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#1605 - Saturday, November1, 2003

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  • Gloria Lee
    #1605 - Saturday, November 1, 2003 - Editor: Gloria All will come again into its strength: the fields undivided, the waters undammed, the trees towering and
    Message 1 of 1 , Nov 3, 2003
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      #1605 - Saturday, November 1, 2003 - Editor: Gloria
      All will come again into its strength:
      the fields undivided, the waters undammed,
      the trees towering and the walls built low.
      And in the valleys, people as strong and varied as the land.
      And no churches where God
      is imprisoned and lamented
      like a trapped and wounded animal.
      The houses welcoming all who knock
      and a sense of boundless offering
      in all relations, and in you and me.
      No yearning for an afterlife, no looking beyond,
      no belittling of death,
      but only longing for what belongs to us
      and serving earth, lest we remain unused.
      ~ Ranier Maria Rilke ~
      (Rilke’s Book of Hours:Love Poems to God, translated by Anita Barrows and Joanna Macy)


      posted by Mazie Lane

      Rainer Maria Rilke (1875 - 1926)

      "Works of art are indeed always products of having been in danger, of having gone to the very end in an experience, to where man can go no further." (from Letters)

      Rainer Maria Rilke was born in Prague as the son of Josef Rilke, a railway official and the former Sophie Entz. A crucial fact in Rilke's life was that his mother called him Sophia. She forced him to wear girl's clothes until he was aged five - compensating for the earlier loss of a baby daughter. Rilke's parents separared when he was nine and his militarily inclined father sent him at ten to the military academies of St. Pölten and Mahrisch-Weisskirchenn. He suffered at the military academy, and was sent to a business school in Linz. He also worked in his uncle's law firm. Rilke continued his studies at the universities of Prague, Munich, and Berlin.

      As a poet Rilke made his debut at the age of nineteen with LEBEN UND LIEDER (1894), written in the conventional style of Heinrich Heine. He met in Munich the Russian intellectual Lou Andreas-Salome, an older woman, who influenced him deeply. He travelled with her and her husband in Russia in 1899, visiting among others Leo Tolstoy. Rilke was deeply impressed by what he learned of Russian mysticism. During this period he started to write The Book of Hours: The Book of Monastic Life, which appeared in 1905. He spent some time in Italy, Sweden and Denmark, and joined an artists' colony at Worpswede in 1903.

      In 1901 Rilke married the young sculptress, Klara Westhoff, one of Auguste Rodin's pupils. They had a daughter, Ruth, but marriage lasted only one year. During this period composed the second part of The Book of Hours. After he separated from Klara, he settled in Paris to write a book about Rodin and to work for his secretary (1905-06). Overworked poet left Rodin abruptly in the Spring of 1906. He revised DAS BUCH DER BILDER and published it in an enlarged edition. He also wrote The Tale of the Love and Death of Cornet Christopher Rilke, which became a great popular success.

      During his Paris years Rilke developed a new style of lyrical poetry. After NEUE GEDIGHTE in (1907-08, New Poems) he wrote a notebook named DIE AUFZECHNUNGEN DES MALTE LAURIDS BRIGGE (1910), his most important prose work. It took the form of a series of semiautobiographical spiritual confessions but written by a Danish expatriate in Paris. Rilke's "thing-poems" (Dinggedichte) were not about dead objects, but in his writing they came alive - in 'Archaic Torso of Apollo' (from New Poems, 1908) the ancient statue discovered at Miletus is "stuffed with brilliance from inside" and "gleams in all its power".

      Rilke kept silence as a poet for twelve years before writing Duino Elegies and Sonnets to Orpheus, which are concerned with 'the identity of terror and bliss' and 'the oneness of life and death'. Duino Elegies was born in two bursts of inspiration separated by ten years. In 1910-1912 Rilke was for some time the guest of Princess Marie von Thurn und Taxis-Hohenlohe at Duino, her castle near Trieste. According to a story, Rilke heard in the wind the first lines of his elegies when he was walking on the rocks above the sea - "Who, if I cried out, would hear me among the angels' / hierarchies?"

      In 1913 Rilke returned to Paris but he was forced to return to Germany because of the First World War. Duino Castle was bombarded to ruins and Rilke's personal property was confiscated in France. He served in the Austrian army and found another patron, Werner Reinhart, who owned the Castle Muzot at Valais. After 1919 he lived in Switzerland, where he died on December 29, in 1926. He had suffered from leukemia, and died of an infection he contracted when he pricked himself on a rose thorn.

      Important part of Rilke's writings are his letters (to Marina Tsvetaeva, Auguste Rodin, André Gide, H.v.Hofmannstahl, B.Pasternak, Stefan Zweig etc.), which have been published posthumously in different collections. Rilke's sense of alienation was summed up in his words that it is our 'fate to be opposite and nothing else, and always opposite'. In his early works he imported mystical elements in his poetry, but later Rilke dealt more with the role of an artist, who must "speak and bear witness." "Praise this world to the angel, not the unsayable one; you can't impress him with glorious emotion; in the universe where he feels more powerful, you are a novice. Show him something simple which, formed over generations, / lives as our own, near our hand and within our gaze." (from 'The Ninth Elegy')

      ~Biography by: Petri Liukkonen
      ((( This poem by Rilke, below, is the first poem I ever read of his -
      Black Cat
      by Rainer Maria Rilke
      A ghost, though invisible, still is like a place
      your sight can knock on, echoing; but here
      within this thick black pelt, your strongest gaze
      will be absorbed and utterly disappear:
      just as a raving madman, when nothing else
      can ease him, charges into his dark night
      howling, pounds on the padded wall, and feels
      the rage being taken in and pacified.
      She seems to hide all looks that have ever fallen
      into her, so that, like an audience,
      she can look them over, menacing and sullen,
      and curl to sleep with them. But all at once
      as if awakened, she turns her face to yours;
      and with a shock, you see yourself, tiny,
      inside the golden amber of her eyeballs
      suspended, like a prehistoric fly.
      ~translated by Stephen Mitchell
      ((( Here are three more -

      Rainer Maria Rilke

      Translated from the German by Annie Boutelle



      Neighbor God, I disturb you
      in the long night with my fierce
      knocking because I can hardly
      hear you breathe, and I know 
      you're alone in the huge room
      and when you're thirsty there's
      no one there to offer you a drink.
      I'm listening all the time. Give
      a small sign. I'm very close.

      Only a thin wall rests
      between us--if a cry should
      rise from your mouth
      or mine, the wall would 
      crumble without a sound.

      The wall is made of your images.

      Your images stand in front of you
      like titles. And when the light flares
      up in me, the light through which
      my deepest self knows you, it pours
      itself out in gold on your frames.

      And then my weakening senses
      are cut off from you, and left
      without a home.


      What will you do, God, when I die?
      I am your pitcher: I will shatter.
      I am your drink: I will spoil.
      I am your raiment and your trade:
      without me you will lose all meaning.

      After my death, you will have
      no house where kind words
      wrap you. The velvet slippers
      will fall from your tired feet.

      Your long cloak will release you.
      Your glance, used to the cushion
      of my warm cheek, will go out looking
      for me and, when the sun goes down,
      will lie in the lap of strange rocks.

      What will you do, God? I'm anxious.


      Before he makes each one
      of us, God speaks.

      Then, without speaking,
      he takes each one 
      out of the darkness.

      And these are the cloudy
      words God speaks
      before each of us begins:

      "You have been sent out
      by your senses. Go
      to the farthest edge
      of desire, and give me
      clothing: burn like a great
      fire so that the stretched-out
      shadows of the things
      of the world cover
      me completely.
      Let everything happen
      to you: beauty and terror.
      You must just go--
      no feeling is the farthest
      you can go. Don't let
      yourself be separated
      from me. The country
      called life is close.
      By its seriousness,
      you will know it.
      Give me your hand."


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