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Gouldtown, NJ: An All-American 'Mixed-Race Community'

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    Gouldtown, New Jersey (located in Cumberland County): An All-American Mixed-Race Community Despite the fact that the article found in the photos listed below
    Message 1 of 3 , Oct 3 12:08 PM
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      Gouldtown, New Jersey

      (located in Cumberland County):

      An All-American 'Mixed-Race Community' 

      Despite the fact that the article found in the photos listed 
      below refers to it by the archaic and 'One-Droppist' term 
      of -- "Negro" Community" --- it is still a very good article 
      that also makes it abundantly clear that the city of 
      Gouldtown, N.J. was actually an historically very 
      Multi-Racial (not 'Mono'-Racial) American community.

      :)  So ... for all our members on the East Coast ... maybe someone could investigate to find 
      out more about the history of this Mixed-Race community of people -- and --if you'd 
      recommend arrangement of a MGM-Mixed 'Road Trip' or other event in or near the area.

      Also -- if you or any of your relatives are from this Town or County -- 
      (or any like it) -- can you share with us -- more of what you know?  ;;)

      The city of GOULDTOWN, N.J. has been referred to as "A Colony of Mulattoes"
      and traces it's history back more than 250 years; and most of it's residents have been 
      found to be largely the descendants of four Mulatto families that have intermarried 
      for more than 200 years with only an occasional infiltration of other blood. 

      These four families were named Gould, Pierce,  Murray , and Cuff. 

      The Goulds are believed to be descendants of John Fenwick, 
      Quaker proprietor of the "Salem Tenth" in West New Jersey, who 
      colonized this region.Elizabeth Adams, a White granddaughter of 
      Fenwick, who inherited 500 acres of land and married a Black man 
      named Gould, is considered the founder of Gouldtown. 

      Richard and Anthony Pierce, West Indian Mulattoes, also settled here about 1750.
      They paid the passage from  Holland  for White sisters, 
      Maria and Hannah Van Vaca, and married them upon arrival. 
      The Murrays are believed to be of Indian descent; and the original Cuff 
      was a formerly enslaved man who had married the widow 
      of the man who once held him in trapped in chattel slavery.

      The community stretches for several miles along the highway and nearby dirt roads …

      A book has been written about Gouldtown, NJ:

      "The Gouldtown Book" can be purchased at the: Fairfield Township Board of Eduction 
      (Fairton Primary School), Ramah Road, Bridgeton, NJ 08302. 
      Phone number 856-451-4990, ask to speak with 'Carol Gould'.

      In addition, a film has been made about  Gouldtown ,  NJ :

      The Film – `Gouldtown: A Mulatto Settlement' 
      was directed by Kathleen Collins-Prettyman 
      [a.k.a. Kathleen  ( Conway ) Collins (Prettyman)]
      who was a playwright, scriptwriter, filmmaker, 
      director, novelist, short story writer, and educator.





      Photos are taken from the article entitled
       `America's Oldest "
      Negro" Community' 
      "Gouldtown traces it's history back 250 
      years to an Inter-Racial Marriage"

      'Ebony' magazine / February,  1952 Edition 

      For a view at the individual photographs 
      of Gouldtown, N.J. – click here:

      More Information about filmmake, Kathleen Conwell – 
      director of the film `
      Gouldtown: A Mulatto Settlement':

      Born Kathleen Conwell in Jersey City, she was 
      the daughter of Frank and Loretta Conwell.
      Her father, who had worked as a mortician, then 
      became the principal of a high school now named after him; 
      and later became the first  New Jersey  state legislator who 
      was also a member of the 
      African-American Ethnic grouping.

      In 1963, after receiving her BA in philosophy and religion from 
      Skidmore College, Collins worked on southern voter registration 
      for the Student Nonviolent Coordinating Committee.

      In 1966 she earned an MA in French literature and cinema 
      through the Middle-bury program at  Paris 's Sorbonne.
      Joining the editorial and production staff at a 
      New York City Public Broadcasting Service station, 
      Collins worked as a film editor and began writing stories.
      In 1974, soon after ending her marriage to Douglas Collins, 
      she became a professor of film history and 
      screenwriting at the City College of New York.

      Adapting Henry H. Roth's fiction for the screen 
      in The Cruz Brothers and Mrs. Malloy (1980), 

      Collins became the first 
      African-American woman to 
      write, direct, and produce a full-length feature film.

      Her film won first prize at the Sinking Creek Film Festival.

      Collins's second feature, Losing Ground (1982), directed, co-produced, 
      and based on an original screenplay by her, won Portugal's 
      Figueroa de Foz Film Festival and garnered international acclaim.

      (Her screenplay, which differs in some significant ways from 
      the film, is included in Screenplays of the 
      Experience, 1991, edited by Phyllis Rauch Klotman.) …

      While making films, Collins produced equally remarkable drama.

      In the Midnight Hour (1981) portrayed a middle-class 
      black family at the outset of the Civil Rights Movement.

      The Brothers (1982) was named one of the twelve outstanding plays 
      of the season by the Theatre Communications Group and published 
      in Margaret B.Wilkerson's Nine Plays by Black Women (1986).

      It delineates the impact of racism and sexism on a middle-class 
      black family from 1948 to 1968 as articulated by six 
      intelligent, witty, and strikingly different women.

      The brothers themselves, though never seen, are 
      vibrant presences through the women's remarks.

      In 1983 Collins reencountered Alfred Prettyman whom she had 
      known twenty years earlier and four years later they were married.

      One week after their marriage, she learned that she had cancer.

      At the time of her death, she had completed a new screenplay, 
      Conversations with Julie, her sixth stage play, Waiting for 
      , and a final draft of her novel, Lollie: A Suburban Tale.

      As more of her work appears, her already fine reputation 
      as filmmaker and playwright will surely rise and be 
      further enhanced by a new reputation in fiction.

      Timeline of Kathleen Collins-Prettyman's Career:
      Kathleen Collins was the first African-American 
      woman to make and release a feature film.

      Kathleen Collins Prettyman completes graduate film studies  at the Sorbonne in  France  and 
      unsuccessfully shops her  feature-film script, Women, Sisters, and Friends, in  Hollywood .


      Kathleen Collins Prettyman directs 
      The Cruz Brothers and
      Miss Malloy, 
      a 57-minute film adapted from a short story.

      Kathleen Collins Prettyman directs her first feature, 
      Losing Ground.

      1986 / 1988
      Kathleen Collins Prettyman directs 
      Gouldtown: A Mulatto Settlement 


      Links to more information about Gouldtown, NJ
      (as well as to a few other 'Tri-Racial Isolate' Communities)


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