fable
(Grace) or from the aspect of the Scribe (necessity). This amounts to
what we need to understand as Freedom and Necessity. Karma and Grace.
First of all Steiner was an Initiate who went beyond Saturn.
Second The Native Americans had a Saturn atlantis imprint in their
Racial etheric make-up.
Victor Hugo wrote THE most important poem on Saturn insights ever
Albrecht Durer's painting "Melancholia" gives some indication of a
Saturn meditaion and mood.
Now how you find your way to these objecitve insights is up to you.
But if you intend to build Imagination and Intellect into a refined
organ of cognition, you have to be able to see how Art and Science
work together. That is why Steiner's fairy tale on Art and Science is
one of the most important of the Three Fairy Tales to understand as
Europe gave birth to the Michael Impulse.