Photography for marbling
- Has anyone here photographed their pieces? I am about to do that--put it
on slide film for portfolio. Anyone have good tips on how to go about this?
>I am about to do that--put itabout this?
> on slide film for portfolio. Anyone have good tips on how to go
Photographing your work is a good way to archive it. The most
permanent slide film is still probably Kodachrome, which takes special
I suggest that you shoot outdoors. If you shoot indoors, you'll either
need tungsten film and special photoflood bulbs or filters, which can
distort color a little. Tungsten film is available from Kodak, Fuji,
and others, but takes standard E-6 processing, and so is not as
If you are shooting outdoors and don't want to use Kodachrome, I'd
suggest either Kodak Elite or Fujichrome (both grocery-store film).
Each will give you slightly different color rendition. If you want to
try a professional film, both Fuji Provia and Velvia give beautiful,
rich colors. I don't know if you are trying to record your colors or
patterns or both.
Try to shoot on a bright, cloudy day around mid-day. Tack or tape your
paper to a board. You should be able to hand-hold the camera if you
are shooting outdoors and get good results. Don't shoot in deep shade
or in the evening -- your pictures will turn blue.
Consider bracketing your shots. That is, shoot one at the recommended
exposure, then one at one stop (or shutter speed) on either side of
that. Professionals will shoot two pictures at half-stop intervals on
either side. This increases your chances of good exposures.
Once you have the slides back, store them in a dark, cool place and
they'll last for decades.
> >I am about to do that--put itThanks! I ended up using Kodak--the shots are decent-and I am glad I did
> > on slide film for portfolio. Anyone have good tips on how to go
> about this?
> Hi Jill,
> Photographing your work is a good way to archive it. The most