I ve been working a bit with the faces that go with the currents and have discovered that the edges between the faces are significant for interpretation andMessage 1 of 8 , Jun 11, 2012View SourceI've been working a bit with the faces that go with the currents and have discovered that the edges between the faces are significant for interpretation and also that the seniors which fit with the edges can be help people connect to the currents in relation to the gem. So, for example, the Heh current fits with the Neptune and Pluto faces, and the Clay-Chaos edge lies between these, so ACZINOR would be most appropriate in helping one connect. Of course, all of the seniors work with all of the currents.
The banner names and seniors going with the faces are:
Sun: MPH, ANODOIN, ARINNAQ, SAIINOV, LSRAHPM
Mercury: ORO, AHMLICV, LIIANSA, AAOZAIF, HABIORO
Venus: AOZPI, HTMORDA, AAOZAIF, ARINNAQ, AAPDOCE
Earth: GAIOL, LAOAXRP, SAIINOV, LIIANSA, ALHCTGA
Mars: TEAA, AAPDOCE, ANODOIN, ALNDVOD, AAETPIO
Asteroid Belt: DIAL, ALHCTGA, AHMLICV, LZINOPO, LAIDROM
Jupiter: IBAH, HABIORO, HTMORDA, AHAOZPI, AVTOTAR
Saturn: ARSL, LSRAHPM, LAOAXRP, SONIZNT, SLGAIOL
Uranus: OIP, HIPOTGA, AVTOTAR, AAETPIO, ADOEOET
Neptune: MOR, LIGDISA, SONIZNT, LAIDROM, ACZINOR
Pluto: HCTGA, ACZINOR, LZINOPO, AHAOZPI, HIPOTGA
Transpluto: PDOCE, ADOEOET, ALNDVOD, SLGAIOL, LIGDISA
This is seen in the particular currents as follows:
Tav: Flows of energy from the Chaos vertex to the Order vertex. In particular, these run down the Transpluto then Sun faces, Neptune then Earth faces, Pluto then Mercury faces, Uranus then Venus faces, Fire-Chaos edge (HIPOTGA) then Jupiter face then Steel-Order edge (AAOZAIF), Glass-Chaos edge (ADOEOET) then Mars face then Air-Order edge (ARINNAQ), Water-Chaos edge (LIGDISA0 then Saturn face then Fabric-Order edge (SAIINOV), and Clay-Chaos edge (ACZINOR) then Asteroid Belt face then Earth-Order edge (LIIANSA). The downward flow reflects falling into incarnation.
Shin: Flow from (Sun and Mercury) to (Venus and Earth) then to all four focusing into the order vertex. Between these are the edges Steel-Order (AAOZAIF), Air-Order (ARINNAQ), Fabric-Order (SAIINOV), and Earth-Order (LIIANSA). This current is tying back into the Worldspirit's influence, reflected by Order on the gem.
Resh: Mercury face. Obviously, no edge has faces on both sides involved, but the seniors around the Mercury face may be called. This seems originally to have pertained to trying to create a single well-defined path for everyone, but may be reinvented as each individual creating his or her own particular path.
Koph: Cycling Saturn-Mars-Jupiter-Asteroid Belt-Saturn-etc. or the reverse. Again, no edges have faces on both side involved, but those around each face may be called, and the banner names may allow a connection to the cycling. This involves processing in an intermediate level.
Tzaddi: Saturn to Neptune to Asteroid belt to Earth. These connect across Water-Female (SONIZNT), Clay-Female (LAIDROM), and Earth-Female (ALHCTGA). Female energy reaches from the abstract into the chaotic to draw forth something particular that can be made manifest.
Peh: (Mercury and Venus) or (Mercury and Earth). These connect across Steel-Order (AAOZAIF) and Earth-Order (LIIANSA) respectively. These pertain to actions within the laws of nature, and to sacrifice in a broad sense.
Ayin: Asteroid Belt to Mercury to Venus to Mars. These connect across Earth-Particular (AHMLICV), Steel-Order (AAOZAIF), and Air-Male (AAPDOCE). These three transitions seem to correspond to incarnation, crucifiction, and resurrection.
Samekh: Mars to Saturn to Earth. The second pair connect across Fabric-Female (LAOAXRP). Abstract creation becomes part of order through female.
Nun: (Uranus, Jupiter, and Mars) to Sun. Within the first three are connections across Fire-Male (AVTOTAR) and Glass-Male (AAETPIO), and Mars connects to the Sun across Air-Abstract (ANODOIN). Male influences enter order through abstraction/philosophy.
Mem: Saturn to Sun. These connect across Fabric-Abstract (LSRAHPM). Deeper layers drive things.
Lamed: Mars to Jupiter to Uranus to Venus. The middle pair connects across Fire-Male (AVTOTAR). Male leading to inspiration and action.
Kaph: Asteroids and Mercury. These connect across Earth-Particular (AHMLICV). This relates to the individual person as concrete receptacle for higher influence.
Yod: Asteroids and Jupiter. Again, no edges have faces on both side involved, but those around each face may be called. This relates to particular avenues and forms for energy to flow through.
Tet: Saturn to Mars to Jupiter to Asteroids to Earth or Asteroids to Jupiter to Mars to Saturn to Earth. The final pairs connect across Earth-Female (ALHCTGA) and Fabric-Female (LAOAXRP) respectively. This relates to processing in the middle giving rise to concrete results.
Chet: Sun and Saturn. These connect across Fabric-Abstract (LSRAHPM). This relates to reaching and acting from progressively deeper layers of pattern.
Zayin: (Earth and Asteroids) or (Earth and Saturn). These connect across Earth-Female (ALHCTGA) and Fabric-Female (LAOAXRP) respectively. These reflect Christ's influence without male force behind it, the former to passivity in direct action, the latter to ongoing abstract pattern.
Vav: Earth to Asteroids to Mercury. These connect across Earth-Female (ALHCTGA) and Earth-Particular (AHMLICV). The faces connect the element Earth to the three adjacent dark elements: Fabric, Clay, and Steel respectively. This suggests starting with existing patterns, seeing openings for emergent patterns, and then acting upon these new patterns. The Vav and Heh currents have manifested strangely relative to their Hebrew letters. Whereas the letter Vav might naturally be associated with the emergent patterns per se, the current is concerned with finding ways to ground and manifest them rather than with where they come from.
Heh: Neptune and Pluto. These connect across Clay-Chaos (ACZINOR). This relates to chaos finding ways to manifest, creating forms and causing change. Again, whereas one might expect the letter Heh to relate to the details of manifestation, the current is concerned with finding opportunities to exert leverage and then leaving them to play out.
Dalet: The first Tree (SHARSHANDRAM/BLIORDE) fits with (Jupiter and Mercury) or (Jupiter and Pluto). These connect across Steel-Particular (HABIORO) and Fire-Particular (AHAOZPI) respectively. These pertain to the individual actor deciding between becoming a force on Earth or departing for another system.
The second Tree (ELFANDROK/FKOMRACOLAN) fits with Saturn. It relates to working within formative energies.
The third Tree (BIHOBANA/IMANDIXOR) fits with energy flowing from Jupiter to Saturn. It relates to individual creative output becoming part of general formative patterns.
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I ve been working more with the individual faces and how their change over time relates to the currents. There is a basic division of the gem into layers,Message 2 of 8 , Jul 17, 2012View SourceI've been working more with the individual faces and how their change over time relates to the currents. There is a basic division of the gem into layers, the top four faces connecting to Chaos, the middle four, and the bottom four connecting to Order. The Shin and Koph currents help define this division, Shin fitting with the bottom four and Koph the middle four. Shin initially related to the evolution from pantheism with animal spirits and the like through progressively more human deities. It is now shifting to being about connection with the Worldspirit. Other currents' connections to the Worldspirit are likely to emphasize their relationship to the bottom layer. Qoph features energy cycling around the middle layer in either direction. My sense is that the emphasis is on the cycling rather than on there being a formula defined by the faces. Tet likewise involves a cycle around the middle, either direction, which is then grounded into
the Earth face. The top layer has so far featured rarely, and the result is that the middle faces have been weighted toward the bottom (Order) element/ dark element, something which is now shifting.
Sun (Order-Abstract): This faces relates to a general capacity to organize. It and Mercury begin the Shin current, indicating ordering arising from the bottom level. The Nun and Mem currents feature energy flowing into the Sun face, indicating ordering capacity as directed by energy flowing from above, with a male emphasis in the Nun case and female in the Mem. Chet features the Sun and Saturn faces together, indicating a flexibility in how influence flows between them.
Mercury (Order-Particular): This face relates to finding or forging a particular spiritual path. In relation to Shin, this gives specificity to what the Sun is doing. This is the only face for Resh, which means that the way that current changes is indicative of general changes for the face. Whereas Buddha went in for the notion of everyone following a single narrow path, this is now moving towards each individual choosing how to shape his or her own path. Mercury combines with Venus or Earth for the Peh path, indicating established rituals and practices fitting with each, which now also allow greater flexibility and variation. In relation to Ayin, Mercury indicates Jesus as the particular person incarnating Christ. This may evolve into a broader notion of incarnation. For Kaph, Mercury combines with the Asteroids, again indicating particular rituals or spiritual practices. For Vav, influence flows from Earth to the Asteroids to
Mercury, Mercury indicating patterns or practices created by the process. For Dalet (Antares), energy flows from Jupiter to either Pluto or Mercury, indicating a choice between remaining on Earth as an evolved being or departing, Mercury indicating the spiritual possibilities generated by the first choice.
Venus (Order-Male): This face relates to functional creativity. Venus combined with Earth come second in relation to Shin, indicating the appearance of spiritual actors within the creative space defined by the Sun and Mercury, It seems to initially have related specifically to animal spirits. For Peh, Venus combines with Mercury giving a sense of sacrifice. This seems initially to have emphasized animal sacrifice, though a broader concept applies. The flow from Mercury to Venus for Ayin seems to relate to the Crucifiction, which can be seen as a physical sacrifice but also as a sacrifice of ego. This sense of sacrifice of ego through ritual, dance, art, etc. seems to better fit the current direction. For Lamed, Venus relates to the manifest art of the Renaissance and subsequently.
Earth (Order-Female): This face relates to fitting within the Earth's order. It appears in Shin as female balance to Venus. The Tzaddi, Samekh, and Tet currents all feature energy flowing into the Earth face, indicating that the creative processes involved are oriented towards things that will fit naturally into the order of things. For Zayin, Earth combines with the Asteroids or Saturn, indicating in different ways Christ withdrawing into a passive relationship with the order of things. For Vav, the energy starts with Earth and moves to the Asteroids and then Mercury, indicating finding things in the existing order which can be combined with new influences to give new paths.
Mars (Male-Abstract): This face relates to causation. Weighted toward Air, it fits with the notion of word made incarnate, but balancing Air and Glass it fits with making words and incarnating them. Ayin concludes with Mars, indicating Christ's ascension. The Samekh, Nun, and Lamed currents (three of the four following Ayin) all begin with a flow from Mars, indicating various ways this root causation can be manifested. In Nun's case, this is in direct combination with Uranus and Jupiter, though the flow into the Sun face is across an edge with the Mars face, giving an emphasis on Mars in terms of how this is seen below.
The Asteroids (Female-Particular): This face relates to ways of manifestation. Weighted toward Earth, it relates to well-defined forms, but balancing Earth and Clay indicates more flexiblity in the origin and shape of forms. For Tzaddi, this shapes the chaos of Neptune into ritual or artistic forms fitting with Earth. For Ayin, the Asteroids indicates Christ in passive form before incarnation. For Kaph, the variety of the Asteroids is shaped into solid receptacles by Mercury. For Yod, the Asteroids indicate the particular practices of alchemy, ceremonial magic, and the like, and also the particular structures of democracy, human rights, and economic freedom that grew out of the Enlightenment. For Zayin, the Asteroids fit with Earth to indicate Christ as passive potential. For Vav, the Asteroids indicate new patterns which can be used to form new paths and patterns.
Jupiter (Male-Particular): This face relates to particular will. Weighted toward Steel, this indicates a person on a well-defined path, but balancing Steel and Fire indicates a person effecting spiritual goals in more flexible ways. For Nun, Jupiter combines with Mars and Uranus, indicating male energy that combines and transcends abstract and particular. For Lamed, Jupiter indicates the individual driven to seek inspiration and manifest it. For Yod, Jupiter indicates the goal of individual initiation of alchemy, ceremonial magic, and the like, and the ideal of individual freedom of the Enlightenment. For Dalet (Antares), Jupiter represents the individual making the choice. For Dalet (Sirius), the flow from Jupiter to Saturn indicates the individual creative energy becoming part of general patterns.
Saturn (Female-Abstract): This face relates to the general patterns of the Earth. Weighted toward Fabric this indicates long-established patterns, but balancing Fabric and Water indicates a mixing of established patterns with new ones. Tzaddi starts with Saturn, indicating that these patterns give rise to the creativity of the current. For Samekh, Saturn sits between the flow from Mars and to Earth, indicating that it shapes creative impetus into something that fits with Earth. For Mem, there is a flow from Saturn to Sun, indicating patterns giving rise to organizing activity. SInce Samekh and Mem pertain to pre- and post-Crusades Islam, this is a case of two currents already having a strong connection through a particular face. For Chet, Saturn and Sun combine, giving flexiblity in how they interact.
Uranus (Chaos-Male): This face relates to an unbridled male spark. Tav's flow connects it to Venus. For Nun, Uranus is the spark connecting the abstract and particular forms of male energy. For Lamed, Uranus in the spark inspiring art.
Neptune (Chaos-Female): This face relates to change given form. Tav's flow connects it to Earth. For Tzaddi, this fits with moving from the abstract patterns of Saturn to a more open perspective, giving rise to the particular forms of the Asteroids which manifest in Earth. For Heh, this fits with forms which shape the process of change.
Pluto (Chaos-Particular): This face relates to causing major change. Tav's flow connects it to Mercury. In relation to Heh, this is the change being shaped. In relation to Dalet (Antares), this indicates the change for one departing the Earth as well as the change driven by what he leaves behind. These two uses of the face are directly connected, Heh being concerned with making constructive use of what is left behind. To date, the Heh current has had a distinctly libertarian bent to it, reflecting the energies and outlook of a being who departed in the 1990's after acting as my HGA. The planned departure of most of the Black School will add a whole new set of energies and inclinations to the mix.
Transpluto (Chaos-Abstract): This face relates to the general capacity for change. Tav's flow connects it to the Sun.
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I left out in the Saturn section: Dalet (Vega) goes with the Saturn face exclusively. It fits with the 16 Paths material which may have a lot to do withMessage 3 of 8 , Jul 17, 2012View SourceI left out in the Saturn section:
Dalet (Vega) goes with the Saturn face exclusively. It fits with the 16 Paths material which may have a lot to do with how Saturn manifests. For Dalet (Sirius), the Jupiter energy flows into Saturn indicating the general patterns into which individual creative energies flow.
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