Re: Using the A-155 sequencer to switch between audio sources
That would be a similar patch, and I too have the 135/144 combo in my
system. What I like about the 155 in this patch is the ease at which
you can set up different running modes and pattern lengths, and have
voltage control over it all. Plus you can use the trigger rows of the
A-155 for other things while you're at it.
--- In Doepfer_a100@yahoogroups.com, James Husted wrote:
> I do this sort of thing all the time but without the A-155. I use the
A-135 or a 4ms VCAMatrix and a A-144 as a controller for them. Less
inputs (loops) to control of course but you get a clean fade between the
different sources. I typically don't use this technique with drum loops,
I use it with musical phrases or background ambient sounds so the abrupt
switching (and associated switch noises) show much more and the A-155 is
less useful. The A-155 works great it seems with drum loops since the
percussive nature of the switching actually enhances the sound
especially since the switching and the switch noise will always be on
> James Husted
> Designer, Synthwerks LLC
> On Jun 23, 2013, at 8:04 AM, niroke maq163x2@... wrote:
> > Anoop,
> > Correct, the sequencer only decides which audio signal (one of the
> > beatloops) is heard over the course of one particular step. This is
> > done by running the audio signals THROUGH the sequencer. The A-155
> > synced to Ableton by way of my Elektron Machinedrum, on which I
> > a pattern of pulses that was 2 bars long which is routed to a
> > output and from there to the A-154 Ext Clock In. This pulse
> > pattern started with 1/2 note intervals and increased up to 16th
> > intervals. The pattern plays looped and starts with the drum loops
> > Ableton. So, there is some predictability there because you know
> > trigger pattern goes from slow to fast over two bars (although this
> > easily be changed at the Machinedrum), but which step is active
> > drum loop) is randomly chosen by the A-154 Seq Controller. More
> > predictability can be achieved by setting the direction to Forward.
> > Additional control can be had by using the A-154 First and Last
> > settings, limiting the range of the sequence (number of steps) and
> > allowing for more deliberate and specific fills/focus. Effects on
> > audio before sending it to the sequencer can make certain
> > slices stand out. But also, the loops I used in the first example
> > all several bars long, had a variety of sounds throughout, etc, so
> > extra depth to the possible audio output, for better or worse.
> > group of similar sources, like the second, Jungle example, is
> > less surprising but sounds more user-friendly.
> > nick
> > --- In Doepfer_a100@yahoogroups.com, "anoop.sahal" wrote:
> >> Hi Nick,
> >> Wild sounding!
> >> If I understand the explanation correctly , the sqncr steps through
> > the Ambleton sync'd beat loops but the sqncr does not know when a
> > loop starts or stops, it switches into the loop at any point in the
> > and effects make this the actual sound more variable?
> >> It seems the step time for each advance (whether forward or
> > backward)is not always the same?
> >> Regards Anoop
> >> --- In Doepfer_a100@yahoogroups.com, "niroke" maq163x2@ wrote:
> >>> Hi all,
> >>> Check out a blog post I just made about using the Row 2 inputs of
> > the A-155 to switch between different audio signals. In each of the
> > examples, I switch between EIGHT different drum loops randomly.
> >>> For example videos and further explanation, see the link below.
> > .html
> >>> Nick
> > [Non-text portions of this message have been removed]
> > ------------------------------------
> > Yahoo! Groups Links
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