Ok. Forget about Photoshop then.
>The "true" HDR tonemappers like in photomatix, FDRTools, picturenaut
>and so on are ways better than photoshop tonemapping tool. For a
>comparison an overview see
>Additionally there is exposure fusion to mention, like implemented
>in enfuse, tufuse and PTGui pro, which in many panographers' opinion
>gives even better results than the HDR tonemappers:
Wow, didn't realise there were so many products. What do you think
produces the best results. Output for me is for web so I dont care
about creating any hdr file, I just need the tonemapped results. Is
it true, would you say then that exposure fusion is better as used
by PTGUI pro. Manybe that would be the best option for me then as
workflow with ptgui (3.7) and photomatix is terrible. Ill download
the trial and see for myself.
As regards the colour temperature thing it's not a white balance
issue as the images I'm using all have correct white balances for
outsides and insides on the original raw files. They only go orange
after tonemapping. Ill try the desaturation thing. That's obvious
Thanks for the advice
--- In PanoToolsNG@yahoogroups.com
, "Erik Krause" <erik.krause@...>
> On Sunday, June 01, 2008 at 20:27, maston67 wrote:
> > Ive just started using hdr and am pretty amazed by the results.
> > Some questions.
> > - Been using photomatix trial and am thinking of buying. How
> > compare with the utility in the lastest versions of photoshop
> > havent got.
> The "true" HDR tonemappers like in photomatix, FDRTools,
> and so on are ways better than photoshop tonemapping tool. For a
> comparison an overview see
> Additionally there is exposure fusion to mention, like implemented
> enfuse, tufuse and PTGui pro, which in many panographers' opinion
> gives even better results than the HDR tonemappers:
> > - The windows in the images look fantastic but lights in the
> > very orangey which looks kind of OK, but Id prefer them white.
> > becomes worse when enhancing the image (to fix the flat renders)
> > bit of levels and colour saturation. Is there a way to fix this?
> This problem results from the different color temperature of the
> respective light sources. You can either go for blue outside and
> white tungsten lights or yellow tungsten interior and white
> As a compromise you could use a white balance that is somwhere
> intermediate to get only slightly bluish outside and less intense
> yellow inside. Or you do a selective desaturation of either blue-
> (if WB is for inside) or yellow-orange (if WB was for outside) in
> photoshop. Perhaps you need to mask respective colored details
> should not be desaturated.
> With enfuse you can even try to use different WB for the different
> exposure steps, but this often gives strange results, f.e. if a
> reflection of window or interior that is lie from outside light is
> blue but the window itself is white...
> best regtards
> Erik Krause