Re: snots & fonts
- To further reinforce this. For me to point to this link, which can be
found by anyone searching the net:
does this mean I advocate theft? It is only informational. The
recipient of that information has to make their own ethical/moral
[though for any with greedier tastes than shaky knees, bit torrent has
its own punishment, your computer will likely be compromised by a bad
guy in what, maybe, a couple of minutes or so?]
More info on bit torrent here
And to think, the web held such promise. But, invite everyone in and
what do you get? personal websites, personal blogging, flickr personal
photo sharing, frappr personal here I am look at me or whatever that
is all about; everything brought down to the basic lowest common
denominator: an old sin, Greed, and a 21st century sin, Posing.
Peter, this ain't about Luc, it's about us.
--- In PPLetterpress@yahoogroups.com, "Gerald Lange" <bieler@...> wrote:
> Hi Peter
> There is a lengthy discussion about this over at Typophile. I'm not
> sure I would venture to say the type design community had a hurrah,
> though some of them might have. This became more an issue of free
> My defense of Luc would be that he is a mathematician with an interest
> in fonts and typefaces and had access to McGill's search engine, so
> long ago he set it to find everything there is on fonts and typefaces
> on the internet and everything that showed up went into the site. A
> spectrum of what is going on in the world of type, which includes
> theft and piracy. I can't say that I have ever seen anything where he
> personally advocated theft or piracy. Though I have seen articles
> where he is often critical of the powers that be.
> A couple of points though in regard to your post:
> I think most folks who are after free fonts would never consider
> buying a font anyway.
> Bundled fonts by the major foundries itself devalued the worth of
> fonts to the average user.
> With the complexity involved in producing OpenType fonts, the free
> font movement is essentially dead, and all that really remains is the
> remnants of the 1990s.
> Folks who copy fonts from foundries and issue them as their own rarely
> attend to the technical qualities of a typeface, and often convert
> them to the TrueType format, so their fonts are essentially useless
> for any productive purpose.
> Current bit torrent software/technology and mentality ("sharing") has
> made all and any protection of software essentially useless.
> I am on your side. Folks should get paid for their work, or there will
> not be any quality work. But Luc is not the problem. He only provided
> the access links. It is ultimately up to the individual if they want
> to steal. And that is their problem.
> > Hmm. The type design community had a short but hearty hurrah.
> > This 'publisher' is well known for his disdain of intellectual
> property and the creative efforts of type designers.
> > In particular his links to known font and software pirates have been
> a continual source of dispute.
> > Before writing this note, I went to said site, and indeed, there is
> much of potential value there.
> > It's only too bad that the publisher would not leave well enough
> > It's one thing to give away one's own property, another to encourage
> others to give their own away, but quite another indeed, to give away
> another's property... or to encourage those that do.
> > While we may believe that Adobe, Apple or Microsoft can absorb the
> loss of type sales (and in fact, often give fonts away as part of the
> OS, or as marketing incentives), it is not true at all for the small
> professional foundries, whether Hoefler & Frere-Jones, Font Bureau,
> P22, et alia
> > When the fellow encourages the pirating of original type design from
> these creative hardworking designers, I think he deserves censure and
> disdain himself.
> > He apparently attempts to make himself known at conferences as some
> sort of expert, but I don't believe he has designed a type family
> himself, nor tried to make a living doing so.
> > As an example, amongst his listings (many of which are wildly
> obsolete, btw) is a large enthusiastic review of "@p0str0phic
> Labor@t0rie5" * whose proprietor is alleged (in fact was sued and
> found liable, if I'm not mistaken) to have taken commercial fonts, run
> them through an editor to change -- nothing, essentially, except the
> copyright -- and then release them as "free". In fact, said
> proprietor, if I'm not mistaken, cheerfully acknowledged and bragged
> > This is not an academic discussing pornography, to cite an analogy
> I've seen bandied about.
> > It's simply aiding and abetting copyright infringement, aka piracy.
> > That's my 3 cents and I'll stick with it.
> > P
> > * leet so as not to allow easy archive access to this name
> > AzByCx DwEvFu GtHsIr JqKpLo MnNmOl PkQjRi ShTgUf VeWdXc YbZa&@
> > ARTQ: Help stop in-box bloat! Always Remember to Trim the Quote!
> > Semiotx Inc. http://typeandmeaning.com
> > Web Strategy Consulting Communication Design Typography
> > Peter Fraterdeus http://www.fraterdeus.com http://www.galenaphotos.com
> > Galena, Illinois http://www.alphabets.com