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Messages 1012 - 1041 of 4373   Oldest  |  < Older  |  Newer >  |  Newest
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1012
re:"Interesting idea, but I don't think I agree. You seem to be assuming that the attention of the audience has to be on one and only one thing at a time, and...
nebturner
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May 1, 2002
9:52 am
1013
Thanks James, You info was very helpful. I'll take a look at the setups you've recommended. I have a lot of experience recording in the studio but not a lot of...
alex_d_macfarlane
alex_d_macfa...
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May 1, 2002
3:15 pm
1014
I suspect that it's impossible to know what combination of things in a work of art evoke a given reaction. Basically, artists just try things until they...
earcircus
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May 1, 2002
4:04 pm
1015
Hi, this is developing into an area that my acoustics students and i have deliberated over on many occasions. Smearing of one scene into another takes place...
James Bisset
jamesb1t
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May 1, 2002
4:45 pm
1016
Hi, For a spectacular insight into the workings of the ear/brain please read The Psychology of Music by Diana Deutcsh. ISBN: 0122135652 She has conducted...
James Bisset
jamesb1t
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May 1, 2002
4:49 pm
1017
thanks everyone for participating and giving references. it's great to get other opinions before diving into something. i admit i feel a little exasperated at...
nebturner
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May 2, 2002
8:13 am
1018
Aaron, I'm currently conducting my dissertation paper on the masochistic pleasures affered to the (aural) spectator of the horror film and have written some...
sushi_pop
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May 4, 2002
11:51 pm
1019
As some of you know, I'm obsessed with the idea that a film's ability to use sound in storytelling is a function of the degree to which the film embodies the...
earcircus
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May 6, 2002
12:25 am
1020
I have heard that "Unheard Melodies: Narrative Film Music" by Claudia Gorbman (1987 Indiana University Press) should cover this field. If you are interested in...
Arvid Gregersen
arvidgregersen
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May 6, 2002
1:20 pm
1021
Hi all I'm sorry if I'm running over well-ploughed ground in this post, but am I the only person here mightily annoyed by Yahoo's tactics in buying this...
Mark McCann
marcmcc2001
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May 9, 2002
8:57 am
1022 -ao
amosound
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May 12, 2002
10:39 pm
1023
Dear Mr. Thom: In reference to your question about literature on musical scores and theories, I would suggest you try the FILMUS newsgroup. I have not been...
Pamela Jean Curry
hazelflagg
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May 14, 2002
5:59 pm
1024 sound-article-list
gapush@...
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May 16, 2002
8:40 pm
1025
hey¡¡¡¡¡¡ you have a virus¡¡¡¡¡¡¡¡¡¡ clean it, pelase¡¡¡...
Felipe Milano
fmilano@...
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May 17, 2002
7:30 am
1026
No I don't - can you please make sure of these things before you write to me. ... ...
Mary Dennison
mary@...
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May 20, 2002
11:31 pm
1027
hey everyone, i don't live in the US and i need a couple of examples of Hollywood big-budget films that officially flopped/didn't return profit within the...
nebturner
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May 30, 2002
8:53 am
1028
Hi ben, I had the pleasure of spending about 18 weeks working on a $85 million(or more) film that made about $3 million . "Monkeybone", starring Brendan ...
Jo Anne Patterson
pattier@...
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May 31, 2002
6:46 am
1029
Hi I'm hoping some of you could help me with a model of sound reception I'm exploring for my thesis. Principally I am working with a model which figures the ...
katy*stevens
sushi_pop
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Jun 2, 2002
4:14 am
1030
Hi Katy, ... You might try to find articles on 'perceiving sound through the scull'. But in film sound, more obvious would be the sound from the subwoofer. The...
Pluk
mrpluk
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Jun 2, 2002
9:12 am
1031
a friend (who is also a sound designer) tells me that she hears low frequencies with her womb. i don't understand that (being male) but then she doesn't ...
shannon o'neill
aliasfrequen...
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Jun 2, 2002
10:42 am
1032
Ironic! Woooooooooooooooooooommmmmmmmmmmbbbbbbbbbbbb is one of my favorite sounds!! RT ... body ... but I ... scull'. ... reproduce ... are...
earcircus
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Jun 2, 2002
10:46 am
1033
*LOL* ... - Daniel ... Fran: earcircus [mailto:RandyThom@...] Skickat: den 2 juni 2002 12:46 Till: sound-article-list@yahoogroups.com Amne:...
Daniel Andersson
daniel@...
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Jun 2, 2002
10:47 am
1034
that stuff on acoustic trauma and violence is incredible! I'm not sure if it will directly relate but it is much appreciated nonetheless... when i talk about...
katy*stevens
sushi_pop
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Jun 2, 2002
11:26 am
1035
I would be interested in thinking out loud with you. I wrote a paper for ethnomusicology class while an undergrad at Columbia University in 1959 exploring this...
charlie morrow
charliemorro...
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Jun 2, 2002
12:00 pm
1036
A useful model is the experience of sound underwater, when immersed sound reaches all parts of the body at the same time. This reflects on the time before...
charlie morrow
charliemorro...
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Jun 2, 2002
12:18 pm
1037
Some acting and voice teachers have students practice putting sound in different parts of the body by making vocal sounds. This is the active version of your...
delvebelow@...
delvebelow
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Jun 3, 2002
3:06 am
1038
I clearly remember some scenes from a film - maybe shot in the '80s (or '90s) - where a character had lost for some odd reason his power to produce any kind of...
Sergio Bassetti
serbass@...
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Jun 3, 2002
7:11 am
1039
Dear Katy, Unlike most of the individuals in this group my theories on sound in film stem in part from research somewhat in that area. Most of the information...
Pamela Jean Curry
hazelflagg
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Jun 3, 2002
2:16 pm
1040
Hi, The tactility of sound is not to be underestimated. At one extreme it can cause death at the other it can result in orgasm. (General guidelines) The human...
James Bisset
jamesb1t
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Jun 4, 2002
5:46 pm
1041
Hello fellow members. Some months ago I wrote to this list about a Sound Design project that I had underway. The film is a thriller called "The Terrible Old...
Geoff Edwards
lakeside@...
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Jun 4, 2002
6:11 pm
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