Re: Robin Netherton visits the Philadelphia area!
- --- In Authentic_SCA@yahoogroups.com, "Marc Carlson"
> Of course, what do I know - I don't have anything in theprofessional literature
> either :)Good point, Marc! Having been published somewhere 'out there' or not
is not, in and of itself, a marker of worthiness or integrity (but
it doesn't hurt, either). As Cainder also pointed out, Robin is up
against a formidable barrier, copyright-wise, in order to fully
express her theories on paper.
I, personally, will jump at my chance to spend a day looking at art
slides, but I'm a geek that way, and it is a totally separate love
from my historical clothing research. I feel like I'll be getting
double the bang for my buck. :^D
> She also hasn't ever published anything as far as I know *and*she's
She published something on 12th century clothing in the Winter 2002
edition of TI... but I kinda agree that lecturing & not publishing
(how hard is it to point to other places images can be found if you
are unable to present them in your work?) is a bit... off-putting.
Esp when not everyone can attend her lectures.
> For someone who doesn't do the SCA anymore unless she's a paidJust to ensure clarity, Robin lectures to SCA groups because the groups
> lecturer she gets a lot of SCA press. >>
invite her and she's still fond of the Society, even though she herself has
moved on. She isn't actively lobbying to lecture for the SCA - folks
approach her. I think she gets a lot of SCA press because people find her
work to be helpful and her theories make sense.
> Since you've been to herThis is to ensure that she can actually publish her work/theories in an
> lectures so often, you will have heard the repeated admonitions to
> not record her lectures, not give anyone notes from her lectures
> without the caveat that they are your interpretation of her words,
> not her words, and not to give her handouts to anyone who hasn't
> actually taken her classes.>>
academic setting. If she allows recordings or publishes her work in a
handout for the SCA audience, it will have a damaging effect on her ability
to publish it and have it be a serious academic work.
<<Drea has taught at events without needing to have her expenses paid or be
paid to be
> there. >>Drea is still an active participating member of the SCA (as far as I am
aware). Robin is not and lectures at events as a courtesy to the group. It
is not her primary interest (although she's delighted to discuss with us),
so I don't see it as unreasonable to ask for her travel to be included. If
she were not lecturing, she wouldn't be in the area.
I know that I really appreciate all of the time and energy Robin does spend
working with SCA folks and helping to get SCA folks on the presentation
schedule at Kalmazoo. Despina, I'm not sure if you realize that Robin is
one of the session organizers for K'zoo and she actively encourages and
works with SCA folks to get their information out there to the academic
community at the Congress? Without Robin's work in this area, I'm not sure
how many of them would have been accorded the same opportunity by the
(who organized Robin's lectures in Seattle last August)
- --- In Authentic_SCA@yahoogroups.com, "aheilvei" <aheilvei@u...> wrote:
> ...For someone who doesn't do the SCA anymore unless she's a paidYou will pardon me for this, but it's not like THAT's all that hard.
> lecturer she gets a lot of SCA press.
As an observation, people who actually do research and make it
available tend to get a lot of SCA attention. That's not a criticism
of anyone or anything - it's a system that's been quite useful for me
(not to mention good to me, and I appreicate that).
Now, I realize you are talking about theories being just that, and you
are prefectly correct. Some theories are well founded, some less so,
and it's good to be skeptical. And yes, I think she'd agree if she
Personally, while I think Robin's observations on Gothic posture as
they relate to how beauty is seen, and the use of garments to attain
this are valid (which for the folks who migh not know, doesn't mean
that I think they are true or not true - they are internally logically
supportable). I think the whole four cornered dress design is
intriguing speculation and does not contradict the evidence (note:
"speculation" in this context is not a criticism, it's simply a
statement that she's moved outside the established evidence and is
projecting an extrapilation based on that evidence. In this case that
extrapolation is I think reasonable give the current paucity of evidence).
I couldn't agree with you more that (and I hope I'm not putting worse
into your mouth here - I'm commenting on the general direction what
you have said appears to be going, not anything you've said directly)
people should keep in mind that what they are being given by any
scholar should be examined critically. Personally, I wish people
would do that with everything (television, books, academic articles,
and so forth), and not just Robin or myself, but if that's where we
have to start... Definately point out that the author has no obvious
publication (OK, I think she did publish an article in the TI a few
years ago) OTOH, the whole DISTAFF thing is pretty impressive,..
Kalamazoo doesn't give sessions to just anyone. :)
> This is to ensure that she can actually publish her work/theoriesin an
> academic setting. If she allows recordings or publishes her workin a
> handout for the SCA audience, it will have a damaging effect onher ability
> to publish it and have it be a serious academic work.Drea doesn't seem to have had that problem, or she wouldn't have
been invited back to Kalamazoo, nor would she have been able to
publish her book. So I really don't see where giving your
information to the SCA or people in the SCA would damage your
credibility with the academic community that much. No, people who
go to Kalamazoo and are SCA don't shout it from the rooftops, but if
asked, they usually fess up and are generally admired as someone who
did all the research without academic backing and resourses.
Despina, I'm not sure if you realize that Robin is
> one of the session organizers for K'zoo and she activelyencourages and
> works with SCA folks to get their information out there to theacademic
> community at the Congress? Without Robin's work in this area, I'mnot sure
> how many of them would have been accorded the same opportunity bythe
> academic community.Yes, I do know what Robin does at Kalamzaoo (and yes, I do think
that having one's own session there is impressive) and I do think
that others would have been (and were) afforded the same opportunity
as Robin. She wasn't the first SCA person to attend Kalamazoo, I'd
bet. And I know that she isn't the only person at Kalamazoo pushing
for the inclusion of independant scholars, re-creationists, and re-
enactors work to be represented and considered there.
Like I said people, I don't have anything against her or her
research, just take it with the same pinch of salt you take
Marc, you didn't put anything in my mouth with your last post, I
agree with what you said.
> > This is to ensure that she can actually publish herwork/theories in an academic setting. If she allows recordings or
publishes her work in a handout for the SCA audience, it will have
a damaging effect on her ability to publish it and have it be a
serious academic work.
>has Drea published in any academic journals? I believe they can be
> Drea doesn't seem to have had that problem, or she wouldn't have
> been invited back to Kalamazoo, nor would she have been able to
> publish her book. So I really don't see where giving your
fussy at times about whether something's been published before, and
I think *that* is what Caindeer was refereing to, rather than
the "ewww, you do SCA" thing.
- --- In Authentic_SCA@yahoogroups.com, "aheilvei" <aheilvei@u...> wrote:
> ...Like I said people, I don't have anything against her or herOkie dokie :)
> research, just take it with the same pinch of salt you take
> everything else.
> Marc, you didn't put anything in my mouth with your last post, I
> agree with what you said.
Which means that probably everyone should take a deep breath and avoid
posting for an hour or so after reading all the other mail in this
thread, because no one's being overly critical here by suggesting a
little critical thinking.
I will say if you are curious about why Robin doesn't publish - ask
her. My observation is that she's trying really hard to get
published, but because of the limited available spaces in academic
journals that have any interest in her topic, she's having to wait her
turn and do the slogging through. [in my case, otoh, I've been sucked
in by the demons of the Internet since it's so much easier to just put
up another wrb site, and revise the old ones, then it is to go through
that whole publication dance (in a much more limited field) every time
something new comes up. But that's MY problem. OTOH, that does
remind me I have an article on lasts to write FOR publication... ]
Just remember, if Publication was -easy- it wouldn't be a requirement
- --- In Authentic_SCA@yahoogroups.com, "aheilvei" <aheilvei@u...>
> For someone who doesn't do the SCA anymore unless she's a paidJust one small point here -- Robin does not require being paid. In
> lecturer she gets a lot of SCA press.
negotiating with me for the Philadelphia appearance, she said she
only requires her travel, room, and board expenses be covered so
that she is not paying her own way out-of-pocket. Rather reasonable -
- considering there's a demand for her appearances and by taking
time away from her family, she's flying to far-off places to satisfy
that demand. She likes to receive an honorarium if and only IF the
monies collected can take that hit, as it helps her keep her
prodigious slide collection maintained, covers paper costs, etc. She
doesn't set the number, either, but leaves it up to the host. I get
the distinct impression she is far from getting rich on these
appearances. (As a side note, I won't be making one penny of profit
because any leftover money after expenses will go entirely to her,
with gratitude, because I think she will have more than earned it.)
If her lectures with slides are what she's willing to offer us, I
guess I'm willing to take that, no further questions asked. No-one
owes anyone else anything when they do their own research, right?
They can offer or not offer as much or as little of it as they want
for public consumption, and that's their perogative. Some people
research for their own pleasure. I know I do. I also like to publish
what I've found on my website because it's fun to share it, and I
will chat incessantly on certain topics in forums like this (hee
hee) but that's just me. :^D Everyone else's mileage may vary, and
AFAIK, it definitely does vary. To each their own, when it comes to
In contemplitude, :^)
- marccarlson20@... wrote:
>Just remember, if Publication was -easy- it wouldn't be a requirementBut on the other hand (forgive me if someone else has already said
this), just because something has been published does not mean it should
be taken as the ultimate authority, either. My English seminar this
semester, while ostensibly about Elizabethan and Jacobean drama, also
requires us to read dozens of scholarly publications and figure out how
useful they are for helping us to analyze the play texts, understand
their historical background, etc. (Most of it is in literary theory,
but there's a lot of "new historicist" work that involves in-depth
research into things like period trade and commerce, medicine and
humoral theory, clothing, gender roles, etc.) Just as with any field of
research, some of this stuff is great, and some of it is seriously
flawed. In fact, the prof said of one unhelpful article we discussed
today, "This ought to show you how easy it can be to get published!" It
wasn't a totally derogatory statement - it would be virtually impossible
to avoid publication of all imperfect or incomplete work - but a
cautionary one. And even flawed or lacking work usually provokes
discussion and debate and further research, which is always a good thing.
In this same class today I had an amusing "You know you've been in the
SCA too long when..." moment (well, moments). We were reading John
Webster's "The White Devil" (1612) and the heroine/villainess of the
play is "Vittoria Corombona the famous Venetian Curtizan." I never knew
of the existence of this other Vittoria (based on the notorious Umbrian
noblewoman Vittoria Accorambini of Gubbio, d. 1585) until last week, but
that aside, it was very weird to be sitting in this discussion for two
hours, hearing the name "Vittoria" every other minute, and making myself
*not* respond to it. ;)
(V. knows no literary theory after Aristotle)
"...Vittoria's performances deconstruct traditional gendered antitheses
and expose them as contingent on subjective construction.....Similarly,
Vittoria's accomplished performance of masculinity exposes those
cultural paradigms that underlie the rhetorical posturing of the men in
--C. Luckyj, "Gender, Rhetoric, and Performance in 'The White Devil'"