SUNDANCE FILM FESTIVAL
Thundering Anvil makes some noise
By John Horn, Los Angeles Times Staff Writer
January 18, 2008
PARK CITY, Utah -- The lead singer wears a dog collar and plays his
guitar with a sex toy. One of their first songs, "Thumb Hang," is
about the Spanish inquisition. And the amplifier knob actually goes to 11.
In so many ways, the heavy metal band Anvil is indeed Spinal Tap (did
we mention the drummer's name is Robb Reiner?).
But "Anvil! The True Story of Anvil," tracing the Canadian band's
resolute determination in the face of countless setbacks, isn't really
a rock 'n' roll comedy. Instead, this documentary, which premieres
today at the Sundance Film Festival, is an alternatively moving and
hilarious love story -- a tale of two people hopelessly devoted to
playing heavy metal music.
Guitarist Steve "Lips" Kudlow met drummer Reiner in 1973, and four
years later they formed Anvil. The late 1970s and early 1980s saw a
gold rush of hard-core rockers: Scorpions, Iron Maiden, Whitesnake,
Metallica, Anthrax and Motorhead among them. With its outrageous stage
antics and pulsing rhythms, Anvil was right in the mix too, its album
"Metal on Metal" envied by the band's head-banging brethren.
As a teen living in London, screenwriter Sacha Gervasi saw one of
Anvil's first British gigs. "I was blown away," he recalls. "It was
heavy music with really funny entertainment."
After meeting the band at an after-concert party, Gervasi showed Lips
and Reiner around London the next day and soon thereafter was invited
to be a roadie for Anvil's Canadian tour. "I would sit behind the drum
kit every night, watch Robb play, and he taught me how to be a
drummer," says Gervasi, who would later play with (and drop out of)
the band that became Bush.
Gervasi went to college, his musical tastes evolved and he eventually
came to Hollywood (where he co-wrote Steven Spielberg's "The
Terminal"). But he never forgot the band -- "I wondered what happened
to my old friends" -- so in the summer of 2005 he looked them up.
Anvil had never made it -- yet nearly three decades after they first
joined forces, Lips and Reiner were still making music, trying to sell
a few albums here and get a live gig there. "I thought they had split
up," Gervasi says. "But I found out they were still going."
Lips was working at a food service company, Reiner in construction.
They were in their 50s, their hair thinning, but their passion for
music hadn't dimmed over the years. Having seen all of their
contemporaries make it, Lips and Reiner weren't bitter -- they were
hungry. "I just kind of felt, 'I think there's a movie here,' "
So Gervasi hit the road with Anvil again, collecting 300 hours of
footage as the band launched a tour of Eastern Europe.
Tiziana, a girlfriend of the band's guitarist Ivan Hurd, organizes the
tour, but her organizational skills are indiscernible: Train tickets
aren't bought, plane schedules are mixed up and the band doesn't get
paid. Ever. What is supposed to be the tour's highlight -- an
appearance at the Monsters of Transylvania rock festival in front of
thousands of fans -- turns instead into a cheerless appearance in
front of 174 fans.
"It's been nothing but a nightmare," Lips says at one point. As the
tour unravels, so does Lips and Reiner's relationship. But Lips bears
no visible ill will. "I'm grateful," he says. "I don't regret a minute
Back in Canada, the band tries to record another album, "This Is
Thirteen," which will cost about $20,000 that neither Lips nor Reiner
has. Having tried the patience of family and friends, Lips and Reiner
must decide if it's finally time to call it quits or try one last
time. "I need to realize this," Reiner says, "while I can." Says Lips:
"I look at this particular chapter as my last chance."
Gervasi, who had never directed a movie, says he was unprepared for
what he would eventually capture and how Anvil's story would unfold so
much like "This Is Spinal Tap."
"On the second day of filming, my cameraman pulled me aside and said,
'Listen, you don't have to tell the rest of the crew, but you have to
tell me: Are these guys actors?' "
Gervasi says that while the movie is doubtlessly funny, it's also a
serious testament to believing in a dream. "Their dedication and
integrity and commitment is without parallel," the director says.
In an interview, Lips says Gervasi's film is strangely affecting,
especially when he sees rockers such as Motorhead's Lemmy, Guns N'
Roses' Slash and Metallica's Lars Ulrich offer glowing Anvil
testimonials. "To me, it's a little bit like I passed away and
everybody celebrated what I did -- but I get to witness it," Lips
says. "It makes me feel great that I am getting the biggest respect
from the biggest names in the business."
Gervasi brings "Anvil" to Park City not only in search of a theatrical
distributor but also with the hope that his movie might somehow help
Anvil realize its elusive wish for rock 'n' roll fame. "We've made
this movie, but no one has seen it, so nothing has changed for Anvil,"
Gervasi says. "The happy ending will be decided by the audience, and
I'm hoping that even if people don't like their music, they will go on
their website and buy their record."
Lips wasn't even sure he should pack his guitar for Park City, but
he's hoping there's at least one more big live show ahead. "The
centerpiece of it all is getting to play live -- that's what it's all
about," he says. "There's a reason actors like to do Broadway; it's
instant gratification. And nothing surpasses that."