Re: [ProgAndOther] Re: Yes in Bethlehem, PA last night
- I've seen Fripp twice and never seen him say anything cross to anyone, but......I saw Steve Howe blow a gasket at a show in Grand Rapids Michigan some years ago. He was doing his acoustic spot and someone in the audience pissed him off. He yelled at who ever the offending parties were for about 30 seconds and then kept playing.Steve Sly
From: Storey, Scott D. (MSFC-IS70) (MSFC-IS70) <scott.d.storey@...>
To: ProgAndOther <ProgAndOther@yahoogroups.com>
Sent: Tue, Apr 9, 2013 8:28 pm
Subject: Re: [ProgAndOther] Re: Yes in Bethlehem, PA last night
I respect Fripp. He can still be an asshole. I suppose the tactful difference between he and I is that he is famous and I am not.
On Apr 9, 2013, at 7:13 PM, "Jeff Bond" <jhbond@...> wrote:
I’ve seen Fripp with KC, solo on a SoundScapes tour, and with the League of Crafty Guitarists. During the SoundScapes show the audience was nearly reverent. Much of the presentation was ambient, after all. But at some point someone took a flash picture. This was a venue with about 300 seats so it was easy to localize the general location of the offender. The other 299 guests drew a collective gasp and my memory is that there was a miniscule pause by Fripp, and then he continued playing. After the piece ended he talked about the music and a few details associated with it. Then he looked in the general area of the offender and said “I know who you are, don’t do it again” plus (I think) he asked that she delete the picture. And then he continued the show with no further interruption.He has written in his blog about concerns during shows with incidents caused by photographers, bootleg recorders, whistlers, screamers, etc. He’s a unique person, that’s for sure.Jeff
--- In ProgAndOther@yahoogroups.com, "progholio@..." <progholio@...> wrote:
> i've noticed a pattern with IA that when something sets him off
> (generally early in the show) the witty stage banter turns
> condescending towards the audience real quick and sets the tone
> for the rest of the show, just the sort of thing i enjoy paying
> money for.
I've only seen Jethro Tull once, several years ago, at an outdoor
concert in Hershey, PA. On a hill opposite the stage there's a
big building that I think is a private school - for some reason
that building of fended Anderson and he kept making comments about
it throughout the show, calling it "that severe looking institution
over there" and things like that. Struck me odd at the time, but
fits the crochety old man description.
> regarding Fripp - i have seen him several times with KC and solo,
> i've never experienced anything like that, in fact at a solo show
> he seemed quite charming (even had a Q & A with the audience if
> you can believe it).
I was just going by all the CDs he's released that include
variations on him stopping the show because someone took a photo.
I only got the chance to see King Crimson once, back in the 90s
when they were briefly part of the HOARD tour, and there weren't
any disruptions. KC was pretty much the opening band though,
so they were already playing when I got there, only did about
about a 45 minute set and then were gone.
- It was nice to see you there Bob! I was definately feeling it for you as I saw the audience standing on your side thru alot of the show whist those on our side politely sat down.
Our obnoxious drunks were back and to the right and don't sound as bad as yours were.
I agree with your accessment of the performance, the band seemed to truely be enjoying themselves, perhaps breaking the tour up with the cruise was a good idea.
I'm totally sold on Jon Davidson, had my doubts going in but he really nailed it, and proved to me at least that he belonged. Downes boggled a couple of parts but for the most part did quite well. Overall an excellent show.
--- In ProgAndOther@yahoogroups.com, "biceeichler" <eichler2@...> wrote:
> So the wife and I made the trip to Bethlehem last night to see Yes. It was a much further drive than I thought - for some reason, based on trips to NEARFest, I thought it was only like an hour long drive, but including a side trip to drop our daughter off at my parent's house, it took over two hours to get there. Fortunately the show started a little late so we had plenty of time to find our seats and get a couple drinks beforehand.
> The positives: The band was fantastic. I was expecting the somewhat slow, tired-sounding band from the live "In the Present" album, but last night they sounded like they hadn't missed a step. Steve Howe, in particular, was really tearing it up. My wife said she thought the music sounded slowed down a little, but it sounded good to me. The only thing I noticed was that sometimes the tempos would shift a little during songs, but that could have been my imagination.
> Another pleasant surprise was Geoff Downes on keyboards. I thought Wakeman's son was supposed to be playing keys - when did it switch to Downes? At any rate, I was happy to see someone who was a "full fledged" member of Yes (whatever that means anymore) back there.
> The vocalist was very good. Didn't have Anderson's "aura" and personality, but sang well and if you closed your eyes you could almost convince yourself it was Jon. My wife said she actually liked the new guy better than Anderson because she's always had a hard time making out the lyrics when Jon sings, but could hear every word last night.
> They had a white screen behind the stage that they used to show Roger Dean artwork, psychedelic computer-generated images and close-ups of the band members, often all at the same time. There were also two other screens on either side of the stage showing close-ups of the band, but they seemed to focus almost entirely on the singer and Steve Howe.
> They played Close to the Edge, The Yes Album and Going For the One in their entirety, then encored with Roundabout. I'm really glad they played GFtO because that's my wife's favorite album, and I had read that they weren't playing it at every show. I don't know if they do this every time, but at the end of "Awaken" when it reaches the big pipe organ climax, they had huge air cannons that blasted white confettii into the air and turned the theater into a snow globe.
> Squire played a beast of a bass guitar during Awaken - it had three necks that I think were a fretless bass, a regular bass and something that looked like the bass equivalent of a 12-string guitar. I don't know if that's something he's had for a while, but it was the first time I had ever seen that monster.
> So the show itself was great. Unfortunately the crowd around me reminded my why I don't go to big concerts much any more. There was a guy sitting behind us who didn't know anything about Yes and spent the whole concert asking everyone around him questions - was this a hit song? Is the singer new? How many original band members are left? Which album is this song from? Etc. Then there were was the group of people about five rows up from us who kept standing up every five minutes or so to show how "into" the music they were, which of course meant that the people behind them had to stand to see, and soon our whole half of the theater was standing. The one woman in particular was doing it every couple minutes, raising her mostly-empty beer cup in the air and when someone behind would yell for her to sit down, she'd turn around and just start screaming obscenities at everyone behind her. Fun group.
> But far and away the worst were the guys right in front of my wife and I. At first there were two of them, and they left the seat right in front of us empty, which was really nice because we had a good view for the first half hour or so of the show. But then it became apparent that these guys were *hammered* before the show even started, and they just would not shut up. They talked through the whole show, and one of them was another "have to stand up every song to show how into it I am". That guy had a flask hidden in his shirt that he kept passing around after the beer ran out. There was constant fist-pumping and hooting and raising of beer glasses and filming with cell phones - pretty much any activity that can ruin the show for the people behind them, these guys did.
> Then, about mid-way through the show, their buddy who had been MIA up until now arrived and brought them fresh beers, and they just got even more obnoxious. New guy not only liked to pump his fists in the air, but he would lean way back while he did it, so he came very close to punching us in the head. At one point my wife got so pissed she grabbed his arm and threw it back at him. She did apologize for that at intermission though. The whole time these guys are carousing, their chairs keep sliding back until by the end of the show, my knees were right up against the chair in front of me. They also spilled a couple full beers so the floor all around us was a slippery, sticky mess.
> They did provide some humor late in the show though. The one guy looked like he weighed about 300 pounds and probably played linebacker in high school, and he went berzerk when the band started playing "Turn of the Century". He was INTO it. I think he was close to tears by the end of the song. Never would have imagined it.
> So all in all, great performance by the band almost ruined by the ultra-obnoxious idiots in the audience. That'll probably be the last big-venue concert I go to for a long while.
> -- Bob
- --- In ProgAndOther@yahoogroups.com, stevesly@... wrote:
>I tried to reply to this yestarday, but the post never showed up,
> I saw Steve Howe blow a gasket at a show in Grand Rapids
> Michigan some years ago. He was doing his acoustic spot
> and someone in the audience pissed him off. He yelled at
> who ever the offending parties were for about 30 seconds
> and then kept playing.
so apologies if this ends up posting twice.
When I saw Howe on the tour that produced the "Not Necessarily
Acoustic" album, he was in a good mood for most of the show.
But then when he tried to do "Heat of the Moment" as the big
closing number of the show, something went wrong with the monitor
system and he couldn't hear his own vocals. His singing went
from bad to just atrocious, and when he wasn't singing he kept
yelling at the sound guy to turn his vocals up. He made it to
the end of the song, then stormed off and refused to come back
out for an encore.
Still a really good show, just a shame it ended that way.
- --- In ProgAndOther@yahoogroups.com, "biceeichler" <eichler2@...> wrote:
>I just noticed that the same taper put up a recording of Yes from the
> --- In ProgAndOther@yahoogroups.com, "biceeichler" <eichler2@> wrote:
> > So the wife and I made the trip to Bethlehem last night to see
> > Yes.
> For anyone who does the Dime a Dozen thing - there's already a
> recording of this show up. I downloaded it last night and just
> started listening to it this morning, but it sounds pretty good
> so far.
same venue from last year (I didn't even know they played in PA last
year - how'd I miss that?). Anyway, that one also has pretty good
sound quality (a little too "digital" sounding, but listenable) and
includes a live version of the full "Fly From Here" suite. First time
I've gotten to hear that live - sounded great. I'm sorry I missed