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Sooo painful in PPro compared to Avid

Go to https://adobe-video.uservoice.com/forums/911233-premiere-pro/suggestions/ and vote for the boys that need fixing (audio track effect presets, audio glitches, adding transitions in to out etc) - it does help!

Running 2018.4 on Sierra (10.11.something) for a week on a fairly intense edit, with lots of older OP-atom avid native media and linking to new media - which is a mix of MXF avc-intra and QT various codecs and MP4 nonsense. Working to a tight delivery so

I think that AMA export is even more efficient if sequence is not rendered. (I.e. It renders faster than standard file export)

You didn't subtitle the demo (turning on auto subtitle is... interesting)

Used several on 2 big summer remotes. Avid & BM were responsive at fixing bugs (crashing when JKLing & lack of punch-in monitoring) in a timely fashion that would probably not have happened if using non avid-badged hardware. Hopefully that all filters down

Interplay has always worked this way and this is very powerful, but can be very dangerous. It would probably be a better default workflow for dragging a sequence from Interplay window to be a copy. As stated below you have to copy the sequence - either by

I assumed from the topic title that this was going to be a list of work created on Avid products ;-) In UK Freelance world Premiere is certainly pretty active, although broadcasters / facilities tend to be Avid. Production companies like Premiere because

Not sure about EQ or plug-in control but the Artist Mix works well for Automation Gain riding of levels. I use it when playing to air (well playing to EVS so I usually get a second chance)

I think Jack gets us past J Kaleidoscope, Kadenza, Kalypso... not editors there must be something before Lightworks