[Marbling] Re: sunspot
- Were the metallics acrylic? I have had terrible troubles in making a
watercolr gold that really stays on the paper. I had a good one once, but
couldn't sell/ship because it built up gasses in the bottle and could
- I will see the shaving cream experiment....running the same time as my
class. I don't know how he does it, haven't looked into it, but i would
think....if you sprayed it quickly on water (I would think the soap would
ruin size) and as it started disappearing, quickly lay the paper you might
get some really soft cloud effects. Just a guess, we will see. Maybe same
for whipped cream?
Diane are you out there....? Remember some of the weird stuff Paul Maurer
used years ago. I won't say. Will leave that up to you and/or Paul!
Paul....do you check in here?
- It seems as if "my" potash is K2CO3 (small 2, small 3). Haven't even tried
it yet, as I said, but I will give it a go although it's not the right
By the way, I love your sunspots but isn't the black supposed to be in the
"pupil" of the "eye"??
(Galen, you look FAN-TAS-TIC!)
> No, no, Iris...the whipped cream is to be used with chocolate and honey and ,[Non-text portions of this message have been removed]
> maybe, blackstrap molasses. Who knows what the effects will be!! Gail
> I will see the shaving cream experiment....running the same time as my
> class. I don't know how he does it, haven't looked into it, but i would
> think....if you sprayed it quickly on water (I would think the soap would
> ruin size) and as it started disappearing, quickly lay the paper you might
> get some really soft cloud effects. Just a guess, we will see. Maybe same
> for whipped cream?
> Diane are you out there....? Remember some of the weird stuff Paul Maurer
> used years ago. I won't say. Will leave that up to you and/or Paul!
> Paul....do you check in here?
> Iris Nevins
- What's this about cream? I think Bailey's Irish Cream would be best. It
goes in the marbler, not in the marbling tray....I remember someone
mentioning playing with shaving cream many years ago way back at the San
Franciso marbling convention.
Re: Paul. He tried lots of different sizes, but not SC. He did use okra
once. This is the best use I can think of for the plant, but it was not great
for marbling. He added all sorts of cosmetics and creams for various
ailments to paints to make the colors do wierd things like segment or
reticulate. His greatest, wierdest art experiment was to collect all the dead
flies from our outdoor light fixtures, pull out their eyes and add it to a
batch of pulp to make "sparkly paper!"
He no longer marbles or stalks flies, and is now concentrating on painting
instead. BTW, it is flattering to know that my $19.95 Marbling book is now
collectible at $35, but The Ultimate Marbling Handbook at $24.95 is much
better. It shows more art by great American and international marblers and
also shows Chris Weimann at work on his fabulous marbling with resists and
stencils. Lots of wierd stuff here, too, like Paul's shoe polish marbling and
Susan Pogany's marbling using silicone spray and hairspray over floating
colors.Heck, you could use all sorts of contaminents on top of the shaving
Best regards to all,
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