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I’m looking for a 2-person crew, b-roll and interviews for a Locus shoot in Hebron, KY – 5 min. from the Greater Cincinnati airport. It’s probably best to get a crew from Cincinnati – it’s just across the river. Shoot is scheduled for Thurs., Dec

Sorry for the OT post but I'm banging my head against the wall on this one. My company has been using Lightroom to organize stills for our clients, but there are a bunch of limitations that are killing us. Mainly - Lightroom isn't really designed for

B-Roll and nat sound - no interviews. 2 person crew preferred. Personal recommendations only - please no "I know a guy who knows a guy". Please respond to me directly instead of spamming the list. Thanks!!! -- Tim McLaughlin Final Cut, Avid and Premiere

Love the Anker docs. I highly recommend them. I ended up replacing all my Voyagers (as they died one at a time) with the Anker docks. -- Tim McLaughlin Premiere Pro, Final Cut, and Avid Editor http://vimeo.com/mcltim On Thu, Jan 25, 2018 at 7:08 AM, Dan

Filmmakers/comments/3cez24/is_ there_such_a_tool_in_premiere_ color/ HTH On Thu, Nov 30, 2017 at 7:47 PM, Tim McLaughlin mcltim.156@^$10 [Avid-L2] < Avid-L2@^$11 > wrote: Is anyone out there in post-production land using a "chip-chart reader" plugin

Is anyone out there in post-production land using a "chip-chart reader" plugin for Premiere Pro? I know this type of functionality is built directly into Resolve, but I'm not editing in Resolve. I've found a utility for creating a 3D LUT from a chip chart

I totally agree with you Wilson - PremierePro is a great "swiss-army knife" to have for working with mystery formats. No transcoding, just throw it in there and go (for the most part). -- Tim McLaughlin Premiere Pro, Final Cut and occasionally Avid Editor

Our staff animator is looking at switching from Mac to PC, but still needs to send and recieve files from our Mac workstations. Now that Windows no longer supports Quicktime (or vice-versa), what are Windows people encoding to for file delivery? That

I’m looking for a Boston-based crew – shooting in Andover, MA – about an hour away from Boston – in mid-July. Two-day shoot. One day will be all b-roll, the other mostly interviews and some b-roll. I’d like to shoot the interviews with a DSLR

My company needs a 2 person crew for a one day shoot in Pomona, CA. Because of a tight budget, no travel reimbursement. A local crew would be best. "DSLR"-like shallow depth of field requested. Avoiding dual system sound preferred. Contact lseeberg@^$1 for