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Chuff-chuffs

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  • Francois Rideau
    Dear Jeff and dear All I was almost certain you will ask me about chuff-chuffs. As you guess by reading my posts, I can t write english as well as W.S, so I
    Message 1 of 3 , Mar 10, 2006
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      Dear Jeff and dear All
      I was almost certain you will ask me about chuff-chuffs.
      As you guess by reading my posts, I can't write english as well as W.S, so I
      choose to translate our french "teuf-teuf" by "chuff-chuff". But it was just
      an onomatopeia!
      Do you remember this celebrated movie: "Once upon a time in the West", a
      spaghetti western by Sergio Leone? One of the heros, a gunner named
      Cheyenne, always playing harmonica said to one of the villains:
      Hey, you, wait a minute.
      Let's have a good look at you, Mr Choo-Choo.
      It's easy to find you, bastard.
      I don't have to kill you now.
      You leave a slime behind you like a snail.
      Two beautiful shiny rails...

      When I was a little boy going to school in commuter trains around Paris just
      after the War (remember, you were here!?), I was always fascinated by other
      trains on parallel tracks going quickly or slowly and sometimes standing
      still for a short time.
      I could not guess some sixty years later, I would think about them!
      That's why I name this part of triangle geometry:
      La théorie des teuf-teufs or chuff-chuff theory.
      But it's serious business and it was a very very long time before I became
      aware that affine geometry ( and not euclidian geometry) was the proper
      framework to study them, to say uniform motions of several points on
      different lines in a plane
      You can begin by 1, 2 then 3 and so one.
      There is a very good book on the theory of uniform motions on a line:
      Galilean geometry by Yaglom. In fact the Newtonian relativistic (not
      Minkowski relativistic) spacetime for such motions is a plane, the Galilean
      plane according to Yaglom.
      So I am interested in the galilean spacetime E of dimension 3 for uniform
      motions in the plane in which you choose a triangle (eh, eh!) to do
      calculus.
      I begin with a little example to show usefullness of E.
      Given a triangle ABC in the affine plane and 3 uniform motions: t --> a(t),
      t --> b(t), t --> c(t) respectively on sides BC, CA, AB, how to find another
      uniform motion t --> m(t)on a line L such that this new motion was in
      "Crash" (another good movie, is not it?) with the 3 first.
      That is, there are 3 values of time t1, t2, t3 such that:
      m(t1) = a(t1); m(t2) = a(t2); m(t3) = a(t3).
      If you think at a uniform motion t --> m(t) in the plane, its world-line in
      E is just a line t --> (t,m(t)).
      Two uniform motions of the plane are in crash if and only if their
      world-lines in E are meeting!
      So given 3 uniform motions, they generate 3 world-lines L1, L2, L3 in E. Now
      you look at the quadric of which L1, L2, L3 are in the same set of
      generators and the sought motions correspond to the other set of generators.
      So there is a lot of geometry and the best is to do calculus with
      barycentric coordinates wrt ABC. At the beginning it was very tedious but
      not so tedious with the help of Mathematica to compute some 3x3 determinants
      or to factor other ugly polynomials.
      One of the key man at the start of this theory is V.Thébault who defines the
      notion of "équicentre" that is if you look at the 3 motions t --> a(t), t-->
      b(t), t --> c(t), you can find in general 3 reals u, v, w with u + v + w =
      1 such that m(t) = u.a(t) + v.b(t) + w.c(t) is a fixed point!
      I say "in general" for of course there are exceptions!
      Notice I have found some other points than the equicentre related to these 3
      motions and having some geometric significance, so allowing to do synthetic
      geometry and avoiding many tedious calculus.
      Of course euclidian geometry is not totally absent and it's a funny game to
      see how very famous points of triangle geometry, as Brocard points for
      example but they are others,are concerned with the chuff-chuffs. They give
      also a new insight to an old euclidian theory, to say the composition of
      two direct similarities.
      Isotomic and isogonal conjugations are playing a major part in the theory,
      that's why in a chuff-chuff picture, I came across this in-conic with
      isoconjugation.
      Of course, conics and quadrics are also in the core of the theory and that's
      why some calculus are so tedious.
      Another affine invariant is playing a major part, the signed area. I
      underline there is no need of an affine structure to define it!
      For example you can look at the signed area S(a(t),b(t),c(t)) of our 3
      uniform motions. It is easy to see that S is in general a quadratic function
      but there are cases where S is linear and even constant! That's just the
      cases where Thebault's equicentre does not exist. If you succeed to draw all
      these special motions, you will understand the difficulties and the beauty
      of the theory.
      I finish with the "big?" theorem of the theory which allows us to do
      synthetic geometry after its proof!
      I don't know if it is known and maybe some Hyacinthists could tell me about.
      Given "in general" four uniform motions t --> m_{l}(t), l = 1,2,3,4, and
      gathering them 3 by 3, you obtain 4 (Thebault's) equicentres q_{l}, l=
      1,2,3,4.where q_{l} is equicenter of the motions t --> m{i}(t), t -->
      m{j}(t),t --> m{k}(t), {i,j,j,l} beeing a permutation of {1,2,3,4}.
      Then q_{1},q_{2},q_{3},q_{4} are on a same line and their crossratio is easy
      to compute and have a geometric significance.
      That's all, folks!
      Friendly
      François


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    • Francois Rideau
      Dear Jeff I correct a little typo in my previous post: I mean of course : there is no need of an euclidian structure to defined signed area or more exacttly
      Message 2 of 3 , Mar 10, 2006
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        Dear Jeff
        I correct a little typo in my previous post:
        I mean of course : there is no need of an euclidian structure to defined
        signed area or more exacttly ratio of signed area! Affine structure is
        enough!
        Friendly
        François


        >


        [Non-text portions of this message have been removed]
      • Jeff Brooks
        Dear François, [FR] There is a very good book on the theory of uniform motions on a line: Galilean geometry by Yaglom... ... Picking up where I left off the
        Message 3 of 3 , Mar 11, 2006
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          Dear François,

          [FR]
          There is a very good book on the theory of uniform motions on a
          line: Galilean geometry by Yaglom...

          -----

          Picking up where I left off the other night:

          [JB]
          Well crap François, these Chuff-chuffs seem to have taken a chunk
          from my ass. ---

          You made me think, and I've been thinking François that there really
          is no universal language. I think even mathematics (contrary to what
          is taught in school) is not universal. I think only ideas can be
          described as universal.

          I am a big fan of physics. I was recently reading "Feynman's Lost
          Lecture - The Motion of Planets Around the Sun" by David L. Goodstein
          and Judith R. Goodstein [1996], California Institute of Technology.
          The collection I have came with a really nice video tape showing
          Feynman in the classroom.

          The authors open with an introductory quote by Galileo Galilei, "I
          would rather discover a single fact, even a small one, than debate
          the great issues at length without discovering anything at all."

          The opening paragraph to the introduction, which I choose not to
          paraphrase, is:

          "This is a book about a single fact, although certainly not a small
          one. When a planet, or a comet, or any other body arcs through space
          under the influence of gravity, it traces out one of a very special
          set of mathematical curves -- either a circle or an ellipse or a
          parabola or a hyperbola. These curves are known collectively as the
          conic sections. Why in the world does nature choose to trace out in
          the sky those, and only those, elegant geometrical constructions?
          The problem turns out to be not only of profound scientific and
          philosophical significance but of immense historical importance as
          well."

          I loaned out a book called "The Elegant Universe" and never got it
          back. There was nothing in this book or in the Lost Lectures to make
          me sorry for living here in our small little universe of Triangle
          Geometry.

          Actually, I remain stunned that not more people are interested in
          this subject.

          Jeffrey
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