Okay, there's these dudes and maybe even some dudettes, who are not
human, but in human bodies, in the metabolism and in the West, playing
games in the Occult Societies. We should a) run; b) hide; c) surrender;
and/or d) collaborate. (that's a joke, by the way, on the sequence that
the French use for their terror alert system - instead of color codes).
the world is maya, illusion.
in our time, the illusion needs to express evil everywhere, so that
human beings can distinguish between that and the good.
so this illusory Stage Setting, we call contemporary history, with its
Occult Societies and their dude and dudette non-human goblin-like bad
guys and girls, makes stuff happen that is terrible and we should run,
hide, surrender and collaborate?
I don't think so.
try to make concrete pictures.
imagine an occult society with bad guys at the top and then more spread
out in a fashion like a 1x (ten fold) homeopathic dilution. at some
point these bad people run into real free human beings (we start out
with freedom of thought). somewhere there are boundaries where the bad
guys have to pass on their bad ideas to people who will only cooperate
if they give into temptation of one sort or another.
recall Wormtongue from Tolkien's Lord of the Rings cycle. He whispers
in the ear of the king and tempts him to do bad stuff. All the same,
he only gets to tempt, so that king himself has to give way, has to buy
into the temptation (Faust anyone?).
for example (quoting joel):
"All during the 20th Century the Lords of Finance have had unlimited
access to political power to promote and develop their control and their
status. The very very rich have come to rule the world from behind the
scenes. In the Western Democracies this has been more directly
accomplished by institutionalizing intermediate structures, which were
then used to identify and develop political and intellectual talent, at
the same time seducing them with access to power and wealth. The main
institutions in England and America were and are the Rhodes Scholarships
(identifying American talent and taking it to England for its "economic"
education), the Trilateral Commission (the main American think tank for
the Lords of Finance) and the Council on Foreign Relations (the main
English think tank for the Lords).
"Any careful reading of the biographies, of literally hundreds of
English and American leading politicians, and dominant government
officials (Secretaries of State, Home Secretaries and so forth), will
reveal their participation in one or more of these institutions, where
they have been drawn into the inner circles of power and wealth.
Generally they will never become billionaires, but certainly they will
be millionaires and move easily in these spheres of privilege. Imagine
being a young Rhodes Scholar, for example, taken one afternoon to the
huge estate of an English Lord, who has impeccable connections within
world-wide banking and finance circles and told that you are to be part
of those circles of elite power which will (and must) run the world, for
the lower classes simply lack the intelligence and the practical
financial savvy to be allowed, through democratic means, to make the
required macro decisions by which international relations and economic
markets are made stable and healthy.
"What a rush it must feel in the soul to be anointed as one of the
lonely few, possibly destined for the top, where such responsibility
will rest on your shoulders; yet to know that behind you will stand such
a power as is having tea with you that day. With a nod and a wink you
are welcomed into a fraternity only a few know exists. Your future is
Wormtongue in action.
Whatever evil is induced into the illusion of the Stage Setting that is
modern history, and which serves our development by giving the great
majority of people the contrast necessary in order to seek and know the
good, has to cross at some point a threshold into the free human
thinking, and ultimately, it is human evil - our choices - that
permeates the world.
So when Toto grabs the curtain in his teeth, and exposes the wizard
behind it, whose machinery is making all the scary noises, what really
is there? Who is the true Wizard behind the Stage Setting? The Logos
Speaking of the Creator, is how I see it. Giving us evil, because if we
didn't have to face it down, in a very real way, we'd sleep and never
develop at all.
Sure, all these goblins are running around behind the scenery, nailing
in nails, and laying out electrical lines, and make really crazy
pictures on the walls, but, if we want to have knowledge of reality
here, we have to think away the Stage Setting, and creating living
pictures of the soul life of the great majority of people who live out
their seemingly (but not!) ordinary lives in this time.