Re: [RedHotJazz] Re: Did Whiteman Steal form Oliver?
- on 2/5/06 12:57, Michael Rader at Rader.Michael@... wrote:
> Of others cited in this discussion, Paul Mares sounds as he had listened toI am very reluctant to quote specifics from Ralph Berton's Remembering Bix
> Oliver and there are also stories of Frank Guarente and Oliver having
> exchanged "lessons".
in view of its clearly fictional "this is how it was then" orientation.
However, if he is not mis-representing Paul Mares, Mares was quite clear
where the sources of his music lay! So in later years was George Brunis but
these are musicians who made very different music from the Mole's,
Nichols's, Venuti's, and Trumbauer's of this world.
When I agreed with Albert that those musicians represented a different
tradition from the main stream of African-American jazz, I didn't of course
mean to suggest, nor do I believe, that there was no interaction at all.
The instances that Andrew Homsy gave of Oliver clearly borrowing material
from them could certainly be multiplied. Try listening to the later Doc
If you really want some fun have a look at page 358 of the Fourth (1958)
Edition of Rudi Blesh's Shining Trumpets, where you will learn where Bix
stole his stuff. I think not.
Howard Rye, 20 Coppermill Lane, London, England, E17 7HB
Tel/FAX: +44 20 8521 1098
> Maybe you are right but I wonder how Oliver could listen to Whiteman,Everybody bought Paul Whiteman records.
> I mean , was he allowed to enter a record store that is dedicated to
> noncolored artists music and buy records ? Or maybe he entered one of
> Whiteman's gigs ? Is it possible ?