Re: Another question- In my mind I really am 4
- In a message dated 03/8/1999 9:35:39 AM, mmathews@... writes:
>Ever had the conversation; "May I take your picture? MyI have also answered with, "Sorry, I don't have one with me, and where would
>picture, you mean you want my portrait? Why, uh, yes. Sorry, I don't
>time to sit for a painting." I have, and it's just one example of how
>intrude into the illusion.
you be taking it to anyway?" Talk about blank looks....
THE Thin Red Line
- Betsy et al,
>???? Which is more important in our hobby-- authenticity or accessibility?Authencity for Gary and me. We've been down the slippery path of
accessibility in other re-enactment groups. By the time you've slid down it
there isn't much left of authenticity because we're all trying not to
offend anyone new who wants to play. Not that I'm trying to be a facist, or
anything. But rules are rules. I'm afraid getting over 40 and grey hairs
tend to make one a bit crusty.
I get really disgruntled when I see a coke can in the hands of a
re-enactor, be it during or after public hours. I start to grumble loudly
when I see a re-enactor in civilian clohes before and after public hours. I
really get down right POed when I have to face someone's vehicle on site
before and after public hours. And if I have to listen to some sort of rap
boogey from my neighbour's tent before or after public hours, you may have
to face a truly righteously angry Lorina. I'm not an old mom for nothing,
you know. :)
> IsFor us, no. It's the best we can accomplish 100% of the time. And
>there a difference between the authenticity we show to the public and the
>authenticity we share amongst ourselves?
it's fun. Every year we make a new list and 'hit' things we think we could
improve upon for the upcoming season. A chair. Reconstructing a bench
because it has modern carriage bolts. All kinds of stuff. Besides, if we
didn't do that we'd have time on our hands, and then the neighbours really
would not be safe.
>Is there a difference between beingYes, there's a difference. I think being accessible to the public
>accessable to the public and acccessible (and joinable) as a hobby?
requires a certain amount of not only interpretive skill, but social skill,
and patience. I often hear the scorn in people's tones when they speak of
'stupid' questions the public asks. Frankly, Gary and I don't run into
stupid questions. Now, I don't know if that's because we're: a/stupid
ourselves; b/draw a different set of hangers-on; c/are too enthusiastic.
Who cares the reason? We take the attitude there is no such thing as a
stupid question. Rather, questions are a demonstration of true interest,
and to some extent, courage, because one always runs the risk of making
oneself look a fool for asking a rather elementary question. What to us may
seem patently clear, to the general public may not. To be truthful, Gary
and I have met some of the most fascinating people through the cooperage
and embroidery shop, people with fascinating histories and fascinating
stories to tell.
Accessability to other potential re-enactors is different in that,
to my way of thinking, all we do is answer questions about how to get
started. And no, we don't cut any slack when it comes to the monetary
commitment required to pursue this sort of hobby. For us, there's no such
thing as 'good enough', because good enough isn't. Sure we may discuss an
acceptable compromise as an entry level, but that compromise is so far
beyond what some re-enactment groups would consider acceptable. Do it as
right as possible and in the long term a person will save money, because
you won't have to go out and acquire endless upgrades. Besides, it's a
matter of personal pride, of workmanship, and that's what we attempt to
convey to novice re-enactors. And we quite candidly point out what in our
own kit isn't right or shouldn't be around, in our opinion, and express
that our view is only one view and not necessarily 'correct'.
>course, why.... and how do these two factors impact one another?Don't see how they do impact. Course, maybe that's Lorina being
Loved your 'being there' story, BTW, Betsy. Fascinating.
who has very big clay feet
Five Rivers Chapmanry ~ purveyors of quality hand-crafted cooperage,
period furniture & fine hand-sewn garments ~ e-mail: lgsteph@... ~