5990Re: Iris and paper and things
- Feb 16, 2011First, there is also a thin booklet by Ann Chambers? on marbling with oil
that I have somewhere.
Iris, can you post the brand and weight of the inkjet paper you had good
success with? We don't have a Staples, but we do have an Office Max here.
When I first started teaching marbling to Senior Citizens, I was using Vano
liquid starch, thinned down acrylic paints and white heavyweight art type
construction paper with no alum and it worked great. I bought the white
construction paper in packages at Michaels. I would lay the paper on the
designs on the starch and wait until I saw it coming through the back of the
paper, then place it on a sheet of glass shelving slanted in a container and
use a shower squeegee to wipe off the excess starch. Some days I am tempted
to go back to doing it that way.
Nowadays, part of the time I use carageen gum that I ordered from Diane
Maurer and part of the time I use Methocel from Dharma and also from
link for methyl cell from Roger George Rentals $15/#
I have another link for mc from a company called Hercules, but you have to
order it in 20 to 50 pound lots.
Roger George Rentals is a movie supply company and I always order it over
the phone. I have had good luck with it. You need about an extra
tablespoonful of the powder because it is "flufflier" than the kind from
Dharma and I use a whisk or stick blender and hot water to mix it up. You
do not need ammonia for this type. They use it to make slime in the movies
so that if it gets in their mouth, there is no smell or taste to it. I
can't remember her name, but the woman I talked to was nice enough to ship
it in a flat rate box in a double plastic bag and no jar to save on shipping
I use the methyl cellulose when I am working outside in the summer because
the carageen spoils too fast in the heat and yes, it does get into the 90's
here in the summer, believe it or not. (I'm in Fairbanks, Alaska).
In Turkey, they use Gum Tragacanth, but that doesn't seem to be too easy to
find here. I have a huge book I printed off the internet that someone put
on here, but it's all in Turkish, but with lots of photos. So far, I have
not been able to find someone to help me translate it. I keep hoping he
will put up an english versions of it. I tried to use Google translator,
but it was too large of a task for it apparently.
I had also saved this note:
new paper by Talas that is unbuffered for marbling
I save all my sources in a word document so I don't have to look them up
every time. There's too many of them to "bookmark" them - LOL.
There are almost no other marblers here, so I've had to teach myself mostly
through books and dvd's and asking questions of this list. I was able to
take a one day lesson from someone in the southern part of the state, but
she is 6 hours away, so I can't just run over there with questions, so I
might not always do everything in the "orthodox" way. I mostly stick to
freeform designs because I have a tremor and it makes the combed desgins too
jiggly at times.
I like to experiment, so have also used or tried to use, I should say,
enamel paints like you paint models with, fingernail polish, spray paint,
watercolors, oil paints and acrylics with varying results. I have also done
some suminagashi with some success.
That's all I have for now.
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