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#41467 From: "Bernard d" <rede2rollbaby@...>
Date: Sat Nov 3, 2012 11:03 am
Subject: I GUESS, THAT’S WHAT I AM.
rede2rollbaby
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I GUESS, THAT'S WHAT I AM.

Yet another, `rustic philosopher'…I prefer, to think not,
the `not so critical engraver', being more suited perhaps.
One prepared to etch the backgrounds, Sensation forgot,
mundane edges of Reality, where Convenience overlaps.

Few, analyze Commitment…or ask, "why does it matter",
Earth reverberates to Media's overtures, topical, in hype.
Discussion's worth is shed…with words, but idle chatter,
today's sensation, will be tomorrow's history, set in type.

It's about what fills a forefront and Sensationalism sells,
any underlying causes are seldom profitable to expound.
Money, not a social conscience is the force that compels,
and Creatures of Convenience, about this world abound…

It may seem that even fewer bother, Convention to decry,
so mass media runs unfettered and truth eludes its grasp.
It falls to the scribes of social comment, censure to apply,
but indifference has blunted, any etching tools they clasp.

Perhaps Wisdom evolves, with the advantage of precedent,
from history upon Time's tablet…a past engraver's realm.
Best label me, merely as a pilgrim, beset with social intent,
part of a tired legion, with Maturity labouring at the helm…


©. Copyright: Bernard de Silva…3 November, 2012…

#41468 From: "Bernard d" <rede2rollbaby@...>
Date: Sat Nov 3, 2012 12:59 pm
Subject: Robbo: Old McGinty’s Cross-eyed Bull.
rede2rollbaby
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Old McGinty's Cross-eyed Bull.

McGinty called him, `that bludger, with a low reproductive count',
but the animal was cross eyed, and he couldn't see what to mount.
Too wild, he became to capture, this odd beast with a gaze absurd.
McGinty rued the day he bought him, he would never see his herd.

So much for any clear and perfect vision, forget, that hocus-pocus,
McGinty's bull went out upon the prod with both eyes out of focus!
One might reason that the point exists where two images converge,
but the poor Ol' bull could never find it, whenever he had the urge!

Quite the fearful beast this was, old man McGinty's cross-eyed bull,
with malevolence and hatred for men, that befuddled mind was full.
It haunted, one bit of brigalow scrub, out beyond the creek side flat,
and it was a wide berth locals gave it, you can be amply sure of that.

Cross-eyed, was one condition, which the world grossly understated,
while a violent homicidal nature, was something frequently debated.
He put the wind up trained blue heeler dogs, there, among the trees,
he's still out there, this very day, trying to mutilate anything he sees.

He's loosened up tourist bowels…rejuvenated, many a gray nomad,
those blokes found acceleration, the likes of which, they never had!
In those `terrify the unwary stakes', he's more than filled his quota,
he has the look of a stunned mullet but that doesn't matter one iota.

Is it a primeval beast from worlds beyond, or, a weird reincarnation,
or might it possibly be, a deformed result, of too long an incubation.
Forget your lunar cycles, it never matters, if the moon is new or full,
it forever is the force to reckon with…Ol' McGinty's cross-eyed bull…

©. Copyright: Bernard de Silva…Saturday, November 3rd, 2012…

#41469 From: "Susan Donahue" <suzianne411@...>
Date: Sun Nov 4, 2012 1:02 am
Subject: Bernie: McGinty's Bull
suzianne411
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Dear Bernie,

I tried three times to respond to your message with your fine poem about
McGinty's cross-eyed bull, but I keep getting a message from Yahoo saying,
"Cannot retrieve message 41468 for ticket2write."

Evidently, our group is having problems tonight.

Still, I want to tell you that I love your poem and can hardly wait till morning
to share it with my neighbor who has a very handsome red bull.  He will get a
kick out of your verse.

Suzianne

#41470 From: Susan Donahue <suzianne411@...>
Date: Sun Nov 4, 2012 2:36 am
Subject: Fw: Tuesdays with Writers, November 6th - Jen, Karla, Deborah
suzianne411
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Date: Saturday, November 3, 2012, 11:50 AM

TUESDAYS WITH WRITERS at the South Mill


November 6th, 7pm

at the South Mill

48th & Prescott, Lincoln:


Prose reading, with Jen Davis-Korn, Karla Decker, and Deborah McGinn


Jen Davis-Korn
Jennifer was first set free to write whatever she wanted by her third grade teacher Mrs. Kruse. Ever since then, she's been lucky enough to land a string of great teachers, like Deborah McGinn, and mentors, like Rex Walton, to encourage and coax her writing whims into their present fiction state. She is fortunate to have earned the trust of the good people of Tuesdays With Writers where she has made a nice and comfortable writing home. Now she promises to bring you danger, excitement, and thrills with a sampling from her collection of chapters from a long work titled "Parks and Recreation"

Poet DEBORAH T MCGINN has been published in The Iowa Review, Times of Sorrow/Times of Grace, The Poets Voice, Plains Song Review, Poetic Voices, Free Focus Nebraska English Journal, New York City, Fine Lines, Whole Notes, Celebrate, Lincoln Review, Richmond Award in Poetry, The South Dakota Review, and elsewhere. She is the author of the chapbook Self Unbound, To Go From Privacy.

Karla Decker was born in Greeley, Colorado a million years ago. She has no memory of living in Omaha for about six months before the age of two though her picture appeared in the Omaha World Herald feeding a lollipop to her grandfather’s German Shepard. By age two she made her home in Wisconsin. She became enamored of Abstract Expressionism and majored in art at the University of Wisconsin-Milwaukee. There she became enamored of the young writers on campus and married one of them and moved to Minneapolis and then back to Omaha. She divorced the writer and moved to Lincoln. Three gorgeous daughters and a passion for writing came out of this marriage. Her publishing history is skimpy. At Marilyn Dorf’s urging she entered the Bess Streeter Aldrich contest last year and won 2nd place. She was July in the first issue of the Nebraska Poets calendar. That’s about it.
::::::::::::::::

for more info, email Deborah at : dmcginn@... 

 

:::::::::::::::: for more writing/readings info, see:

http://moonreading.blogspot.com/


to subscribe, or un-
Rex Walton
 
rexwalton@...
Prairie Moon Reading & Music News
www.moonreading.blogspot.com
Tuesdays with Writers
www.tuesdayswithwriters.blogspot.com
Brownville Writers
www.brownvillewriters.blogspot.com

#41471 From: "Wings081" <wings081@...>
Date: Sun Nov 4, 2012 10:40 am
Subject: A Scottish Romance
wings081
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Sassanachs have always accused the Scots of being mean and jokes abound to this
effect.
Before I continue, let me assure you all:I have formed great friendships with
Scots and indeed I know for a fact we have at least one charming Scottish lady
among our members.
To continue,The following story is so typical of the English banter
towards our near neighbours that I hope you will excuse me from
placing it on site.


A Scottish Romance (with apologies to any Scottish members).

A young Scottish lad and lass were sitting on a low stone wall, holding hands,
gazing out over the loch. For several minutes they sat silently.  Then finally
the girl looked at the boy and said, "A penny for your thoughts, Angus."

"Well, uh, I was thinkin'.... perhaps it's aboot time for a wee kiss." The girl
blushed, then leaned over and kissed him lightly on the cheek..  Then he
blushed. The two turned once again to gaze out over the loch.  Minutes passed
and the girl spoke again.. "Another penny for your thoughts, Angus."

"Well, uh, I was thinkin' perhaps it's aboot time for a wee cuddle."   The girl
blushed, then leaned over and cuddled
him for a few seconds.  Then he blushed. And the two turned once again to gaze
out over the loch.. After a while, she again said, "Another penny for your
thoughts, Angus."
"Well, uh, I was thinkin' perhaps it's aboot time you let me put my hand on your
leg." The girl blushed, then took his hand and put it on her knee, then he
blushed. Then the two turned once again to gaze out over the loch before the
girl spoke again.
"Another penny for your thoughts, Angus.." The young man glanced down with a
furled brow.
"Well, noo," he said, "my thoughts are a wee bit more serious this time." 
Really?" said the lass in a whisper, filled with anticipation.  "Aye," said the
lad, nodding.  The girl looked away in shyness, began to blush, and bit her lip
in anticipation of the ultimate request.
Then he said, "Dae ye nae think it's aboot time ye paid me the first three
pennies?"


My Comment on this is:
If he hadn't been so impatient he might have had a fourpenny one.
As always
Wings.

#41472 From: mtracht508@...
Date: Sun Nov 4, 2012 12:27 pm
Subject: Re: A Scottish Romance
miltontracht...
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Y'r baaaaaad, m'lass! 
 
In a message dated 11/4/2012 5:40:11 A.M. Eastern Standard Time, wings081@... writes:

#41473 From: "Jay Doggett" <jmdoggett@...>
Date: Sun Nov 4, 2012 2:07 pm
Subject: RE: A Scottish Romance
jmdoggett
Send Email Send Email
 
Wings,
 
    Good one. I can't speak for other Scots but I found this funny.
 
    Tapadh leat!
 
Jay
 
-----Original Message-----
From: ticket2write@yahoogroups.com [mailto:ticket2write@yahoogroups.com]On Behalf Of Wings081
Sent: Sunday, November 04, 2012 5:40 AM
To: ticket2write@yahoogroups.com
Subject: [ticket2write] A Scottish Romance

 

Sassanachs have always accused the Scots of being mean and jokes abound to this effect.
Before I continue, let me assure you all:I have formed great friendships with Scots and indeed I know for a fact we have at least one charming Scottish lady among our members.
To continue,The following story is so typical of the English banter
towards our near neighbours that I hope you will excuse me from
placing it on site.

A Scottish Romance (with apologies to any Scottish members).

A young Scottish lad and lass were sitting on a low stone wall, holding hands, gazing out over the loch. For several minutes they sat silently. Then finally the girl looked at the boy and said, "A penny for your thoughts, Angus."

"Well, uh, I was thinkin'.... perhaps it's aboot time for a wee kiss." The girl blushed, then leaned over and kissed him lightly on the cheek.. Then he blushed. The two turned once again to gaze out over the loch. Minutes passed and the girl spoke again.. "Another penny for your thoughts, Angus."

"Well, uh, I was thinkin' perhaps it's aboot time for a wee cuddle." The girl blushed, then leaned over and cuddled
him for a few seconds. Then he blushed. And the two turned once again to gaze out over the loch.. After a while, she again said, "Another penny for your thoughts, Angus."
"Well, uh, I was thinkin' perhaps it's aboot time you let me put my hand on your leg." The girl blushed, then took his hand and put it on her knee, then he blushed. Then the two turned once again to gaze out over the loch before the girl spoke again.
"Another penny for your thoughts, Angus.." The young man glanced down with a furled brow.
"Well, noo," he said, "my thoughts are a wee bit more serious this time." Really?" said the lass in a whisper, filled with anticipation. "Aye," said the lad, nodding. The girl looked away in shyness, began to blush, and bit her lip in anticipation of the ultimate request.
Then he said, "Dae ye nae think it's aboot time ye paid me the first three pennies?"


My Comment on this is:
If he hadn't been so impatient he might have had a fourpenny one.
As always
Wings.


#41474 From: Susan Donahue <suzianne411@...>
Date: Mon Nov 5, 2012 3:56 am
Subject: Fw: Rhino Poetry Forum, Sunday, November 25th - Evanston Library --Mike Puican leads
suzianne411
Send Email Send Email
 


Welcome back, Mike!

.FOURTH SUNDAYS

RHINO POETRY FORUM WORKSHOP

AND PEER EXCHANGE

 

sponsored by RHINO/the Poetry Forum

COME AND TRY OUT YOUR NEW WORK ON US!

 

Evanston Public Library

Church & Orrington

1:30-4:30 -- Room 108

 

Past leaders and readers and all poets welcome. Drop in, have poems critiqued, and participate in an ongoing discussion of poetry and poetics. Sessions are free* and no registration is required.

 

Sunday, November 25th, 2012

Leader: Mike Puican

Mike Puican has been published in Poetry, New England Review, Michigan Quarterly Review, among many others journals. He writes poetry reviews for Another Chicago Magazine and TriQuarterly. He won the 2004 Tia Chucha Press Contest for his chapbook, 30 Seconds. Mike was a member of the 1996 Chicago Slam Team and is board president of the Guild Literary Complex.

 

TOPIC: The Bold and the Beautiful: Adjectives that Sing

A common direction in workshops is to “cut out the adjectives.” This can make a poem move faster and be more direct, but it can also remove a poem’s personality. Rather than focusing on adjectives as mere embellishment, we'll discuss the considerations that make adjectives impactful and essential.

 

Bring 17 or more copies (2 page limit) of a poem you want critiqued.

*$5 - $10 donation appreciated.

 

COPIES OF RHINO MAY BE PURCHASED AT OUR WEB SITE: RHINOPOETRY.ORG

 

This project is partially supported by grants from: Poets & Writers, the Illinois Arts Council

and The MacArthur Fund for Arts and Culture at the Richard H. Driehaus Foundation.


#41475 From: "Wings081" <wings081@...>
Date: Mon Nov 5, 2012 5:07 pm
Subject: Re: A Scottish Romance (Jay Doggett 41473)
wings081
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Hi jay
Re.tapadh leat: And a big thank you to yourself also.
I have yet to meet a Scotsman who would take offence at
any jibes I made at their expense, for they usually give as
good and more often better than they take.
Salt of the earth and I sincerely hope young Alex Salmon backs
down from breaking away from the rest of this island.
When I think of the Scots I hear the skirl of the bagpipes
with the shrill wailing of the chanter and I imagine my
uncle Billy would have followed them on the Western Front
on the day he was killed November 1914, leaving no marked
grave but the honour of his bravery in the military cross and bar.
I first went to Scotland when stationed in the RAF at an
air base named Kinloss on the moray Firth.
I was with Coastal Command at the time and had been flying
Sunderland flying boats out of Hong Kong.
I was delivering a Sunderland back to UK as it was considered time
expired and due for the scrap heap.( that was an adventure story
on its own).
Arriving from the Far East the big noises at Adastral House
asked me if I would like to stay on boats or transfer to land planes.
"What type of land planes?" I enquired. " Lancaster bombers" they replied.
No contest If I couldn't fly fighters, the Lanc was my next favourite.
And so in the middle of winter I took a conversion course onto
what to me, was a four engine fighter.
Now in Singapore I had taken a course to qualify as a navigator
and passed above average so I could find my way without
getting lost anywhere in the World. However Northern Scotland in
  mid winter I found a different problem to navigating the forests
and oceans of  eastern Asia.
Take-off was no problem as the runway had been swept clear of
snow but once airborne all reference points disappeared under a
blanket of snow with the only help to navigation being the odd river.
I was forced to rely on radio communication and D.R positions
from my navigator.
Course complete and I was offered a choice of Coastal stations;
One near Newcastle,one in Northern Ireland,back on boats
in South Wales or St Eval in Cornwall.
Looking on the map, I soon discovered which was nearer to
the equator and possible rise in temperature and so it was I
ended up in my Ancestors Celtic home county  of Cornwall.
I met and married a local girl, raised a small family, lost the love of my life
to cancer and I'm here to stay until the Grim Reaper
sends me an e-mail inviting me to a BBQ with Lucifer.
Slainte mhor agad Jay.
Wings.


--- In ticket2write@yahoogroups.com, "Jay Doggett" <jmdoggett@...> wrote:
>
> Wings,
>
>     Good one. I can't speak for other Scots but I found this funny.
>
>     Tapadh leat!
>
> Jay
>
>   -----Original Message-----
>   From: ticket2write@yahoogroups.com [mailto:ticket2write@yahoogroups.com]On
> Behalf Of Wings081
>   Sent: Sunday, November 04, 2012 5:40 AM
>   To: ticket2write@yahoogroups.com
>   Subject: [ticket2write] A Scottish Romance
>
>
>
>   Sassanachs have always accused the Scots of being mean and jokes abound to
> this effect.
>   Before I continue, let me assure you all:I have formed great friendships
> with Scots and indeed I know for a fact we have at least one charming
> Scottish lady among our members.
>   To continue,The following story is so typical of the English banter
>   towards our near neighbours that I hope you will excuse me from
>   placing it on site.
>
>   A Scottish Romance (with apologies to any Scottish members).
>
>   A young Scottish lad and lass were sitting on a low stone wall, holding
> hands, gazing out over the loch. For several minutes they sat silently. Then
> finally the girl looked at the boy and said, "A penny for your thoughts,
> Angus."
>
>   "Well, uh, I was thinkin'.... perhaps it's aboot time for a wee kiss." The
> girl blushed, then leaned over and kissed him lightly on the cheek.. Then he
> blushed. The two turned once again to gaze out over the loch. Minutes passed
> and the girl spoke again.. "Another penny for your thoughts, Angus."
>
>   "Well, uh, I was thinkin' perhaps it's aboot time for a wee cuddle." The
> girl blushed, then leaned over and cuddled
>   him for a few seconds. Then he blushed. And the two turned once again to
> gaze out over the loch.. After a while, she again said, "Another penny for
> your thoughts, Angus."
>   "Well, uh, I was thinkin' perhaps it's aboot time you let me put my hand
> on your leg." The girl blushed, then took his hand and put it on her knee,
> then he blushed. Then the two turned once again to gaze out over the loch
> before the girl spoke again.
>   "Another penny for your thoughts, Angus.." The young man glanced down with
> a furled brow.
>   "Well, noo," he said, "my thoughts are a wee bit more serious this time."
> Really?" said the lass in a whisper, filled with anticipation. "Aye," said
> the lad, nodding. The girl looked away in shyness, began to blush, and bit
> her lip in anticipation of the ultimate request.
>   Then he said, "Dae ye nae think it's aboot time ye paid me the first three
> pennies?"
>
>
>   My Comment on this is:
>   If he hadn't been so impatient he might have had a fourpenny one.
>   As always
>   Wings.
>

#41476 From: Susan Donahue <suzianne411@...>
Date: Mon Nov 5, 2012 5:53 pm
Subject: Fw: November 2012
suzianne411
Send Email Send Email
 

****************************************************************************************************************************

NOVEMBER
The Dylan Thomas Festival - Swansea
Aldeburgh Poetry Festival - UK

Bridport Book Festival - UK
http://bridport-open-book.com/
Ways with Words - Southwold Literature Festival - UK
Third Wellington International Poetry Festival Wellington - New Zealand
Main Venues: Te Papa/ The Marae, City Art Gallery, Upper Hutt Library, Lower Hutt Library, Pataka Museum and Paekakariki Hall. Tel 64 4 5771747/ 64 4 5280542
Ways With Words Southwold Literature Festival - UK
http://www.wayswithwords.co.uk
Richmond Literature Festival - London, UK
Lancaster Lit Fest - UK
http://www.litfest.org/
Cambridge Wordfest (Winter) - Cambridge UK

***************************************************************************************************************************

****************************************************************************************************************************

Bath 26th October 2012
7th November 2012
During this summer and into the autumn, Topping & Company Booksellers of Bath, are hosting a range of great poets launching their books and reading their poetry in Bath:
Sean Borodale launches Bee Journal, an Autumn PBS Recommendation, 8th August 2012;
Sharon Olds launches Stag's Leap, 26th October 2012;
Martyn Crucefix launches his translation of Rilke's Sonnets to Orpheus, 7th November 2012;
Topping & Company Booksellers of Bath
The Paragon
Bath
Somerset
BA1 5LS
Telephone: (01225) 428111

Limerick

6th November 2012

The Limerick Writers' Centre Presents

The Nov 'On The Nail' Literary Gathering

Tuesday 6th Nov 2012 @ The Loft Venue @ The Locke Bar,

Georges Quay, Limerick. Start 8.00pm sharp!

This month our guest readers are Michael Farry, James Harpur & in association with Foras na Gaeilge Gregoir O�Duill

Oxford 9th November 2012 Back Room Poets present a reading with Jane Draycott and Back Room Poets Members as part of The Sounds of Surprise poetry month at the Albion Beatnik Bookshop (Walton Street, Jericho, Oxford) on Friday, 9 November, 7:30pm.
JANE DRAYCOTT's latest collection Over was shortlisted for the 2009 T. S. Eliot Prize. Nominated three times for the Forward Prize for Poetry, her first two full collections, Prince Rupert's Drop and The Night Tree, were both Poetry Society Recommendations.
Names of Back Room Poets members reading will include Matt Bright and Jenyth Worsley.
For the full listing of events of The Sounds of Surprise see: www.albionbeatnikpoetry.co.uk
London 11th November 2012

Capturing Snowflakes: Eve Pearce and friends

Sun 11 Nov / 7pm / Free / Tickets on the door

Box office: 07947 567 489 or editor@...

�These poems� speak out loud from the page�, Liz Lochhead. Veteran actress Eve Pearce (from Z Cars to Torchwood and, most recently Jo Brand�s Getting On) reads from her first collection of poetry, with help from her daughters and several old friends, including fellow actress Maureen Lipman.

Lauderdale House, Highgate Hill, Waterlow Park, London N6 5HG www.lauderdalehouse.org.uk

Limerick

15th November 2012

The Limerick Writers� Centre Presents Centennial Celebration of Woody Guthrie�s life and work

At Cobblestone Joes, Lt. Ellen St., Limerick

Thurs 15th Nov 2012 8.30pm.

Musical legend American singer songwriter Woody Guthrie, whose musical legacy includes hundreds of political, traditional and children�s songs, will be celebrated by the regions� finest singers and songwriters at Cobblestone Joe�s on Thurs 15th November.

Just like now as we enter a time of recession, Guthrie in the 1940 and 50s by strumming his guitar and writing words of inspiration instilled hope in the hearts of downtrodden Americans during those depression years. Now one hundred years after his birth we celebrate the life and work of this extraordinary balladeer and poet. Some of our finest singers and songwriters will be playing classic Guthrie tunes including �This Land Is Your Land�, come along and celebrate the songs aaand music of this inspiring American icon.

The night begins at 8.30pm and there is free admission. Join us on the night and make this event something special.

Further information contact: Dominic Taylor 087 2996409 email limerickwriterscentre@...

Cambridge 18th November 2012

The Castle Inn, Castle Street, at 3 for 3.30pmAgenda, a great poetry magazine, over 50 years old, never better than now.
Readers: Patricia McCarthy (the Editor), David Cooke, award-winning poets Will Stone and Timothy Ad鑣.

London 22nd November 2012

the Cinepoem project

Thursday November 22nd 2012 from 7.30

the Richmix arts centre, the main space

http://www.richmix.org.uk/venues/spaces/main-space/

35-47 Bethnal Green road, E1 6LA 020 7613 7498

Free entrance for all

Tom Raworth & Avi Dabach

Emanuella Amichai & SJ Fowler

Tim Atkins & Ran Slavin

A ground breaking collaborative exchange between three Israeli film-makers / video artists and three British poets, translating the medium of poetry into the practise of film to produce three original, poetic films, or cinepoems. http://www.richmix.org.uk/whats-on/event/cinepoem/

Lewes 23rd November 2012

POETRY FOR A WINTER�S NIGHT

Four Oversteps Poets read new work to take the chill off winter:

Alwyn Marriage, Andrew Nightingale, Mandy Pannett, Ann Segrave

Friday November 23rd 2012 7pm - 9pm at:

THE LINKLATER PAVILION Railway Lane Lewes BN7 2AQ

Tickets: �5 on the door to include interval drink.

Proceeds to Lewes Railway Land Wildlife Trust

Disabled facilities. Free Parking behind the Law Courts in Court Rd

Enquiries: Ann Segrave 01273 480689

London

1st December 2012

Saturday 1st December - New Moon Poetry evening Feat. Michael Horovitz, Tim Cumming + Guests

Doors open at 7pm Performance's from 8pm - 11pm. Admission: �7

Mapzine is proud to present an evening of Jazz/Poetry at the MAP Studio cafe. The legendary Michael Horovitz founder of The Poetry Olympics and the prolifically talented Tim Cumming have already been confirmed so far with more news to follow....This will be one not to miss, Book Early.

Venue Address:

MAP Studio Cafe , 46 Grafton Road . Kentish Town , London , NW5 3DU

Box Office: 020 7916 0545

Website: http://www.mapstudiocafe.com

****************************************************************************************************************************

 

6 - COMPETITION DEADLINES - OTHER COMPETITIONS CAN BE FOUND AT

http://www.poetrykit.org/comps.htm 

SEE POETRY KIT LISTINGS PAGE FOR SHORT STORY COMPETITIONS

 

***************************************************************************************************************************

5th November 2012 1st Silver Cup



entry �5

The Poetry Box International Halloween Silver Cup Poetry Award 2012

The Poetry Award Details, Rules and Entry Form are also available to view on The Poetry Box website: www.ThePoetryBox.co.uk.

To celebrate both Halloween and the continuing remarkable success of the UK-based Horror, Gothic-Horror, Satire and Dark Poetry Monthly Magazine - 'The Poetry Box Horror & Dark Poetry Magazine'

Prizes: First Prize Winner - the attractive The Poetry Box Halloween Poetry Silver Cup 2012 and decorative Award-Winning Certificate. The 2nd and 3rd Place Finalists will receive decorative Award-Winning Certificates and Prize Cheques of �30.00 each. The 4th and 5th Place Finalists will receive decorative Award-Winning Certificates and Prize Cheques of �25.00 each, Judge's Special Commendation Entries and Highly Commended Entries will receive decorative Judge's Special Commendation Award and Highly-Commended Award Certificates. All Winning Entrants will receive a copy of the Special 'Winners & Finalists' Edition Issue of 'The Poetry Box Dark & Horror Poetry Magazine Monthly' - which will include their published Winning Entry/s - free of charge.

Rules: The Poem/s Must Be Halloween, Supernatural, Horror, Gothic-Horror or Dark-Themed. Length of Poem: 60 Lines Maximum per poem - One Poem Per A4 White Paper Page, Typed, Single Line Spacing. Poet's Personal Details To Appear On The 2012 Competition Entry Form available via website - www.ThePoetryBox.co.uk - or on a separate sheet. Entries are Accepted by Email and by Post - All Entries Acknowledged by Email Upon Receipt. Entry Fee is �5.00 per Poem, up to a maximum of 4 Poems per Entrant - payable by cheque or by paypal. All Entrants agree that their Poems may be selected for inclusion in The Poetry Box Dark & Horror Poetry Magazine Monthly for up to one year after the Competition Deadline (5 November 2013). Further Details: www.ThePoetryBox.co.uk.


10th November 2012 1st $50

entry $6 (3 poems)
Illinois State Poetry Society Annual Poetry Contest. Submission deadline is Nov. 10, 2012. Categories: 1) free verse 2) formal verse, and 3) Haiku (both traditional and modern) Cash prizes $50, $30 & $10. For further essential submission guidelines see illinoispoets.org. Send submissions to Joanne Blakley, ISPS Poetry Contest Chair, 201 Michaelson Dr., Anna, IL, 62906.
15th November 2012 1st �100




entry �4

November Poetry Competition

Judge : Mary Charman-Smith
Deadline: 15th November 2012
Prizes, 1st �100, and the runner up will receive �25
Entry �4 per poem; three poems �9.

Poems can have a maximum of 45 lines, which will not include the title.

Poems must be the entrant's own work and not have been published, self published, published on a website or broadcast. They may not have previously received a written critique from the judge.

Entries must be in English. They can be on any subject and in any style or poetic form.

Entries cannot be returned, fees cannot be refunded and alterations cannot be made once entries have been submitted.

Attached entries must not have the writer's name or identifying marks but all the information required in the entry form must be submitted at the time of sending them.

No correspondence can be entered into as the Judge's decision is final.

Acceptance of the rules is implied by entry.

Entrants who do not comply with the entry rules will be disqualified.

You will receive an email from the competition administrator letting you know that the poems have been delivered safely and an immediate payment receipt from Paypal.

IF YOUR ENTRY AND YOUR PAYMENT COME FROM DIFFERENT EMAIL ADDRESSES, PLEASE MAKE THIS CLEAR WITH THE PAYMENT!

Entrants will receive notification of winners via the e mail address from which the entry was submitted unless they request otherwise at the time of submission.

A list of prize winners and short listed entries will be published on this webpage within a month of the closing date, 15/11/12.

Entry Form and Details http://www.marycharmansmith.co.uk/competition2.html

15th November 2012 1st Choice of jewellery


entry free
In collaboration with Maison Vee's jewellery The Journal/original plus has pleasure in announcing the free to enter Silversmith Poetry Competition.

But not that free. All poems [this year?] will have to be on earrings. Other than that the poems can take whatever form the author wishes - from haiku through sestina to sonnet to vers libre.

Not only will the winning earring poem be published in The Journal but its author will also get to choose a pair of Maison Vee earrings - http://www.etsy.com/shop/MaisonVees.

And if anyone thinks an earring poem not amenable to verse.... Come now. A great painting featured an earring, as did a whole novel. And how many other tales turn on the discovery/loss of a single earring?

Send all entries marked 'competition' to Sam Smith at The Journal - smithsssj@.... Closing date will be mid-November, winner announced end November 2012.
15th November 2012 1st $6000



entry $12 - $18

The Overland Judith Wright Poetry Prize for New and Emerging Poets is open now

With the support of the Malcolm Robertson Foundation, the Overland Judith Wright Poetry Prize was established in 2007 to foster poetry by writers who have not yet published a book of poems under their own name. It has subsequently grown to become the richest and most prestigious prize for emerging poets in Australia. This year the major prize is $6000, with a second prize of $2000 and a third prize of $1000.

The 2012 competition is open now. Entries close 15 November.

Previous winners

Joel Ephraims (2011)

K A Nelson (2010)

Derek Motion (2009)

Tim Wright (2008)

Georgina M Bailey (2007)For more about Judith Wright抯 contribution to Australian poetry and Australian life, check out Georgie Arnott抯 review of Wright抯 correspondence.

16th November 2012 1st �200



entry �5

Barnet Open Poetry Competition 2012

For poems up to 35 lines. Adult prizes: 1st �200, 2nd �100, 3rd 3 of �50 each. Junior (for each age group 7 - 11, 11 - 16) 1st �20, 2nd �10, 3rd 3 of �5 each. Judges Martyn Crucefix (adult) and Katherine Gallagher (junior).

Entry Fee: �5 a poem (�4 for Barnet residents), �1 for 7-16 year olds, free for Barnet schools (donation appreciated) Download application forms from www.barnetarts.org.uk

or send SAE to: Barnet Borough Arts Council, c/o All Saints Arts Centre, 122 Oakleigh Road North London N20 9EZ

30th November 2012 1st �500

entry �5
SENTINEL ANNUAL POETRY COMPETITION 2012
CLOSING DATE: 30 NOVEMBER 2012
Details: For previously unpublished poems in English Language, in any style, on any subject. Maximum Length: 60 lines.
Poems entered must not be under consideration for publication elsewhere and may not be simultaneously entered into another competition.
Prizes: �500 (1st), �250 (2nd), �125 (3rd) and �25 x 5 (High Commendation). All winning and commended poems receive first publication in Sentinel Champions magazine. Copyright to poems remains with the authors.
Entry fee: �5 per poem for the first 2 poems, then �3.50 per poem thereafter.
Judge: Roger Elkin, author of 'Fixing Things' and 'No Laughing Matter'
Contact: Enter online and pay securely via PayPal or print off an Entry Form for postal entry at http://www.sentinelpoetry.org.uk/sawc/2012/poetry.html
Send cheque/postal orders payable to SENTINEL POETRY MOVEMENT to address: Sentinel Poetry Movement, Unit 136, 113-115 George Lane, South Woodford, London E18 1AB, United Kingdom.
30th November 2012 1st �100


entry �3
LUPUS UK POETRY COMPETITION 2012
Closing date for this competition is 30 November 2012
The Lupus UK Poetry Competition supports the charity helping people living with the currently incurable immune system disease, Lupus. Excel for Charity first ran a competition for Lupus UK in 2011 raising �180.65 for the charity. We really would like to do more for this charity as they battle this debilitating illness.
Please send in your poems in English Language, on any subject, in any style, up to 50 lines long.
Prizes: �100, �50, �30 and 2 x �10. All winning and highly commended poems will receive first publication in January 2013.
Entry fees: �3 per poem, �12 for 5, �16 for 7 and �22 for 10 poems. Enter as many poems as you can.
Judge: Abegail Morley.
Enter online now and pay securely by PayPal or print of an Entry Form for postal entries at http://www.easternlightepm.com/excelforcharity/lupusuk/
30th November 2012 1st $50

entry free

The Tapestry of Bronze - Odes to Olympians, a poetry contest featuring Aphrodite (Venus).

There is a $50 prize for those 18 and older and another for those under 18. The contest may be entered until November 30, 2012 and it costs nothing to enter.

To learn more about the contest, go here: http://www.tapestryofbronze.com/OdeForm.html

30th November 2012 1st �100



entry �5

The New Writer Poetry Prizes 2012

For single poems up to 40 lines OR collections of 6-10 poems (no line limit). Judged by The New Writer Editorial board and guest judges. See website for full details. Collection: 1st prize �300, 2nd �200, 3rd �100. Single: 1st prize �100, 2nd �75, 3rd �50.

Entry Fee: �5 for up to 2 poems (discount for subscribers); �12 for collections

www.thenewwriter.com/prizes.htm

The New Writer, PO Box 60, Cranbrook, Kent TN17 2ZR

30th November 2012 1st �500


wntry�5

Sentinel Annual Poetry Competition 2012

For previously unpublished poems. Maximum Length: 60 lines. Prizes: �500 (1st), �250 (2nd), �125 (3rd) and �25 x 5 (High Commendation). All winning and commended poems receive first publication in Sentinel Champions magazine. Judge: Roger Elkin.

Entry Fee: �5 per poem for the first 2 poems, then �3.50 per poem thereafter

Enter online and pay securely via PayPal or print off an Entry Form for postal entry at http://www.sentinelpoetry.org.uk/sawc/2012/poetry.html
Send cheque/postal orders payable to SENTINEL POETRY MOVEMENT to:
Sentinel Poetry Movement, Unit 136, 113-115 George Lane, South Woodford, London E18 1AB, United Kingdom.

30th November 2012 1st �50



entry �4

Cafe Writers Competition 2012

Maximum of 40 lines (excluding title) on one side of A4. Judge: Ian Duhig. 1ST �1000, 2nd �300, 3rd �150. Six Commended Prizes of �50. Funniest Poem not winning another prize �100. Norfolk Prize �100 awarded to the best poem from a permanent Norfolk resident not winning another prize.

Entry Fee: �4 or �10 for 3 and �2 for each subsequent poem

Cafďż˝ Writers Poetry Competition, 168a Silver Rd,
Norwich NR3 4TH with a cheque payable to Cafďż˝ Writers

or enter and pay online at www.cafewriters.org.uk

7th December 2012

1st �100

entry �3.50

Perform Poetry Magazine Competition

For poems of any length on the theme of ć’easonsďż˝. Our competition will be judged by the poet, Jim Bennett
Poems must be the entrant's own work and not have been published in print or on a website, other than a workshop or critique platform.
1st �100

Entry�3.50 per poem; three poems �9; five poems �12

for more information or to enter and pay online see http://perform.blogspot.co.uk/

 

***************************************************************************************************************************

7 - CALLS FOR SUBMISSIONS

***************************************************************************************************************************


ongoing CAUGHT IN THE NET FEATURED POET SERIES
CITN is a two weekly email mag with an online archive. Dedicated to presenting the best in contemporary poetry CITN currently is featuring an individual poet in each edition.
To be considered please send one poem, plus a bio to info@... with the subject heading "CITN Submission"
ongoing To be considered for our "POEM OF THE WEEK". Please send up to 3 poems in the body of an email, together with a third person bio. Poem of the Week is shown on our blogsite' http://www.poetrykit.org/dir./ Please put "poem of the week" as your subject. Please note that is submitting for POTW and CITN (above) although the email address is the same the editors looking at them are not. Please do not submit the same poems to both, or think that one submission is enough. Submissions that are not clearly marked in the subject line will not be read.
To be considered please send one poem, plus a bio to info@... with the subject heading "Poem of the Week""
ongoing

The Morning Star

I have recently taken over as poetry editor for the daily UK newspaper The Morning Star [link] and I'm looking for submissions of new or previously published poems.

Under the stewardship of the late and esteemed John Rety, Well Versed developed into a widely-read forum for new and established writers. It appears every Thursday and submissions will also be published and archived online.

Please send submissions, with biographical information, to: wveditor [at] gmail [dot] com

Poems need not be overtly political, but space is limited so they must be short to medium in length.

Please forward this message on to anyone who might be interested in submitting work. Any tweets or blog reposts spreading the word would be greatly appreciated.

Jody Porter | www.jprtr.org

30th October 2012

Call for entry We are now accepting submissions for our next issue RIOT. The final deadline is October 30th 2012, midnight FINNISH TIME. We strongly suggest that you send your work in before then.

1st November 2012
We are currently seeking written contributions for a multimedia project called Rhythm.Pattern.Texture that will encompass music, film, architecture, photography, fashion and beauty, illustration and, of course, the written word.
Paris Collective is a small but growing hub of young people interested in the arts created in an effort to bring creative visions together by organizing projects with multiple collaborators. We thrive on the revolting, the exultant, on the visceral and the ephemeral.
Want in? Send an email to ned@... ASAP and we will forward you further information about the project. Deadline for submissions: November 1st 2012. Paris Collective is bilingual ďż˝ contributions may be in either French or English.
30th November 2012

Peter Lang would like to invite proposals for the scholarly book series Modern Poetry, edited by Professor David Ayers, Professor David Herd and Professor Jan Montefiore.

The Modern Poetry series brings together scholarly work on modern and contemporary poetry. As well as examining the sometimes neglected art of recent poetry, this series also sets modern poetry in the context of poetic history and in the context of other literary and artistic disciplines. Poetry has traditionally been considered the highest of the arts, but in our own time the scholarly tendency to treat literature as discourse or document sometimes threatens to obscure its specific vitalities.

The Modern Poetry series aims to provide a platform for the full range of scholarly work on modern poetry, including work with an intercultural or interdisciplinary methodology. We invite submissions on all aspects of modern and contemporary poetry in English, and will also consider work on poetry in other language traditions. The series is non-dogmatic in its approach, and includes both mainstream and marginal topics. We are especially interested in work which brings new intellectual impetus to recognised areas (such as feminist poetry and linguistically innovative poetry) and also in work that makes a stimulating case for areas which are neglected.

For more information, please contact Christabel Scaife, Commissioning Editor, Peter Lang Ltd, c.scaife@....

30th November 2012

Volume Magazine is an independent bi-annual print and online publication that concentrates solely on promoting the work of creative people. Are you a photographer, writer, musician, painter, fashion designer or illustrator?

We are looking for themed submissions about THE WORLD

SHORT STORIES
POETRY
MUSIC
PHOTOGRAPHY
PAINTING
ILLUSTRATION
DESIGN
FASHION
COLLAGE
SCULPTURE


For our tenth issue we will be inviting submissions from the international community as well as the UK. If you would like to submit or make a recommendation send an email to
creative@...
Submission deadline 30 November 2012


 

***************************************************************************************************************************


#41477 From: "bravenewworldjune2007" <bravenewworldjune2007@...>
Date: Sun Nov 4, 2012 8:49 pm
Subject: online scripts
bravenewworl...
Send Email Send Email
 
#41478 From: "Jay Doggett" <jmdoggett@...>
Date: Mon Nov 5, 2012 10:56 pm
Subject: RE: Re: A Scottish Romance (Jay Doggett 41473)
jmdoggett
Send Email Send Email
 
Wings,
 
    To your very good health too! Slainte!
 
    (Best brogue accent learned from my dour grandfather)
    Somehow I think you'll be in heaven before the devil 'een knows you're gone.
 
    Nice write up again, as always. I used up the wee bit of gaelic I know in the first couple chapter of my story expecting some readers might be annoyed with it, but early versions had some profanity from one character and that was what a couple of my beta readers picked up on. Heh, you never know.
 
Jay
 
   
 
-----Original Message-----
From: ticket2write@yahoogroups.com [mailto:ticket2write@yahoogroups.com]On Behalf Of Wings081
Sent: Monday, November 05, 2012 12:07 PM
To: ticket2write@yahoogroups.com
Subject: [ticket2write] Re: A Scottish Romance (Jay Doggett 41473)

 

Hi jay
Re.tapadh leat: And a big thank you to yourself also.
I have yet to meet a Scotsman who would take offence at
any jibes I made at their expense, for they usually give as
good and more often better than they take.
Salt of the earth and I sincerely hope young Alex Salmon backs
down from breaking away from the rest of this island.
When I think of the Scots I hear the skirl of the bagpipes
with the shrill wailing of the chanter and I imagine my
uncle Billy would have followed them on the Western Front
on the day he was killed November 1914, leaving no marked
grave but the honour of his bravery in the military cross and bar.
I first went to Scotland when stationed in the RAF at an
air base named Kinloss on the moray Firth.
I was with Coastal Command at the time and had been flying
Sunderland flying boats out of Hong Kong.
I was delivering a Sunderland back to UK as it was considered time
expired and due for the scrap heap.( that was an adventure story
on its own).
Arriving from the Far East the big noises at Adastral House
asked me if I would like to stay on boats or transfer to land planes.
"What type of land planes?" I enquired. " Lancaster bombers" they replied.
No contest If I couldn't fly fighters, the Lanc was my next favourite.
And so in the middle of winter I took a conversion course onto
what to me, was a four engine fighter.
Now in Singapore I had taken a course to qualify as a navigator
and passed above average so I could find my way without
getting lost anywhere in the World. However Northern Scotland in
mid winter I found a different problem to navigating the forests
and oceans of eastern Asia.
Take-off was no problem as the runway had been swept clear of
snow but once airborne all reference points disappeared under a
blanket of snow with the only help to navigation being the odd river.
I was forced to rely on radio communication and D.R positions
from my navigator.
Course complete and I was offered a choice of Coastal stations;
One near Newcastle,one in Northern Ireland,back on boats
in South Wales or St Eval in Cornwall.
Looking on the map, I soon discovered which was nearer to
the equator and possible rise in temperature and so it was I
ended up in my Ancestors Celtic home county of Cornwall.
I met and married a local girl, raised a small family, lost the love of my life to cancer and I'm here to stay until the Grim Reaper
sends me an e-mail inviting me to a BBQ with Lucifer.
Slainte mhor agad Jay.
Wings.

--- In ticket2write@yahoogroups.com, "Jay Doggett" <jmdoggett@...> wrote:
>
> Wings,
>
> Good one. I can't speak for other Scots but I found this funny.
>
> Tapadh leat!
>
> Jay
>
> -----Original Message-----
> From: ticket2write@yahoogroups.com [mailto:ticket2write@yahoogroups.com]On
> Behalf Of Wings081
> Sent: Sunday, November 04, 2012 5:40 AM
> To: ticket2write@yahoogroups.com
> Subject: [ticket2write] A Scottish Romance
>
>
>
> Sassanachs have always accused the Scots of being mean and jokes abound to
> this effect.
> Before I continue, let me assure you all:I have formed great friendships
> with Scots and indeed I know for a fact we have at least one charming
> Scottish lady among our members.
> To continue,The following story is so typical of the English banter
> towards our near neighbours that I hope you will excuse me from
> placing it on site.
>
> A Scottish Romance (with apologies to any Scottish members).
>
> A young Scottish lad and lass were sitting on a low stone wall, holding
> hands, gazing out over the loch. For several minutes they sat silently. Then
> finally the girl looked at the boy and said, "A penny for your thoughts,
> Angus."
>
> "Well, uh, I was thinkin'.... perhaps it's aboot time for a wee kiss." The
> girl blushed, then leaned over and kissed him lightly on the cheek.. Then he
> blushed. The two turned once again to gaze out over the loch. Minutes passed
> and the girl spoke again.. "Another penny for your thoughts, Angus."
>
> "Well, uh, I was thinkin' perhaps it's aboot time for a wee cuddle." The
> girl blushed, then leaned over and cuddled
> him for a few seconds. Then he blushed. And the two turned once again to
> gaze out over the loch.. After a while, she again said, "Another penny for
> your thoughts, Angus."
> "Well, uh, I was thinkin' perhaps it's aboot time you let me put my hand
> on your leg." The girl blushed, then took his hand and put it on her knee,
> then he blushed. Then the two turned once again to gaze out over the loch
> before the girl spoke again.
> "Another penny for your thoughts, Angus.." The young man glanced down with
> a furled brow.
> "Well, noo," he said, "my thoughts are a wee bit more serious this time."
> Really?" said the lass in a whisper, filled with anticipation. "Aye," said
> the lad, nodding. The girl looked away in shyness, began to blush, and bit
> her lip in anticipation of the ultimate request.
> Then he said, "Dae ye nae think it's aboot time ye paid me the first three
> pennies?"
>
>
> My Comment on this is:
> If he hadn't been so impatient he might have had a fourpenny one.
> As always
> Wings.
>


#41479 From: Susan Donahue <suzianne411@...>
Date: Tue Nov 6, 2012 1:38 am
Subject: Fw: Wrex's Wreading Gnuz - for November 5th : TONITE: Monday, NOV 5th - Barbara Schmitz & Suzanne Kehm : TUESDAY -- VOTE, and Tuesdays with Writers: Deborah McGinn, Jen Davis-Korn, and Karla Decker -
suzianne411
Send Email Send Email
 


HOT NEWS 
:

::::::::::::::::::::::::::::::::::::::::::

book announcements AND 

PUBLISHING NEWS

at the bottom of this page !!!

:::::::::::::::::::::::::::::::::

Nebraska Book Awards, 2012:


2
012 (13th annual) for books published in 2011


Anthology:   

Aspects of Robinson: Homage to Weldon Kees, edited by Christopher Buckley and Christopher Howell 

Publisher: The Backwaters Press 


Anthology Honor:

Women on the North American Plains, edited by Renee Laegreid and Sandra K. Mathews

Publisher: Texas Tech University Press 


Cover/Design/Illustration:

First Telegraph Line across the Continent: Charles Brown’s 1861 Diary, edited by Dennis Mihelich and James E. Potter

Publisher: Nebraska State Historical Society Books

Designer: Reigert Graphics


Cover/Design/Illustration Honor:

Flushed During Play: 51 Pet Rodent Deaths, compiled by Jeff Lacey

Artwork: Calvin Banks

Publisher: Rogue Faculty Press


Fiction:

To Be Sung Underwater, by Tom McNeal

Publisher: Little, Brown and Company


Nonfiction: Biography:

Rattlesnake Daddy: A Son's Search for His Father, by Brent Spencer

Publisher: The Backwaters Press


Nonfiction: History:

The Rhythm Boys of Omaha Central: High School Basketball at the â€68 Racial Divide, by Steve Marantz

Publisher: University of Nebraska Press 


Nonfiction: Nebraska as Place:

Portraits Of The Prairie: The Land That Inspired Willa Cather, by Richard Schilling

Publisher: University of Nebraska Press 


Nonfiction: Reference:

Field Guide to Wildflowers of Nebraska and the Great Plains, by Jon Farrar 

Publisher: University of Iowa Press 


Poetry:

Dirt Songs: A Plains Duet, by Twyla M. Hansen and Linda M. Hasselstrom

Publisher: The Backwaters Press

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The Lincoln Underground Magazine 

is accepting submissions NOW!:

::::::::::::::::::::::::::::::::::::::::::

Click HERE 

for the latest info on Music and Poetry at

CRESCENT Moon COFFEE

8th & P sts, LINCOLN!!!!

................................................................


Pictures, Pictures: Go to this address for many, many Readings pictures --

 https://picasaweb.google.com/110313286591675631051

...................................

check out more info at: 

................................... 
Prairie Moon Reading & Music News: 
http://moonreading.blogspot.com/ 

Matt Mason's Poetry Menu: 
The Nebraska Poetry Menu at www.poetrymenu.com 

Brett Spencer's Nebraska Center for Writers
http://mockingbird.creighton.edu/NCW/ 

YouTube page at Creighton: 
http://www.youtube.com/user/CreightonCCAS 

Nebraska Center for the Book: 
http://centerforthebook.nebraska.gov/index.asp 

Reynolds Series , UN - Kearney :

http://www.unk.edu/academics/english/UNK_Reynolds_Series/

......................................................... 

THE DAILY SCHEDULE: 

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Monday, November 5th, 7pm -- 

Poetry at the Moon 

Presents:

Barbara Schmitz and Suzanne Kehm


Barbara is releasing her newest book, a memoir from Pinyon Publishing, entitled "Path of Lightning" , here at Crescent Moon tonight!


Author and poet Barbara Schmitz offers a heartful, funny, and deeply moving “spiritual autobiography” that brings the reader along on each stage of her fervent inner quest for mystical experience.

Beginning with a Catholic girlhood in Nebraska, she graduates to an unlikely apprenticeship with Allen Ginsberg at the Naropa Institute; a dedicated transcendental meditation practice; and finally to thirty years of joys and struggles with a Sufi teacher (Shahabuddin Less) with whom she travels to Bali, Turkey, India, Kashmir, and the Holy Land.

Incisive as lightning—the meaning of her Sufi name, Vajra—her questions and yearning are our own, and she doesn't let God, her teacher, or herself off the hook.


Poet BARBARA SCHMITZ retired from her teaching position in English at Northeast Community College in Norfolk, Nebraska, though she still teaches occasionally. She is a former editor of Elkhorn Review, and she has had poems published in such journals as Prairie Schooner, Laurel Review, Nebraska Review, Silverfish Review, Poetry Motel, Hurakan, River Styx, and Kansas Quarterly. Her chapbook,Making Tracks, was published by Suburban Wilderness Press in Duluth. She's also the author of The Lives of the Saints(Main-Travelled Roads #8, 1996), How to Get Out of the Body (Sandhills Press, 1999), The Upside Down Heart(Sandhills Press, 2003), and How Much Our Dancing Has Improved? (Backwaters Press, 2005). Her most recent collection is What Bob Says (Pudding House Publications, 2011). A resident of Norfolk, she gives psychic readings in the form of poems and is a winner of the Encouragement Award from the Nebraska Arts Council's Individual Artists Fellowships program (1997).


Suzanne Kehm recently was awarded the 2012 Artist Fellowship in Literature from the Nebraska Arts Council. She  holds an MFA in Creative Writing from the University of Nebraska and is a proud member of the Board of Directors for The Backwaters Press, a nonprofit independent publishing company in Omaha. Her work has appeared in several spectacular little journals, all boasting remarkable, hard working editors, including SN Review, The Battered Suitcase, The Platte Valley Review, Thumbnail, and others. The Kimmel Harding Nelson Center for the Arts provided her with a fine writing residency that yielded a stack of pages for a novel in progress. Forever, these days being what they are, she lives in the hope that John Neihardt and Black Elk weren’t making it up when they revealed what the eagle proclaimed: “Hold fast….There is more! There is more!”


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TUESDAYS WITH WRITERS at the South Mill


November 6th, 7pm

at the South Mill

48th & Prescott, Lincoln:


Prose reading, with Jen Davis-Korn, Karla Decker, and Deborah McGinn


Jen Davis-Korn
Jennifer was first set free to write whatever she wanted by her third grade teacher Mrs. Kruse. Ever since then, she's been lucky enough to land a string of great teachers, like Deborah McGinn, and mentors, like Rex Walton, to encourage and coax her writing whims into their present fiction state. She is fortunate to have earned the trust of the good people of Tuesdays With Writers where she has made a nice and comfortable writing home. Now she promises to bring you danger, excitement, and thrills with a sampling from her collection of chapters from a long work titled "Parks and Recreation"

Poet DEBORAH T MCGINN 


Deborah McGinn is an International Baccalaureate trained English teacher at Lincoln High School and educated at the University of Nebraska at Lincoln. She earned a BA in English/Reading in Secondary Education, and an MA in English with a Creative Writing thesis. She has published in The Iowa Review, South Dakota Review, English Journal, Plains Song Review, Plainsong, Times of Sorrow/Times of Grace, Untidy Season, Wild Goose Poetry Review, Platte Valley Review UNK, and ARS Medica, a journal of medicine. She sponsored Scribe, the Lincoln High literary magazine for twenty-five years. Scribe won numerous NCTE Highest Superior Awards under her leadership. Retiring from Scribe allows her time to sponsor the school’s first Slam Poetry Team. In 2012 LHS placed third in the state championship called Louder Than a Bomb. 

Karla Decker was born in Greeley, Colorado a million years ago. She has no memory of living in Omaha for about six months before the age of two though her picture appeared in the Omaha World Herald feeding a lollipop to her grandfather’s German Shepard. By age two she made her home in Wisconsin. She became enamored of Abstract Expressionism and majored in art at the University of Wisconsin-Milwaukee. There she became enamored of the young writers on campus and married one of them and moved to Minneapolis and then back to Omaha. She divorced the writer and moved to Lincoln. Three gorgeous daughters and a passion for writing came out of this marriage. Her publishing history is skimpy. At Marilyn Dorf’s urging she entered the Bess Streeter Aldrich contest last year and won 2nd place. She was July in the first issue of the Nebraska Poets calendar. That’s about it.

for more info, email Deborah at : dmcginn@... 


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Wednesday, November 7th , at 12:10 PM (NOON for procrastinators) - at Bennett Martin Library, 14th and N sts., Lincoln : 
LUNCH AT THE LIBRARY 
TODAY:
Donna Walter, Education Coordinator, Institute for Holocaust Education 
"The Story Behind the Journey That Saved Curious George"


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On Nov. 7 at 7:30 in the MBSC Dodge Room, Poet Tim Seibles will ready from his new book “Fast Animal.” Seibles is the recipient of an Open Voice award and fellowships from the National Endowment for the Arts and Princetown Fine Arts Work Center.


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Wednesday, November 7th-- 6-8 pm, Naked Words Open Mike at the Soul Desires (1026 Jackson Street, Omaha). Poetry, Frivolty, the Occasional Pop-Tart. Hosted by Heidi Hermanson, email prairie.sky (at) gmail.com for more information.


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Wednesday, November 7th -- 8pm, Travis Davis invites you to "Poet Show It" at 1122 D St. (Lincoln). Local writers come and read. Local people come and drink. Coffee, Booze, Poetry, Fiction. Discovery. Discovery. Discovery. Go here for FaceBook !:::::::::::::::::::::::::::::::::::::::

Wednesday, November 7th -- 8pm-12am, Acoustic Open Mic for musicians and poets at Meadowlark Coffee & Espresso (1624 South St, Lincoln). Hosted by Spencer. For more information call 402-477-2007

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Wednesday - SMASH TEETH POETRY SLAM!!!!
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Thursday, November 8th -- 7-8 pm, Poet and Creighton alum Ryan J. Browne will read selections from his newly published book in the Harper Center (Room 3023A, Creighton campus). His debut collection Outside Come In was selected as the 2011 winner of the Bright Hill Press Poetry Award. 

Admission is free and open to the public. Questions should be directed to Dr. Brent Spencer atbrentspencer@... or 402/280-2143.
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Friday, November 9th, at the Ross Media Center, 13th and Q sts, Lincoln, the premier of the film, "Pearl" based on a poem by Ted Kooser, Nebraska poet..


here is part of a Daily Nebraskan article on the film:

" .. When Ted Kooser gave Dan Butler permission to turn his poem “Pearl” into a short film, he didn’t think it would come to anything.

Kooser, a professor of English at the University of Nebraska-Lincoln and former National Poet Laureate, had been contacted by other artists with similar requests, but the projects typically went nowhere. This time, however, the film was not only completed, but it’s now making the rounds at film festivals.

Starring Butler as Ted Kooser and Frances Sternhagen in the title role, “Pearl” tells the story of when Kooser traveled to his mother’s cousin Pearl’s house in northeastern Iowa to tell her his mother had died. ... "

(CLIK HERE for the full article)


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Saturday, November 10th -- 7:30pm, the OM Center Poetry Slam and open mic (1216 Howard, Omaha). 


It's the longest-running slam in Omaha, often featuring some of the best performance poets in the nation. Open mic starts at 7:30 followed by the slam; sign up BEFORE 7:30 as signup is limited and will only be allowed after 7:30 if less than 8 are in the slam. Hosted by Matt Mason. $7 suggested donation. 


Call 345-5078 or go to OmahaSlam.com for more information.
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Poetry at the Moon 

Monday, November 12th , 7pm

at Crescent Moon Coffee

SE corner, 8th & P, Lincoln


Poetry at the Moon presents 


BARBARA SALVATORE & JOSHUA REDWINE


Barbara Salvatore earned her Bachelor of Fine Arts Degree from the School of Visual Arts, NYC. She is currently a student of the Omaha/Ponca language at UNL. Her artwork and writing has been published in Plains Song Review, Small Farm Journal, United Plant Savers News, and the collectives Who Knew? Catskill Literary Magazine and Walton Writers’ Works; from the Catskill Mountains. Her play, Other People's Ghosts, is a collection of vivid dreams, where the author is not herself, but occupies the bodies of complete strangers. It was awarded Honorable Mention in the 2010 Leapfrog Press Literary Fiction Contest, and was Finalist in Orpheus Theater’s 2011 New Playwright Contest. 

Her first novel, Big Horse Woman, was a Finalist in the 2009 Leapfrog Press Literary Fiction manuscript Contest. Big Horse Woman is a Ponca woman, born by the Niobrara River in 1833, under a Shooting-Star Shower and into a time of sweeping change. 
The fictional characters Barbara portrays originate in dreams and become real in the storytelling. 

This reading is in honor of 
Big Horse Woman’s birthday, November 13th, 1833, and to welcome her back to Nebraska.


Joshua Redwine (J.A. Redwine) is a 26 year old freelance writer and poet from Lincoln, Nebraska. He has written for the Daily Nebraskan Newspaper as an opinion columnist at the University of Nebraska-Lincoln where he graduated with a BS in Civil Engineering with a minor in mathematics, and works at Sinclair Hille Architects as a project coordinator.  Joshua has a new book out this year, A Satchel of Dreams, at AMAZON 


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On Wednesday, November 14, The Northeast Community College Visiting Writers Series will host poet Kevin Clark from 7-8pm in Hawks Landing in the Student Center. 
Kevin Clark’s book Self-Portrait with Expletives won the Lena-Miles Wever Todd Poetry Series Book Competition and is published by Pleiades Press and distributed by LSU Press. His first full-length collection In the Evening of No Warning (New Issues Press, 2002) earned a grant from the Academy of American Poets. 
The author of three chapbooks, Kevin has published poems in such journals as the Georgia, Iowa, and Antioch reviews, Crazyhorse, Ploughshares, Gulf Coast, The New York Quarterly, and The Denver Quarterly. The Notre Dame Review has anthologized one of his poems in The Notre Dame Review: The First Ten Years. Several years ago he won the Angoff Award for best contribution to The Literary Review. 
Kevin also publishes essays about literature, some of which have appeared in magazines such as The Iowa Review, The Southern Review, and Contemporary Literary Criticism. A semi-regular critic for The Georgia Review, he’s also published essays in books about Ruth Stone, Charles Wright, and Sandra McPherson. The first ArtsSmith Artist of the Year and winner of two university teaching awards, Kevin has also authored, The Mind’s Eye, a poetry writing textbook published by Pearson Longman. 
A professor of American literature and creative writing at Cal Poly in San Luis Obispo, Kevin also teaches during the summer at The Rainier Writing Workshop, a low-residency MFA program in Tacoma. He lives with his wife Amy Hewes on California’s central coast, where he continues to play rec league softball "despite legs like ancient concrete and more injuries than Evel Knievel." 
These events are sponsored by the Northeast Community College English Department through its Visiting Writers Series. All events are free and open to the public. For further information contact: 

Neil Harrison, Coordinator Phone (402) 844-7348


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Wednesday, November 14th -- 11:45 am-1 pm, 

at The KANEKO's KANEKO-UNO Library (1111 Jones St., Omaha) featuring award-winning NE poets and fiction writers as well as the winners of the Individual Artist's Fellowship Awards from the The Nebraska Arts Council, as part of our "Braided River" series. Bring your lunch and enjoy the show. While you are here, drop by the Fred Simon Gallery to see some of artwork from our best Nebraska artists. Today features Sara Lihz Staroska.
Sara is a writer, performer, and teaching artist. She holds a BA in Creative Writing from Creighton University and an MFA from California College of the Arts. She works as an English Instructor at Metropolitan Community College and is the author of six chapbooks including The Papier Mache Repair Shop Opens for Business.
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Wednesday, November 14th -- 8pm-12am, Acoustic Open Mic for musicians and poets at Meadowlark Coffee & Espresso (1624 South St, Lincoln). Hosted by Spencer. For more information call 402-477-2007


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the Fall 2012 

Plains Writers Series Thursday November 15, 2012, 2pm

Wayne State College, Wayne, NE


WHERE: Humanities Building, 2nd Floor Lounge, Wayne State College / SLAM @ Max Bar & Grill


TIME: Plains Writers Series @ 2:00 pm / SLAM @ 7:00 pm


Wayne State College’s Language and Literature Department, the School of Art and Humanities and the WSC Press are pleased to hold this fall’s Plains Writers Series on Thursday, November 15th, 2012. The Plains Writers Series is held several times a year in an attempt to bring attention to the prose and poetry of local Great Plains writers through reading and interacting with area audiences. 

This fall’s Plains Writers Series will highlight three writers, 
Liz Kay, Stephen Coyne, and Rex Walton. The authors will share selected pieces of their recent works in the second floor lounge in the Humanities Building at Wayne State College at 2:00 pm.

Following the Plains Writer Series will be 

Poetry Slam XXVIII

The poetry slam will be held at the Max Bar and Grill in downtown Wayne, Ne starting at 7:00 pm. If anyone would like to participate in the slam they will need 4 poems and $5 for registration at the door. All events are free and open to the public. 

AUTHOR BIOS:
LIZ KAY is a founding editor of Spark Wheel Press and the journal burntdistrict, Liz Kay holds an MFA from the University of Nebraska, where she was the recipient of both an Academy of American Poets Prize and the Wendy Fort Foundation Prize for exemplary work in poetry. In 2008, she was awarded a Dorothy Sargent Rosenberg Prize for excellence in lyric poetry. Her poems have appeared in such journals as Nimrod, Willow Springs, The New York Quarterly, Iron Horse Literary Review, Redactions, and Sugar House Review. You can find her at: www.lizkay.net

STEPHEN COYNE’S fiction and poetry have appeared in many magazines including The Southern Review, The Georgia Review, The North American Review, and The New England Review. He has won a Robert’s Writing Award, a Heartland Fiction Prize, and a Prairie Schooner Reader’s Choice Award. His story, “Hunting Country,” was chosen by Ann Tyler as one of the best stories published about the South from 1996 to 2006 and was republished in Best of the South II from Algonquin Books. Coyne teaches American literature and creative writing at Morningside College in Sioux City, Iowa.

REX WALTON - I began writing as an answer to a fellow student, in 1966, Flint, Michigan. Rusty was from the mysterious land of Ohio, wrote music, and poetry, and was exceedingly strange, and somehow very correct in his stretch for understanding. Dylan, and the Beat Poets, and Whitman, and Lowell.. Oh, what a wonderful opening to peer through - into the core of the real world, that one beyond my small-town origins. 1985 sent me back to school for more questions, and clues, and a plan for happenstance and ambiguity to take hold, and give me back my true self, if there was such a person left. I spent such glorious, frivolous, exacting times with Greg Kuzma, Charlie Stubblefield, Mordecai Marcus, Marcia Southwick, and Warren Fine, to name a few. That, and a few hundred books of poetry, and prose. So, I've been writing more and more, for longer than I could have imagined. My life continues to turn, and shift, and open. I'm glad to be fully here, at times, and catch a piece of writing going by - mine, or others' - no matter. It is a challenge and a dare, and a privilege to live this way. Along this wayside, I've been granted appearances in a number of Midwest magazines, among them the Rocky Mountain Review, Plainsong, and Plains Song Review, as well as the Middlewesterner, an online collection of views and visageings. Also, I've worked with writers here in Nebraska with workshop presentations, most recently "Writers Write!" , through the Nebraska Literary Heritage Assn. I run the Reading Series weekly at Crescent Moon Coffee in Lincoln.

CONTACT:
Chad Christensen
WSC Press
402-375-7118
wscpress@...


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Thursday, November 15th
7:30 pm Prairie Schooner Visiting Writer: Reading by Charlene Spearen INDIGO BRIDGE BOOKS

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Thursday, November 15th -- 4pm, Poetry Reading with Kwame Dawes 

at the Charles B. Washington Library (2868 Ames Ave, Omaha). 

Come hear Kwame Dawes, Guggenheim fellow and 2011 winner of the Barnes & Noble Writers for Writers Award, read his poetry! Reading to be followed by a Q & A session, with light refreshments.
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HUMANITIES ON THE EDGE: Lecture Series, UNL

Sheldon Museum of Art


Thursday, Nov. 17, 5:30 p.m. -- Jodi Dean, professor of political sciences at Hobart and William Smith Colleges, "Communicative Capitalism: This Is What Democracy Looks Like," Dean’s talk draws from work she has done in new media and politics over the last decade and a half. Dean agrees with those who emphasize the democratic potential of participation in communicative networks, but argues that democracy has merged with capitalism such that the communicative acts we engage in reinforce the hold of capitalism.

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1
Tuesday, November 20th -- 7-8pm, Poetry Downtown On The Bricks at Book Ends Used and Collectible Books (2218 Central Ave., Kearney). Tonight features 2 poets. Admission is free to the public, but come early - we can only seat about 30 folks comfortably. Call Book Ends at 308-293-0031 or email bookends@...

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the E. N. Thompson Forum: at the Lied Center


Nov. 28, 7 p.m. — Nebraska Solicitor General J. Kirk Brown and Michael Radelet, professor of sociology at the University of Colorado Boulder, will present the Chuck and Linda Wilson Dialogue on Domestic Issues, â€śThe Death Penalty: Justice, Retribution and Dollars”.

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Wednesday, November 21st -- 8pm-12am, Acoustic Open Mic for musicians and poets at Meadowlark Coffee & Espresso (1624 South St, Lincoln). Hosted by Spencer. For more information call 402-477-2007


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Wednesday, November 21st  -- 8pm, Travis Davis invites you to "Poet Show It" at 1122 D St. (Lincoln). Local writers come and read. Local people come and drink. Coffee, Booze, Poetry, Fiction. Discovery. Discovery. Discovery. 

Go here for FaceBook !

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Monday, November 26th -- 7pm 
Poetry at the Moon - 
Greg Kuzma & Terry Oberst: 

Born in 1944, GREG KUZMA is the author of Song for Someone Going Away (Ithaca House), Good News (Viking), The Obedience School (Three Rivers Press), and many other books. His Selected Poems appeared from Carnegie Mellon University Press in 1996. A new collection, McKeever Bridge, is just out from Sandhills Press. New long poems appear inTriquarterly, Harvard Review, Poetry East, and Witness. He was educated at Syracuse University (BA, 1966, MA, 1967), he teaches in the English Department at the University of Nebraska — Lincoln and is the editor of Best Cellar Press. He is at work on a screenplay. 

Terry Oberst, with years of writing, several books and many published poems, also facilitates the twice-monthly Writers Workshop at the F Street Rec Center. 
He leans towards the confessional, the elegaic, the formal-sounding works -- loves Yeats, Keats, Wordsworth, and many current writers.
He is currently working on a re-release of one of his earlier works, as well as writing a batch of new poems .....

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Monday, November 26th -- 7-8pm, WriteLife Presents: 

Writers' Open Mic at The PS Collective (6056 Maple St., Omaha). There will be 10 minute slots available for writers to sign up to read their work. This can be poetry, an excerpt from your published book, a piece that you're working on...anything goes, as long as you wrote it! Not a writer, but want to catch a glimpse of local creativity and talent? Stop by and be entertained!

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Wednesday, November 28th -- 8pm-12am, Acoustic Open Mic for musicians and poets at Meadowlark Coffee & Espresso (1624 South St, Lincoln). Hosted by Spencer. For more information call 402-477-2007


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Thursday, November 29th   
5:30 pm-7:00 pm Cave / Cinema: Werner Herzog's Cave of Forgotten Dreams and the Politics of Time 

at the SHELDON MUSEUM OF ART
Lutz Koepnick is Professor of German, Film and Media Studies, and Comparative Literature, Washington University in St. Louis. Part of the Humanities on the Edge speaker series.


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TUESDAYS WITH WRITERS at the South Mill

December 4th, 7pm, at the South Mill, 48th & Prescott, Lincoln


- the group read ---- send in a request to Deborah to read for the December celebration: dmcginn@...


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Wednesday, December 5th , at 12:10 PM (NOON for procrastinators) - at Bennett Martin Library, 14th and N sts., Lincoln : LUNCH AT THE LIBRARY 

TODAY:
Vicki Wood, Youth Services Librarian, Lincoln City Libraries 
"Good Books for Giving"


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READING AND PUBLISHING NEWS:

::::::::::::::::::::::::::::::::::::::::


Ted Kooser's Poem Inspires a Film!

Ted KooserA short film by Dan Butler, inspired by Ted Kooser's poem "Pearl" has been making the rounds of the film festivals, and the New England Festival has put it online. 

(CLICK HERE for online version)


There will be a showing at Ross Media Center November 9

(CLICK HERE FOR full article)



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and down the road, at UNL: 

Sherman Alexie on January 28th, 

and Lee Young-Li from February 16th til March 1st

::::::::::::::::::::::::::::::::::::::::::


Melissa Homestead Receives Honorable Mention by the Society for the Study of American Women Writers for its  first Edition Award

ClarenceAn edition of Catharine Sedgwick's novel Clarence, co-edited by English department faculty member Melissa J. Homestead, has been awarded an Honorable Mention by the Society for the Study of American Women Writers for its  first Edition Award. The SSAWW Edition Award is given every three years at the Society for the Study of American Women Writers’ conference to recognize excellence in the recovery of American women writers. First published in 1830, Sedgwick's novel of manners is set in New York City in the 1820s. Co-edited by Homestead and Ellen A. Foster (Clarion University of Pennsylvania) and published by Broadview Press, the edition features an introduction authored by Homestead focusing on Sedgwick's place in transatlantic literary culture and her imaginative engagements with New York City and the Caribbean, as well as a selection of contextual documents and images



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The 

William Kloefkorn Award 

for Excellence in Poetry 


Our good friend and poetry workhorse, Jim Reese, of Mt Marty College in Yankton, SD, sends us this:


One winner receives $500 and publication in PADDLEFISH. Submission fee $12 (for two poems). All poets submitting to the contest receive a copy of the forthcoming journal. All submissions will also be considered for the forthcoming issue of PADDLEFISH. The contest is judged byPADDLEFISH editor-in-chief Jim Reese and associate editor Dana DeWitt. All contest entrants can submit up to two poems for consideration each year. Each poem should not exceed two pages single-spaced. NO previously published work. NO simultaneous submissions.

Send a $12 check payable to Mount Marty College. In the subject line write Kloefkorn Award. On the submission envelope please write Kloefkorn Award. Please include SASE for the winning announcement. Submission period Nov. 1, 2012 - Feb. 28, 2013. The winner will be announced no later than April 30, 2013.


Submissions should be sent to:


   Mount Marty College
      c/o PADDLEFISH 
      1105 West 8th St .
      Yankton, SD 57078

*Don't forget to include your email, phone number and mailing address on the REVERSE side of each poetry submission.

William KloefkornThe William Kloefkorn Award for Excellence in Poetry was established in memory of the late Nebraska State Poet William Kloefkorn. Bill was named the Nebraska State Poet by proclamation of the Unicameral in 1982. In addition to his many publications and honors, he also won first-place in the 1978 Nebraska Hog-Calling Championship. A retired professor of English at Nebraska Wesleyan University in Lincoln, he was the author of over twenty collections of poetry and other books, including Alvin Turner as Farmer (Logan House, 2004), Sunrise, Dayglow, Sunset, Moon (Talking River Publications, 2004), andWalking the Campus (Lone Willow Press, 2004). He also published four memoirs, This Death by Drowning, Restoring the Burnt Child, At Home on This Moveable Earth and Breathing in the Fullness of Time (U. of Nebraska Press). He was the author of two collections of short fiction, A Time to Sink Her Pretty Little Ship and Shadow Boxer (Logan House Press). Other books include Sergeant Patrick Gass, Chief Carpenter: On the Trail with Lewis and Clark (Spoon River), Uncertain the Final Run to Winter (Windflower Press), Loup River Psalter (Spoon River), Welcome to Carlos (Spoon River), and Drinking the Tin Cup Dry (White Pine Press, 1989). His poems have appeared in Prairie Schooner, Georgia Review, Poet & Critic, and elsewhere. Bill mentored innumerable students and folks interested in the written word. Bill was a great friend and inimitable teacher.


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from the Bookguide at Lincoln city Libraries:


..... and, the Selection for the 

2012 One Book - One Lincoln 

is:

Destiny of the Republic 

by Candice Millard!

Readers in Lincoln cast their votes in June and July, and by an overwhelming majority, the tome you all selected for this year's 
One Book - One Lincoln title was Millard's engrossing look at the assassination of President James A. Garfield.

You can visit this year's official One Book - One Lincoln website for resources related to this year's selected title. The special programs for this year are still being finalized, and we'll announce those on the libraries' website, on Facebook, and via the One Book - One Lincoln e-mail list and Blog as soon as possible.

Thanks for your continued support for One Book - One Lincoln -- we look forward to another Fall of engaging discussions and informative programming related to the selected book!


BookGuide
The readers' services page of the Lincoln City Libraries
Lincoln, Nebraska
http://www.lincolnlibraries.org/depts/bookguide/front.htm



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PRAIRIE SCHOONER MAGAZINE 

sets up new rules for submissions this summer! 

the Schooner writes:
School's out for summer, but we want to keep reading! So we’re breaking our own rule — our general submission period closes May 1, but 
between May 2 and August 31, we’ll accept creative nonfiction essay submissions via our online submission system.


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Kwame Dawes, professor of English and Glenna Luschei Editor of Prairie Schooner, has received a John Simon Guggenheim Memorial Foundation Fellowship. He is among 181 scholars, artists and scientists in the United States and Canada who were selected for the honor from nearly 3,000 applicants.

The fellowship will support his work on the poem cycle, “August: A Quintet,” which is based on the work of August Wilson, an American playwright and Pulitzer Prize winner whose work illustrated the African-American experience in the 20th century.

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UNL professor Joy Castro's forthcoming debut novel, Hell or High Water, has been chosen as the September 2012 Book of the Month by the Las Comadres and Friends National Latino Book Club. It's good national publicity for a first novel: there are book club chapters all over the country, and Joy will be doing teleconferencing in September.

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UNL professor Wheeler Winston Dixon's book A History of Horror (Rutgers UP) has been chosen by Choice, the ALA Library Journal, as an Outstanding Academic Book of the Year for 2011. As Choice notes, their list of Outstanding Academic Books "comprise[s] less than 9 percent of the titles reviewed during 2011 and 2.5 percent of those submitted during that same time span, [ensuring that] these exceptional titles are truly the 'best of the best.'" In addition, A History of Horror will be released as an audio book by Redwood Audiobooks in 2012, and has just gone into a second printing from Rutgers.

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to subscribe, or un-sub:
Rex Walton
 
rexwalton@...
Prairie Moon Reading & Music News
www.moonreading.blogspot.com
Tuesdays with Writers
www.tuesdayswithwriters.blogspot.com
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#41480 From: Susan Donahue <suzianne411@...>
Date: Tue Nov 6, 2012 3:26 am
Subject: Fw: For those in the vicinity of Chicago
suzianne411
Send Email Send Email
 


Molly Malone's
Literary Open Mic and Reading Series

Featured Reader
Poet, Performer, Politician  
Scott DeKatch
     

Monday, Nov 12
7:30-9:30
7:00 open mic sign-up

$5 if you can
$3 if you can't

Molly Malone's
7652 W. Madison
Forest Park, IL

(five blocks north of the Blue Line / DesPlaines Ave)


Molly's Reading
second Monday of every month
mark your calendars, Dec 10.

About This Month's Featured Reader:

Scott DeKatch studied creative writing at Bowling Green State University where he also fronted a rock band and ran a failed campaign for city council. He has lived in Chicago since 2000 and his work has appeared in Seine und Werden, Monday Night, Creative Soup and other publications. In his spare time he plays guitar and sings in a rock band with another Bowling Green alum.    



Hosts Nina Corwin and Albert DeGenova invite you to the Molly Malone's Open Mic and Reading Series. Be part of one of the longest running and most highly respected open mics in the Chicago area. It also has the reputation for being one of the most welcoming venues in the city. The reading series was launched by River Oak Arts and Charlie Rossiter in 1998; Nina and Al have co-hosted since 2002.

#41481 From: Susan Donahue <suzianne411@...>
Date: Tue Nov 6, 2012 6:11 pm
Subject: Fw: Over 250 Small Presses Seek Manuscripts
suzianne411
Send Email Send Email
 
Poets & Writers' E-Newsletter

November 6, 2012

In This Issue
Poets & Writers Post-Sandy
250+ Small Presses Seek Manuscripts
Your Ideal Bookshelf
Collaboration Versus Control
Sharon Olds Reads "The Worst Thing"
Whiting Awards Winners Announced
Job Listings




Goucher College MFA in Creative Nonfiction







Chautauqua Institution 2013 Chautauqua Prize







Poets & Writers Guide to MFA Programs



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POETS & WRITERS POST-SANDY

Poets & Writers Magazine  

The building that houses our New York City office has been closed since Superstorm Sandy hit. Located in Lower Manhattan, the building was severely flooded and remains closed. Our server was knocked out, making it impossible for us to access email.

 

However, we have email back as of yesterday afternoon, and we're beginning to resume work remotely.

 

We are grateful that our staff are all safe and sound. About half of us were without power for almost a week and several sustained varying degrees of property damage to their homes and apartments--but everybody is OK.

 

If you've been trying to contact us, please be patient. We're doing everything we can to get up and running and will respond to messages as soon as we are able.

 

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OVER 250 SMALL PRESSES SEEK MANUSCRIPTS 


Are you looking for a publisher for your book? Poets & Writers' Small Presses Database could help you find the right one. Our listings for over 250 independent publishers include editorial interests, contact information, and submission guidelines. 

One new addition is the database is Rose Metal Press, which specializes in hybrid genres like micro-fiction, prose poetry, and novels-in-verse.

To learn more about independent publishing, pick up the new issue of Poets & Writers Magazine, which has a special section on small presses. On newsstands now.

Search the Small Presses Database

YOUR IDEAL BOOKSHELF

  My Ideal Bookshelf 

If you were asked to curate a small selection of the books most important to you, which volumes would it include? Artist Jane Mount and editor Thessaly La Force posed this question to more than 100 writers, musicians, designers, and others. Above, writer Mary Karr's choices.

Read About My Ideal Bookshelf

COLLABORATION VERSUS CONTROL 


How to identify interesting, useful, and quality content in the free-for-all of the Internet is a hot topic. New ventures like Medium, Branch, and idream books offer several alternatives. Learn how to take advantage of these platforms to publish, promote, and access new work.

Read the Digital Digest

SHARON OLDS READS "THE WORST THING"  


Sharon Olds video

Sharon Olds reads from her new collection, Stag's Leap, in this video recently aired on the PBS Newshour.

 

Watch the Video 

 

WHITING AWARD WINNERS ANNOUNCED


The Whiting Foundation recently announced the winners of their 2012 literary awards, which offer a $50,000 grant to each of ten emerging writers. Past winners have included Michael Cunningham, Mark Doty, Jonathan Franzen, Tracy K. Smith, and David Foster Wallace. View a list of the 2012 winners on the Grants & Awards Blog.

For more news about writing contests and awards, follow @pwprizereporter on Twitter.

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#41482 From: "Wings081" <wings081@...>
Date: Tue Nov 6, 2012 10:34 pm
Subject: Calamity facing Chanel No 5
wings081
Send Email Send Email
 
Chanel number 5
Just read that the European Union boffins are proposing to ban
Chanel number 5 because it might contain allergy-inducing Ingredients.
This fragrance;this aroma;thisbouquet;this perfume, has been around
for more than ninety years. How dare they even consider giving
  our ladies  such an interdiction. Why, it is the creme de la crčme
of feminine entrapment of the male of their species.

Stationed in Changi,Singapore I once formed an attachment with a pretty
  girl who was a member of the WAAF and unfortunately (for me anyway)
she was given a home posting back to UK.
Shortly afterwards one of our signallers was posted home also and I thought
it would be a nice gesture to get him to take a present to this girl in
the form of a large bottle of Chanel number 5.
I wrapped it well and asked him to post it when he arrived home.
He carried out my request to the `letter' but there the trouble started:
My girl friend received an empty bottle of Number 5 and this
poor man had to explain to his wife why all his clothes smelled
of perfume.
I'm sure most men will agree with me when I say:
Where the fair sex are concerned, we just can't win.
As Always
Wings

#41483 From: "Bernard d" <rede2rollbaby@...>
Date: Thu Nov 8, 2012 1:03 am
Subject: RESIDUUM.
rede2rollbaby
Send Email Send Email
 
 Residuum.


When love that waned, offers no sway,
then, Indifference farewells Romance.
Seems, a time has come, to walk away,
without sparing one backward glance.

Soft, whispered troths, now are denied,
as with its stern voice, Derision speaks.
Rejection's tears, long now have dried,
to moisten not, any past lover's cheeks.

Seems, the joyous lilts cannot be heard,
when loving eyes, have turned to stone.
Guilt follows every harsh uttered word,
remorseful ballads are best sung alone.                                                                     

The wines of Life, but one soured stain,
in a crazed chalice, that had held Love.
A lone minstrel strums, a dirge refrain,
with a mailed fist, in a soft velvet glove…


©. Copyright: Bernard de Silva…
       Thurs. 8th. November, 2012.
                                                                                                                                                                                                                                                                        


#41484 From: "Wings081" <wings081@...>
Date: Thu Nov 8, 2012 10:58 am
Subject: Re: RESIDUUM. (Bernard 41483)
wings081
Send Email Send Email
 
Hi Bernie
Excellent as always but could I ask a favour:
In the third stanza,allow me to add 'LY' onto
harsh in the third line. Must be me because as
I read it 'Harsh' slams the brakes on.
But what do I know cuz I don't profess to be a poet
just a rhymester.
Always a treat to read your submissions
As always
Wings.

--- In ticket2write@yahoogroups.com, "Bernard d" <rede2rollbaby@...> wrote:
>
>  Residuum.
>
>
> When love that waned, offers no sway,
> then, Indifference farewells Romance.
> Seems, a time has come, to walk away,
> without sparing one backward glance.
>
> Soft, whispered troths, now are denied,
> as with its stern voice, Derision speaks.
> Rejection's tears, long now have dried,
> to moisten not, any past lover's cheeks.
>
> Seems, the joyous lilts cannot be heard,
> when loving eyes, have turned to stone.
> Guilt follows every harsh uttered word,
> remorseful ballads are best sung alone.
>
> The wines of Life, but one soured stain,
> in a crazed chalice, that had held Love.
> A lone minstrel strums, a dirge refrain,
> with a mailed fist, in a soft velvet glove…
>
>
> ©. Copyright: Bernard de Silva…
>         Thurs. 8th. November, 2012.
>

#41485 From: mtracht508@...
Date: Thu Nov 8, 2012 12:30 pm
Subject: Re: RESIDUUM.
miltontracht...
Send Email Send Email
 
Bernard, this is a lovely refrain that beautifully expresses a stage of love that all of us romantics pray that we never see. Since I'm only 45 years into my own romance, I hope to have a long way to go before I have to face the ashes that once were---and still are---flames!
 
Your ending is a classic way of expressing the tired cliche, "They went out with a whimper, not a bang." As a therapist, once a client described one of my techniques of confrontation as "an iron fist concealed in a velvet glove." Your adjectives strengthen and slightly delay the conclusion which enhances the effect.
 
If new couples with stars in their eyes were made to read this refrain before they stepped too far in their expectations, perhaps it would serve as a guidepost for prevention rather than how to compose a dirge after the corpse is cold in the ground.
 
Your title was spot-on. Choosing the Latin form was also an excellent choice. It is a requiem.
 
One small suggestion of a technical nature: When you submit a piece to a group of writers, please use a standard font. If this were in book form, I could say that your choice is admirable. However, as someone who writes at least a thousand words a day and has to spend hours editing it, when something is submitted for review or evaluation, I would prefer not to have to strain my eyes reading curlicues. Good writing needs no artifice other than the technical skill to make words perform magic. Times New Roman or Arial in 12 point, ten pitch means I will have all my faculties concentrating on the content, not the packaging.
 
Milt
 
In a message dated 11/8/2012 5:50:36 A.M. Eastern Standard Time, rede2rollbaby@... writes:
 

 Residuum.


When love that waned, offers no sway,
then, Indifference farewells Romance.
Seems, a time has come, to walk away,
without sparing one backward glance.

Soft, whispered troths, now are denied,
as with its stern voice, Derision speaks.
Rejection's tears, long now have dried,
to moisten not, any past lover's cheeks.

Seems, the joyous lilts cannot be heard,
when loving eyes, have turned to stone.
Guilt follows every harsh uttered word,
remorseful ballads are best sung alone.                                                                     

The wines of Life, but one soured stain,
in a crazed chalice, that had held Love.
A lone minstrel strums, a dirge refrain,
with a mailed fist, in a soft velvet glove…


©. Copyright: Bernard de Silva…
       Thurs. 8th. November, 2012.
                                                                                                                                                                                                                                                                        

.


#41486 From: "Bernard d" <rede2rollbaby@...>
Date: Thu Nov 8, 2012 2:31 pm
Subject: Re: RESIDUUM. (Bernard 41483)
rede2rollbaby
Send Email Send Email
 
G'day Wings,
           near enough  to half past
midnight here...
           I don't like the idea of,
"every harshly" and dislike uneven
line length...but that's just me.


Have a play with these and comment...

Cheers Old Son,
                    Bernie...

Seems, the joyous lilts cannot be heard,
when loving eyes, have turned to stone.
Guilt follows every harsh, uttered word,
remorseful ballads are best sung alone.

It seems joyous lilts can never be heard,
when loving eyes slowly turn into stone.
Guilt pursues, the harshly uttered word,
the remorseful ballad is best sung alone.

Seems, the joyous lilts cannot be heard,
when loving eyes, have turned to stone.
Guilt follows every harshly uttered word,
remorseful ballads are best sung alone.


Seems, the joyous lilts cannot be heard,
when loving eyes, have turned to stone.
Guilt follows each crassly uttered word,
remorseful ballads, are best sung alone.


Seems, the joyous lilts cannot be heard,
when loving eyes, have turned to stone.
Guilt succeeds, a harshly uttered word,
remorseful ballads are best sung alone.


Seems, the joyous lilts cannot be heard,
when loving eyes, have turned to stone.
Guilt pursues, the crassly uttered word,
remorseful ballads are best sung alone.

#41487 From: Mary Jones <maryajj25@...>
Date: Thu Nov 8, 2012 6:49 pm
Subject: Re: Re: RESIDUUM. (Bernard 41483)
maryajj25
Send Email Send Email
 
Hi Bernie
 
We can always count on Wings for an interesting comment.
.
Bernie I love this poem. Your use of form and the 'best words in the best place' inspire me, as all your work does.
About your beautiful form and word association language- ie logical progression- looking at the contemporary stuff I wonder if we're outdated. What might that mean about our readership?
Mary

From: Wings081 <wings081@...>
To: ticket2write@yahoogroups.com
Sent: Thursday, November 8, 2012 4:58:30 AM
Subject: [ticket2write] Re: RESIDUUM. (Bernard 41483)
 
Hi Bernie
Excellent as always but could I ask a favour:
In the third stanza,allow me to add 'LY' onto
harsh in the third line. Must be me because as
I read it 'Harsh' slams the brakes on.
But what do I know cuz I don't profess to be a poet
just a rhymester.
Always a treat to read your submissions
As always
Wings.

--- In mailto:ticket2write%40yahoogroups.com, "Bernard d" <rede2rollbaby@...> wrote:
>
> Residuum.
>
>
> When love that waned, offers no sway,
> then, Indifference farewells Romance.
> Seems, a time has come, to walk away,
> without sparing one backward glance.
>
> Soft, whispered troths, now are denied,
> as with its stern voice, Derision speaks.
> Rejection's tears, long now have dried,
> to moisten not, any past lover's cheeks.
>
> Seems, the joyous lilts cannot be heard,
> when loving eyes, have turned to stone.
> Guilt follows every harsh uttered word,
> remorseful ballads are best sung alone.
>
> The wines of Life, but one soured stain,
> in a crazed chalice, that had held Love.
> A lone minstrel strums, a dirge refrain,
> with a mailed fist, in a soft velvet glove…
>
>
> ©. Copyright: Bernard de Silva…
> Thurs. 8th. November, 2012.
>


#41488 From: "Wings081" <wings081@...>
Date: Thu Nov 8, 2012 11:50 pm
Subject: RESIDUUM Bernard 41486.
wings081
Send Email Send Email
 
Bernie my old mate.
Spot on as I expected.
Sorry if I appeared to be a bit of a pain in the rear but
when I first read your original, I 'tripped over my shoe laces'
at : "every harsh word".
Now, with your latest: "The harshly uttered word" it rolls off the tongue like a
skier sliding down the piste.
  Keep 'em coming my friend
As always
Wings.

#41489 From: "alynda_long" <alynda_long@...>
Date: Fri Nov 9, 2012 3:15 am
Subject: Re: RESIDUUM.
alynda_long
Send Email Send Email
 
I can totally relate to this poem. I've been there more than once and it is a
dark, dark, place. You've beautifully captured the feelings I've been unable to
put into words. I have complete respect for poets as their task is far greater
than the writer of prose, in my opinion.

-Alynda

--- In ticket2write@yahoogroups.com, "Bernard d" <rede2rollbaby@...> wrote:
>
>  Residuum.
>
>
> When love that waned, offers no sway,
> then, Indifference farewells Romance.
> Seems, a time has come, to walk away,
> without sparing one backward glance.
>
> Soft, whispered troths, now are denied,
> as with its stern voice, Derision speaks.
> Rejection's tears, long now have dried,
> to moisten not, any past lover's cheeks.
>
> Seems, the joyous lilts cannot be heard,
> when loving eyes, have turned to stone.
> Guilt follows every harsh uttered word,
> remorseful ballads are best sung alone.
>
> The wines of Life, but one soured stain,
> in a crazed chalice, that had held Love.
> A lone minstrel strums, a dirge refrain,
> with a mailed fist, in a soft velvet glove…
>
>
> ©. Copyright: Bernard de Silva…
>         Thurs. 8th. November, 2012.
>

#41490 From: "alynda_long" <alynda_long@...>
Date: Fri Nov 9, 2012 3:34 am
Subject: Wings
alynda_long
Send Email Send Email
 
I guess Yahoo decided I don't need to get notifications at all regarding our
group. You have probably seen more of "my" part of the US than most people who
actually live here. Funny how that works, isn't it?

#41491 From: "alynda_long" <alynda_long@...>
Date: Fri Nov 9, 2012 3:30 am
Subject: Carol - thank you
alynda_long
Send Email Send Email
 
I just saw your critique today and I agree with much of what you said. I will
save it for a bit then go back with fresh eyes to flush out the details that it
greatly lacks. This is part of a book about a young girl who obviously went
through abuse. I'm drawn to the topic for various reasons, but am finding it
difficult to maintain focus on it for any length of time due to the
uncomfortable topic. I'm guessing that just means I truly need to write the
book.

Thanks again,

Alynda

#41492 From: "alynda_long" <alynda_long@...>
Date: Fri Nov 9, 2012 3:20 am
Subject: Re: A Scottish Romance
alynda_long
Send Email Send Email
 
I'm neither Scottish nor British, but I did get nice little laugh out of the
story.

--- In ticket2write@yahoogroups.com, "Wings081" <wings081@...> wrote:
>
> Sassanachs have always accused the Scots of being mean and jokes abound to
this effect.
> Before I continue, let me assure you all:I have formed great friendships with
Scots and indeed I know for a fact we have at least one charming Scottish lady
among our members.
> To continue,The following story is so typical of the English banter
> towards our near neighbours that I hope you will excuse me from
> placing it on site.
>
>
> A Scottish Romance (with apologies to any Scottish members).
>
> A young Scottish lad and lass were sitting on a low stone wall, holding hands,
gazing out over the loch. For several minutes they sat silently.  Then finally
the girl looked at the boy and said, "A penny for your thoughts, Angus."
>
> "Well, uh, I was thinkin'.... perhaps it's aboot time for a wee kiss." The
girl blushed, then leaned over and kissed him lightly on the cheek..  Then he
blushed. The two turned once again to gaze out over the loch.  Minutes passed
and the girl spoke again.. "Another penny for your thoughts, Angus."
>
> "Well, uh, I was thinkin' perhaps it's aboot time for a wee cuddle."   The
girl blushed, then leaned over and cuddled
> him for a few seconds.  Then he blushed. And the two turned once again to gaze
out over the loch.. After a while, she again said, "Another penny for your
thoughts, Angus."
> "Well, uh, I was thinkin' perhaps it's aboot time you let me put my hand on
your leg." The girl blushed, then took his hand and put it on her knee, then he
blushed. Then the two turned once again to gaze out over the loch before the
girl spoke again.
> "Another penny for your thoughts, Angus.." The young man glanced down with a
furled brow.
> "Well, noo," he said, "my thoughts are a wee bit more serious this time." 
Really?" said the lass in a whisper, filled with anticipation.  "Aye," said the
lad, nodding.  The girl looked away in shyness, began to blush, and bit her lip
in anticipation of the ultimate request.
> Then he said, "Dae ye nae think it's aboot time ye paid me the first three
pennies?"
>
>
> My Comment on this is:
> If he hadn't been so impatient he might have had a fourpenny one.
> As always
> Wings.
>

#41493 From: etim ekenyong <meditate_onthis@...>
Date: Wed Nov 7, 2012 10:53 pm
Subject: (No subject)
meditate_onthis
Send Email Send Email
 
#41494 From: Susan Donahue <suzianne411@...>
Date: Sat Nov 10, 2012 2:46 am
Subject: Fw: Poetry & Reception In Old Town Chicago Sat Nov 10
suzianne411
Send Email Send Email
 


Cliff Bernier, an award-winning poet from Washington DC, will read at 6 p.m. this Saturday Nov 10 at the monthly Tea & Poetry series at Immaculate Conception Catholic Church, 1431 N. Northpark St. in Chicago's Old Town neighborhood.
 
There will be a lovely reception with hors d'oeuvres, wine and other refreshments starting at 5:45 p.m. The reception and reading are both free and open to the public.
 
Cliff Bernier is the author of the 2011 award-winning poetry collection "The Silent Art," and the chapbooks "Earth Suite" and "Dark Berries," named by the Montserrat Review as two of the best chapbooks of 2010. Mr. Bernier has read his poems on National Public Radio and at the Library of Congress and has been a judge for "Poetry Out Loud," a joint program of the National Endowment for the Arts and the Poetry Foundation. His poems combine a strong sense of place with the vibrant musicality of American jazz. Come and treat yourself to the wonderful work of this fine emerging poet.

#41495 From: "alynda_long" <alynda_long@...>
Date: Fri Nov 9, 2012 9:01 pm
Subject: Re: Scene from "Remnants" (Working Title)
alynda_long
Send Email Send Email
 
Suzianne,

I can't find where I responded to your questions,so if this is a duplicate then
I apologize.

Yes, Remnants is going to be a full length novel, or that's the intent, at this
point.  I'm trying to get the main ideas flushed out then the detailed scenes
THEN tackle exactly how I'm going to make this structure work.

Part of me wants Maddie (changed the spelling) to be the true MC of the book,
but I realize that her adult counterpart, Madelyne, is going to be the one who
grows from all of the experiences. I knew it would be a tough undertaking, but
I'm muddling through, so to speak.

Thanks again,

Alynda

--- In ticket2write@yahoogroups.com, "Susan Donahue" <suzianne411@...> wrote:
>
> Dear Alynda,
>
> I forgot to ask a very important question.  Is Remanants intended to be a full
length novel, a short story or something in between?
>
> Jay's advice was right on the mark.  I find myself mentally reading between
the lines, wanting the story to expand.  How you fill in those spaces depends on
where you are going to take the reader and the length of the intended finished
piece.
>
> Keep working on this,
>
> Suzianne
>
> --- In ticket2write@yahoogroups.com, "alynda_long" <alynda_long@> wrote:
> >
> >
> > Thank you for the quick feedback. I'm planning (at some point) to have an
alternating first person narrative: one with the MC (Maddye) as a little girl
and the MC (Madelyne) as a adult. I know that FP can be limiting, but it's what
my gut is telling me to do. I just need to do a better job of showing her to the
reader. This definitely wouldn't be the opening scene. I'm thinking of a forward
to get the point across then moving into the story. She goes through a great
deal of sexual abuse and neglect, but she seems to think it is her own fault as
it happens over and over again.  To complicate matters, her mother has been in
and out of a State Hospital due to mental illness since she was three years old.
Maybe I'll post the "forward" section to help get into Maddye's head. It's all a
bit overwhelming as this story has been coming back to me over and over for
several years, but I always shy away from the really hard parts.
> >
> > If it isn't too much too soon then I'll find another segment/scene to post
for criticism. Who knows, I may end up with third person, but my stubbornness
won't allow it quite yet.
> >
> > Again, thank you so much for the feedback.
> > --- In ticket2write@yahoogroups.com, "Susan Donahue" <suzianne411@> wrote:
> > >
> > > Dear Alynda,
> > >
> > > I like your title.  "Remnants" is an evocative word that leads the reader
to wonder how the story will unfold and what those remnants will be.
> > >
> > > If this is the opening to your story, consider setting the stage for the
action.  Where and when does it take place?   One wonders to whom the person is
speaking.  That brings me to my own personal view on the subject of using a
first person point of view.  It is very limiting to the writer because there no
easy way to describe the person who is doing the talking.
> > >
> > > If you are not too far into this story, why not experiment with writing
this same scene in third person?  There are a lot of good reasons not to use
first person.  For example, it is distracting to the reader to see "I" so many
times in such a short piece.  Also it would be interesting to see this as dialog
or from the point of view of another character who can relate the actions and
facial expressions of the person speaking and who can ask her questions to give
her the opportunity to explain herself.  Those are techniques a writer can use
to develop a character.
> > >
> > > Another person in the scene could help you engage the reader.  The old
advice to "show, not tell" applies here.  A reader wants to relate to your
protagonist.  That can happen more easily if the reader is allowed to know more
about her than what she can say in a vacuum.
> > >
> > > This is a good start.  I would like to see more.
> > >
> > > Suzianne
> > >
> > >
> > > --- In ticket2write@yahoogroups.com, "alynda_long" <alynda_long@> wrote:
> > > >
> > > > I want to give you background or details about the project, but will
refrain.  Feedback is GREATLY appreciated. This is still very rough at this
point.
> > > >
> > > > ___________________________________
> > > >
> > > > I remember the smell of stale beer mixed with cigarette ashes on the
coffee table from around the age of six. I lived with my grandparents before
that. Prior to my grandparents, I don’t remember much at all.
> > > >
> > > > I remember hating my mother while I laid in my bed while she and a
strange man giggled in the living room while they listened to Crystal Gayle.
> > > >
> > > > I’d plead for her to come into the room. She’d come in naked then
say she’d been in the shower.
> > > >
> > > > I knew she lied and I would pinky promise myself that I’d still hate
her in the morning. I’d whisper, “I hate you. I hate you. I hate you” to
myself until I fell asleep.
> > > >
> > > > I didn’t. I couldn’t. I hated myself instead because I wasn’t
strong enough to hate her.
> > > >
> > > > The older boys in the neighborhood dared me to show them my privates in
exchange for some candy. I did it in the alley behind the house across the
street while they sat on their bicycles. I was seven.
> > > >
> > > > The candy didn’t taste very good.
> > > >
> > > > Most of her friends were people she met through the half way house or
the state hospital
> > > >
> > > > Or a bar. Or another bar. Or through some guy she met. You get the
point.
> > > >
> > > > She left me with a family once. I’m not sure how long I was there, but
the older brother and sister touched me in the place where I knew I shouldn’t
be touched then told me to do the same to them so I couldn’t tattle on them.
> > > >
> > > > Who would I have told?
> > > >
> > > > The same happened with my fifteen year old babysitter. I forgot her
name, but will never forget her room that was over the bar down the street from
our apartment.
> > > >
> > > > I was dirty. It was my fault. I drew these people to me somehow, but I
didn’t know how I did it.
> > > >
> > > > I guess I wanted them to do it or it wouldn’t keep happening, right?
> > > >
> > > > I was eight. I should know better, right?
> > > >
> > >
> >
>

#41496 From: "alynda_long" <alynda_long@...>
Date: Fri Nov 9, 2012 9:09 pm
Subject: Scene from my novel Remnants: Madelyne, age 30
alynda_long
Send Email Send Email
 
I'm still working on flushing out the structure of the book. At this point, I
have an alternating dual first person narrator (Maddie, herself as a child, and
Madelyne, herself as an adult). My hope is to merge them into one narrator by
the end of the book because they are able to finally become one, whole person.

Looking forward to "hearing" your thoughts on this scene and how I can improve
it.

-Alynda

Madelyne, Age 30ish
Sitting in my cubicle outside my boss' office, I sort through her email to see
which ones might actually require her attention. Okay, I also might take peeks
at other less professional correspondence too. I know, I know, it's
unprofessional, but my job is so boring and they pay me so little that I justify
the indiscretion to myself. I mean, this isn't my life's ambition. This is just
where I am until I finish my education. Before my life actually begins.

The phone rings again. Damn, that phone never stops ringing.

"Good Afternoon, American Telecom. This is Madelyne speaking".

"Madelyne?" A familiar,  yet tired voice is on the other end.

Quickly I look around to make sure nobody is close enough to hear my
conversation and I lean into the phone in an attempt to protect myself in some
way; wishing my cubicle was an office with a door.

Wearily, I say, "Hi Mom. What's going on?"

"I'm back in the Behavior Center again."
I hear the tears coming as she continues.

  "I, I, I just couldn't handle it anymore. I wish Debbie, you know, my neighbor
hadn't found me, but here I am."

I feel her sigh through the phone, but it rings false with me.

"The counselor said it would be better to talk to you on the phone, so I could
tell you how I feel and how you can help me this time."

The sickness in my stomach rises upward and I think I might lose my breakfast in
the trash can.

Again, here we are again. A-fucking-gain!

Seriously?? How many times are we going to go through this?

I clear my throat and weigh my options. I know what I'm supposed to say to her.

"It's okay.  I love you. I'm so sorry. Poor Mom. What did I do wrong that caused
you to be in this place again?"

Instead, the anger and resentment that's been building for twenty five years
explodes into the receiver.

Icily, I spit, "Why can't you just get it right? Don't you know how to do it by
now? You do this every fucking year and you magically never seem to get it
right?? Are you a fucking failure at EVERYTHING???"

And suddenly, my facade of being a supportive daughter on the outside has
quickly disappeared.

Hysteria ensues on the other end. A male voice which I assume is the counselor,
speaks into the receiver and gives me his name. I don't listen. I don't care.

I just want to separate myself from the craziness before it permanently becomes
so embedded in me that I can't shake it. Before I morph completely into my
mother and I have no chance of ever going back to me…whoever she is.

I hang up the phone, leave my boss a note that my daughter is ill and I need to
pick her up from school, then head to my car.

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