... understood, but then that brings up another issue: their work was not 'art for art's sake', but often (especially Rothko and De Kooning) immensely ...
2580
Barry Smylie
barrysmylie@...
Feb 1, 2000 1:13 pm
... an interactive story line branching...
2581
Joel Weishaus
reality@...
Feb 1, 2000 4:30 pm
... We see it more in Japanese pottery, where a crack from firing, or an imperfectly balanced cup, is prized. There is also a discussion on whether ...
2582
Joel Weishaus
reality@...
Feb 1, 2000 4:43 pm
... "The bridge...does not just connect banks that are already there, the banks emerge as banks only as the bridge crosses the stream...With the banks, the ...
2583
Talan Memmott
talan@...
Feb 1, 2000 6:04 pm
From: Claire Dinsmore <dinsmore@...> talan memmott wrote: Certainly, that little model i (stereo)'typed' is not the end-all.be-all of Modernism......
2584
Barry Smylie
barrysmylie@...
Feb 1, 2000 6:17 pm
... allows hordes of sunday painters to pour through i prefer the western tradition the convergence of sophistication and the primitive the meeting of mind and...
2585
Ted Warnell
warnell@...
Feb 1, 2000 7:07 pm
... and with super thanks to... Jennifer Ley, Dan Waber, Patrick Flynn, Steve Duffy, Shawn L. Phillips, mIEKAL aND for fine contributions to the Reading Room...
2586
mIEKAL aND
dtv@...
Feb 1, 2000 8:13 pm
ted very direct to the eye as usual......
2587
Talan Memmott
talan@...
Feb 1, 2000 8:08 pm
Sabine Mai has rejoined the ranks of the WebArtizen... W E L C O M E S A B I N E Sabine Mai is a net artist located in Munich, Germany.Since 1996/97 she has ...
2588
mIEKAL aND
dtv@...
Feb 1, 2000 9:48 pm
mIEKAL aND, symbiosis shatters turbulence reMEMEber when we occupied a space where belief was not heretical or contrary, where she could touch our skin & every...
2589
Ted Warnell
warnell@...
Feb 2, 2000 12:07 am
............ welcoming bine to webamazon --...
2590
Jim Andrews
jandrews@...
Feb 2, 2000 8:33 am
No impact or emotion in the visual dimension of it? Would this imply that the words are 'better' than the visual dimension of it? Or incongruent with the...
2591
David Knoebel
clkpoet@...
Feb 2, 2000 2:53 pm
Peter, I think both versions of "A Poppy" are delightful and wonderfully jabberwocky. The petalsoft sounds of the flower names are especially effective in...
2592
Ted Warnell
warnell@...
Feb 2, 2000 5:32 pm
Given a choice between A and B it is inevitable and natural that A or B will appeal more to our sensibilities at the moment. Having seen only version B, I will...
2593
David Knoebel
clkpoet@...
Feb 2, 2000 5:30 pm
... Ted, this is a fascinating thought. Perhaps sound could be added to the mix. I'm imagining, say, a 3 x 3 x 3 grid with elements of sound, image, and text...
2594
Jim Andrews
jim@...
Feb 2, 2000 5:52 pm
Will it, in fact, be an "art," or remain a market for the ... I remember several years ago, pre web, thinking that Carl Stalling, who made the music for the...
2595
Ted Warnell
warnell@...
Feb 2, 2000 7:54 pm
Just musing, David... (the 3D grid idea is cool)... Ted...
2596
Talan Memmott
talan@...
Feb 2, 2000 7:04 pm
... is the body/engineer the object/bridge....? location, location, location... ... I like the quote and complete agree with it... even further -- the stream ...
2597
Ted Warnell
warnell@...
Feb 2, 2000 8:24 pm
... I'm thinking you're thinking beyond my thinking with this, David. In your thoughts I think I see a rather nice conceptualization of my thoughts and then...
2598
Barry Smylie
barrysmylie@...
Feb 2, 2000 7:32 pm
... The best aspect of the internet is our ability to self publish stuff without the restrictions of the big houses and the large networks and the huge studios...
2599
Barry Smylie
barrysmylie@...
Feb 2, 2000 7:38 pm
... The engineer has his feet on one bank and his hands on the other, he is the bridge. The artist is a body builder, he is his art....
2600
Thomas Bell
trbell@...
Feb 2, 2000 6:45 pm
ted and david, i tend to work simultaneously on the verbal and visual even though my work generally does not have a 'story' in the narrative sense. but i do't...
2601
Peter Howard
peter@...
Feb 2, 2000 7:19 pm
On Wed, 2 Feb 2000, Ted Warnell wrote... ... Ted, You got it, then. Best, -- Peter http://www.hphoward.demon.co.uk/poetry/...
2602
Peter Howard
peter@...
Feb 2, 2000 7:17 pm
David, Thanks very much for your comments, which are very helpful. I do take your point about the mangling of the rhythm. (I take all your points, but that one...
2603
Bill Seaman
seaman@...
Feb 2, 2000 8:19 pm
Artist / Art work / Vuser (Viewer/user) relations: Roy Ascott saw the potentials of behavioural relations in terms of works of art. In his paper entitled...
2604
Ted Warnell
warnell@...
Feb 2, 2000 10:00 pm
Tom, welcome... I have previously referred (loosely) to your work by way of example of visual/literary, I think, or if not, should have as your work comes...
2605
Ted Warnell
warnell@...
Feb 2, 2000 10:03 pm
...and this would lead us to... poetry -- the breakfast of champions...
2606
Steve Skinner
honore@...
Feb 2, 2000 9:33 pm
Life Must be an engeering feat considering we get up every day. Hi- My name is Steve and I just joined the list. I call myself an artist (sometimes with more...
2607
Ted Warnell
warnell@...
Feb 2, 2000 10:43 pm
Steve, welcome to Webartery, nice to see you here... and greetings to Chicago! -- Ted...
2608
Jim Andrews
jandrews@...
Feb 2, 2000 9:56 pm
Poorly said, Jim. It is probably just that Tom heard a voice in the writing that he felt was obscured by noise in the visual. It's true, though, that the voice...
