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#2223 - Saturday, August 6, 2005 - Editor: Jerry Katz

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  • Jerry Katz
    #2223 - Saturday, August 6, 2005 - Editor: Jerry Katz Highlights Home Page and Archive: http://nonduality.com/hlhome.htm Letter to the Editors: Click Reply
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      #2223 - Saturday, August 6, 2005 - Editor: Jerry Katz
       
      Highlights Home Page and Archive: http://nonduality.com/hlhome.htm  
      Letter to the Editors: Click 'Reply' on your email program, compose your message, and 'Send'. All the editors will see your letter.
       
       

       
       
      This issue features an article on surfing writing. Unfortunately I couldn't find links in Amazon.com to the books mentioned. Surfing is one area where nondual expression is lacking when it really shouldn't be. There just aren't the writers. At least according to what I've seen. Some surfing movies might be nondual. The Endless Summer had that feel to it but it's been a few years since I've seen it.
       
      Another article by -- ya love him or ya hate him -- Jed McKenna. This time its brief movie reviews.
       
      Finally part of a news story telling about the making of the film On The Road by Francis Ford Coppola.
       
       

       
       
       

      Authors paddle like mad to write the latest literary wave

      By Malcolm Knox
      August 6, 2005

      Moving from her "green room" inside a wave to the writers' green room of a literary festival, Nike Bourke yesterday joined a wave of new Australian surfing writing.

      At the Byron Bay writers' festival the Brisbane author launched her second novel, The True Green Of Hope, a book that found its inspiration in a peculiar effect of light known as the "green ray".

      Described by Jules Verne in his book Le Rayon Vert as the colour that green would be in paradise, the effect is produced by sunlight in sea water when certain conditions of latitude, weather and humidity coincide with a sunset or sunrise.

      Verne wrote: "Happiness will be the portion of those who behold this spectacle."

      Bourke, now 36 and a creative writing teacher, searched for the green ray and saw it while surfing at sunset in Western Australia several years ago. A kind of happiness followed, in the form of the conception and execution of her novel.

      The recent trend of surfing literature includes a biography of the Australian great Michael Peterson, an anthology of surf writing published last year and another coming out this year, an autobiography of Mark Occhilupo on its way, various how-to books and the Victorian writer Fiona Capp's Kibble Award-winning memoir That Oceanic Feeling.

       

       
       
      http://www.knowledge-finder.com/society/spiritual/movies-themes-enlightenment.html

      Enlightening Cinema

      by Jed McKenna

      "Let me tell you why you're here. You're here because you know something. What you know, you can't explain. But you feel it. You felt it your entire life. That there's something wrong with the world. You don't know what it is, but it's there. Like a splinter in your mind — driving you mad." -Morpheus, The Matrix

      This isn't a movie review list and it's not comprehensive. It's just some notes about a few movies I think are useful for the purposes of awakening and why, or that aren't and why not. With tools of understanding, bad is often better than good.

      Major themes represented on this list seem to be these:

      • Heresy
      • Captive/Captor
      • Teacher/Student
      • Nature of self/man.
      • Death/rebirth. Cataclysm/epiphany.
      • Untrustworthiness of mind/memories.

      The only thing I might advise with regard to movies and books is to raise the material up to the level where it becomes of value to you. Orwell might have been writing an anti-communist manifesto, but Nineteen Eighty-Four is much more interesting viewed as the struggle between man and his confinement. Apocalypse Now is about something more than Viet Nam, How to Get Ahead In Advertising is about something more than rampant commercialism, etc.

      ::: American Beauty

      "I feel like I've been in a coma for the past twenty years. And I'm just now waking up."

      I've included American Beauty mainly for what's wrong with it. Lester's major death/rebirth transition shows promise, but what does he transition to? Backward to teenage crap, not forward in any sense. A fear-based regression. Stupid car, stupid drugs, stupid vanity, stupid skirt chasing. Not at all redeemed when Lester sees his own folly near the end or by sappy/smarmy dead guy voice-over.

      The movie is slightly redeemed by the presence of the quasi-mystical neighbor kid and his video footage of a windblown bag:

      "That's the day I realized that there was this entire life behind things, and this incredibly benevolent force that wanted me to know there was no reason to be afraid, ever."

      ::: Apocalypse Now

      "In a war there are many moments for compassion and tender action. There are many moments for ruthless action — what is often called ruthless — what may in many circumstances be only clarity, seeing clearly what there is to be done and doing it, directly, quickly, awake, looking at it."

      You'd think that Apocalypse Now Redux, the director's cut, would be the version to watch, but all the stuff that was rightly cut from the original has been wrongly replaced. (Raising the interesting point that directors and authors often don't understand the higher applications of the stories they're telling.) Stick with the original over both Redux and Conrad's Heart of Darkness.

      Apocalypse Now is all about the Horror. A journey of discovery, into the heart of darkness, arriving at this horror. What's the horror? How do you get there? Why would anyone make such a journey? Should you make such a journey? Why or why not?

      Note the powerful epiphanies that drive the film. The first assassin's letter home, ("Sell the house, sell the car, sell the kids..."), Dennis Hopper's youthful exuberance, Kurtz's diamond bullet, Willard's "...I wasn't even in their army any more."

      ::: Being There

      "Spring, summer, autumn, winter... then spring again."

      A lovely film ruined by a foolish walking-on-water stunt tacked on to the end. Without that nonsense the viewer would be free to think, to decide, to wonder. Instead, the movie zips itself up tight with its clever little dumb-it-down twist. Hit the stop button when Chauncey is straightening the sapling, before the ruinous denouement, and it's a fun, lovely film.

      ::: Blade Runner

      "I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I've watched c-beams glitter in the dark near the Tannhauser Gate. All those moments will be lost in time like tears in rain. Time to die."

      Were you born five minutes ago? Of course not, and you have the memories to prove it. You'd know if they were artificial implants, because, uh...

      ::: Cast Away

      "I couldn't even kill myself the way I wanted to. I had power over nothing."

      If a man screams on a deserted island and there's no one to hear him, does he make a sound? Is it enough that he hears it himself? What if not? What's left when you take away everything?

      Self stripped bare.

      This movie raises many intriguing questions about the substance of self, or lack thereof, and includes a very Zen eulogy.

      ::: Dead Poets Society

      Heresy.

      ::: Harold and Maude

      "Vice, virtue. It's best not to be too moral... Aim above morality."

      American Zen, master and disciple.

      ::: Harvey

      "For years I was smart... I recommend pleasant."

      Elwood P. Dowd, wisefool. A sweet depiction of a higher order of being misinterpreted as a lower order of being. Would we know the Superior Man when we saw him?

      ::: How to Get Ahead In Advertising

      "Everything I do now makes perfect sense."

      A thwarted bid for freedom. A failed attempt to overthrow Maya. Enjoy the insanity of the epiphany.

      ::: Joe vs the Volcano

      "Nobody knows anything, Joe. We'll take this leap, and we'll see. We'll jump, and we'll see. That's life, right?"

      Death and Rebirth. Unlike American Beauty, this is all about moving forward, "away from the things of man."

      ::: Man Facing Southeast (Hombre Mirando Al Sudeste)

      Watch especially for the visual poem of a man crumbling a human brain into a sink while looking for the soul.

      ::: The Matrix

      "Like everyone else, you were born into bondage, born inside a prison that you cannot smell, taste, or touch. A prison for your mind."

      Plato's Cave for the people. As allegorically lucid as Joe vs Vocano, Pleasantville and Star Wars.

      ::: Monty Python's Life of Brian

      "No, no! It is a sign that, like Him, we must think not of the things of the body, but of the face and head!"

      Sacred Cow-tipping at its best.

      "Meaning of Life" also belongs on this list.

      ::: Nineteen Eighty-Four

      "If you want a vision of the future, Winston, imagine a boot stamping on a human face—forever."

      This movie is unique in the sense that it's as good as the book, which is an extremely intimate portrait of the captor/captive, Maya/man relationship. Compare this to Moby-Dick or One Flew Over the Cuckoo's Nest which are superb books but useless movies.

      ::: One Flew Over the Cuckoo's Nest

      As with Moby-Dick, Hollywood castrated the book. They stripped it of its archetypal dimensions and reduced it to a meaningless pissing match between McMurphy and Nurse Ratched. Great entertainment, but for meaningful insight, read the book.

      ::: Pleasantville

      "There are some places where the road doesn't go in a circle. There are some places where it keeps on going."

      A cheerful tale of heresy in which no one is burned at the stake and the new paradigm is, eventually, embraced by all.

      ::: The Razor's Edge

      "The dead look so terribly dead."

      The razor's edge is what makes it interesting; seeing Larry shakily balanced on the fine line between what he was and what he's becoming. He is walking the edge between two lives. The Bill Murray version is a bit unfocused... stick with Tyrone Power or read the book.

      Maugham supposedly used Ramana Maharshi as the model for the novel's holy man.

      ::: Star Wars

      "The force will be with you, always."

      The first one, where Luke makes the transition from flesh to spirit.

      The Hero's Journey.

      ::: The Thin Red Line

      "Maybe all men got one big soul everybody's a part of, all faces are the same man."

      A sublime inquiry into the spiritual nature of man. More a sad/sweet song than a narrative film.

      ::: The Thirteenth Floor

      "So what're you saying? You're saying that there's another world on top of this one?"

      Layer after layer. Turtles on top of turtles.

      ::: Vanilla Sky/Abre Los Ojos

      "Open your eyes."

      If you like Vanilla Sky, check out the original, the Spanish film Abre Los Ojos (Open Your Eyes). These two films may be the best of the bunch for our purposes; the closest to an enlightenment allegory.

      Of course, the interesting thing about enlightenment is getting there, not being there, and that's what these films are about; awakening from a false reality, opening your eyes. They're not so much about what's real as what's not.

      It's the story of the journey one takes to get to the place where anything, even jumping off a tall building, would be better than continuing to live a lie, even a beautiful, blissful lie.

      Note the presence of the true guru, explaining in clear terms why leaping off the building is the best thing to do, and waiting patiently for it to be done.

      ::: Waking Life

      "They say that dreams are only real as long as they last. Couldn't you say the same thing about life?"

      Wide-ranging philosophical inquiry. Provocative. Amusing. Potentially disruptive.

      ::: Wings of Desire

      "When the child was a child, it was the time of these questions: Why am I me, and why not you? Why am I here, and why not there? When did time begin and where does space end?"

      A lovely, intelligent, thought-provoking film. Can the awakened being return to the dreamstate? Would he want to?

      ::: Others

      Some other films that reward thoughtful viewing are The Wizard of Oz, About Schmidt, What Dreams May Come, Total Recall, All the Mornings Of the World (Tous les Matins du Monde), and, of course, many more.

      Jed McKenna (www.WisefoolPress.com) is the author of "Spiritual Enlightenment: The Damnedest Thing" and "Spiritually Incorrect Enlightenment", published by Wisefool Press. Coming in 2005: "Spirituality X" and "Jed McKenna's Notebook". Visit Jed's website to learn more. "Jed McKenna is an American original." -Lama Surya Das.
       
       

       
       
       
      Spiritual Autolysis
       
      If you want to connect with the method of inquiry invented by Jed McKenna called Spiritual Autolysis, this is one place:
       
       
       
       

       
       
       

      Beat classic gets on the road at last
      By Hugh Davies
      (Filed: 03/08/2005)

      http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2005/08/03/wkero03.xml&sSheet=/news/2005/08/03/ixnewstop.html

      Francis Ford Coppola is finally to produce a film of On The Road, Jack Kerouac's Beat generation classic, 37 years after he bought the movie rights.

      A script is being prepared by Walter Salles and Jose Riviera, who made The Motorcycle Diaries, a road film about the trip through South America by the revolutionary Ernesto "Che" Guevara in the early 1950s.

      Kerouac's 1957 novel has a similar theme, the story of a sleep-deprived, hitch-hiking journey across America.

      The writer, who died at 47 with $91 in his bank account, depicted himself as Sal Paradise, who links up with Dean Moriarty, a fast-talking womaniser he idolises for his zest for life.

      Billy Crudup is to play the Kerouac character, possibly with Colin Farrell as Moriarty. But the roles of Carlo Marx, based on Allen Ginsberg, and Old Bull Lee, the William Burroughs character, are yet to be filled.

      The original manuscript of the book, on a scroll 120ft long, was sold at auction for $2.4 million. Coppola secured the film rights in 1968 as a rising young director, before making The Godfather and Apocalpyse Now.

      He initially wanted to shoot it in black and white on 16mm film. Michael Herr, who wrote the narration for Apocalypse Now, worked on a screenplay.

      Barry Gifford, who wrote Wild at Heart, tried to complete another script.

      Then Russell Banks, author of The Sweet Thereafter, said during a visit to the Edinburgh festival that his screenplay had been approved by the producer. But he later heard that Coppola changed his mind.

      With Salles aboard, the project finally looks ready for production. The Brazilian-born director is seen as an ideal choice for the picture.

      Focus Films, a unit of Universal Pictures, is expected to be involved in the creation.

      ~ ~ ~

      Read the entire article: http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2005/08/03/wkero03.xml&sSheet=/news/2005/08/03/ixnewstop.html

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